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"In her latest landmark book... author Mindy Johnson pulls back the celluloid curtain on the nearly vanished world of ink pens, paintbrushes, pigments and tea... meet the pioneering women who brought hand-rendered animated stories to vibrant, multicolored life at Walt Disney Studios and beyond. Extensively researched with the full support of the entire Walt Disney Studios archival resources, plus a multitude of private collections, firsthand accounts, newly discovered materials, and production documentation, as well as never-before-seen photography and artwork, this essential volume redefines the collective history of animation."--Inside front jacket flap.

Walt Disney Productions. --- Women animators --- Animation (Cinematography) --- Animation cels --- Animated films --- Motion picture industry

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Chapter “Introduction” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

Animated films. --- Historiography. --- Animation. --- Memory Studies. --- Historical criticism --- History --- Authorship --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation (Cinematography) --- Animation cels --- Criticism --- Historiography

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"Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear. Countering the view that the contemporary environmental movement--and the cartoons it influenced--came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat cartoons to Disney's beloved Bambi to Pixar's Wall-E and James Cameron's Avatar, this volume shows how animated features with environmental themes are moneymakers on multiple levels--particularly as broad-based family entertainment and conveyors of consumer products. Only Ralph Bakshi's X-rated Fritz the Cat and R-rated Heavy Traffic and Coonskin, with their violent, dystopic representation of urban environments, avoid this total immersion in an anti-environmental consumer market. Showing us enviro-toons in their cultural and historical contexts, this book offers fresh insights into the changing perceptions of the relationship between humans and the environment and a new understanding of environmental and animated cinema"--Provided by publisher.

Animated films. --- Environmentalism in motion pictures. --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation (Cinematography) --- Animation cels

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En este libro evaluamos el escenario de formacio´n de futuros lectores. ¿Cua´les son los caminos para desarrollar comunidades de lectura desde la biblioteca escolar? Las respuestas a esta pregunta pasan por proyectar una visio´n coherente a nivel de la escuela en torno a la lectura, que apunten primero a articularse con pra´cticas y realidades actuales, sobre todo integrando el a´mbito digital. Pero tambie´n es necesario enfrentar con creatividad la mirada existente sobre las actividades de aula ligadas a la lectura, favoreciendo el desarrollo de lectores que elijan lo que necesitan y quieren leer. Mediante la formacio´n de una coleccio´n diversa y una gestio´n centrada en la formacio´n de lectores, en este libro insistimos en la articulacio´n entre la biblioteca escolar y la comunidad educativa, convencidos de que con creacio´n e innovacio´n es posible formar lectores y ciudadanos para el siglo XXI, que buscan interpretar y entender el mundo, comprometidos con la diversidad de experiencias y de miradas.

Animated films --- History and criticism. --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation (Cinematography) --- Animation cels

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Working at the intersection of the philosophy of technology and the history of thought, Lamarre explores how anime and its related media entail material orientations and demonstrates concretely how the 'animetic machine' encourages a specific approach to thinking about technology.

Sociology of knowledge --- Film --- Japan --- Animated films -- Japan -- History and criticism. --- Animated films --- History and criticism. --- J6848 --- -animatie --- film --- animatietheorie --- anime --- gender studies --- 791.46 --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation (Cinematography) --- Animation cels --- Japan: Media arts and entertainment -- anime --- animatie --- History and criticism