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Music --- Choreography --- Chorégraphie --- ritme --- dans --- muziek --- beeldelementen --- didactiek --- vormleer --- 7.013 --- Fernand Schirren ; préfaces de José Besprosvany, Anne Teresa De Keersmaeker et Maguy Marin --- Chorégraphie --- Muziektheorie --- Ritmiek --- Dansen --- Choreografie --- Brussel --- De Munt --- Mudra --- 20e eeuw --- België

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In 1995, Anne Teresa De Keersmaeker opened the dance school P.A.R.T.S. In the meantime, ten generations of dancers and choreographers have studied there, more than 350 students from through the world. Today, many are prominent figures in the dance world. For its twentieth anniversary, P.A.R.T.S. looks back. In this book, fifty former students are portrayed. Fifty individual stories about how dance came into their lives, what dance can mean, and how they give form to the art of dance. An interview with Anne Teresa De Keersmaeker precedes the portraits. The book concludes with one hundred images of life at P.A.R.T.S., and lists of all the students, teachers and collaborators who have, over the past twenty years, contributed to making P.A.R.T.S. what it is today.

dansers --- Theatrical science --- hedendaagse dans --- P.A.R.T.S.: Performing Arts Research and Training Studios [Brussels] --- anno 2000-2009 --- anno 2010-2019 --- anno 1990-1999 --- dance [discipline] --- Anne Teresa De Keersmaeker --- P.A.R.T.S. (Brussels, Belgium) --- History --- Dancers --- Biography --- Modern dance --- De Keersmaeker, Anne Teresa --- Performances --- Performing Arts Research and Training Studios (Brussels, Belgium) --- Alumni and alumnae. --- dance [performing arts genre]

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Johann Sebastian Bach’s Cello Suites are considered a milestone in the history of Western music. The intellectual and architectural elements continue to evoke contemporary appeal, with their rhythmic vitality and melodic intricacy. Anne Teresa De Keersmaeker’s affinity with Bach was already apparent in several previous creations, and she continues to pursue a choreographic écriture that captures the essence of Bach’s musical language. In this production, Bach’s score, performed in its totality by the world-renowned cellist Jean-Guihen Queyras, is faceted, challenged, and performed through a choreography for three male and two female dancers, De Keersmaeker herself one of them. Both the individual character of the six suites and their mutual interconnections emerge from this riveting symbiosis of music and dance.

Bach, Johann Sebastian --- Ballet --- Suites --- Anne Teresa De Keersmaeker --- Modern dance --- dans --- België --- choreografie --- choreografen --- 792.071 --- De Keersmaeker Anne Teresa --- fotografie --- dansfotografie --- Rosas --- Van Aerschot, Anne --- Interpretive dancing --- Modern dancing --- Dance --- Keersmaeker, Anne Teresa de --- De Keersmaeker, Anne Teresa --- Rosas (Dance company) --- Mitten wir im Leben sind/Bach6Cellosuiten (Choreographic work : Keersmaeker) --- Modern dance. --- Keersmaeker, Anne Teresa de. --- Rosas (Dance company). --- Mitten wir im Leben sind/Bach6Cellosuiten (Choreographic work : Keersmaeker). --- Theatrical science --- dance [discipline] --- performance art --- choreography --- dances [performance events] --- dance companies --- Keersmaeker, de, Anne Teresa --- Rosas [Brussels] --- dance [performing arts genre] --- Keersmaeker, De, Anne Teresa