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Opera --- Animals in the performing arts. --- Animals --- Animals --- Symbolic aspects
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Performing Animality provides theoretical and creative interventions into the presence of the animal and ideas of animality in performance. Animals have always played a part in human performance practices. Maintaining a crucial role in many communities' cultural traditions, animal-human encounters have been key in the development of performance. Similarly, performance including both living animals and/or representations of animals provides the context for encounters in which issues of power, human subjectivity and otherness are explored. Crucially, however, the inclusion of animals in performance also offers an opportunity to investigate ethical and moral assumptions about human and non-human animals. This book offers a historical and theoretical exploration of animal presence in performance by looking at the concept of animality and how it has developed in theatre and performance practices from the eighteenth century to today. Furthermore, it points to shifts in political, cultural, and ethical animal-human relations emerging within the context of animality and performance
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When theater and related forms of live performance explore the borderlands labeled animal and autism, they both reflect and affect their audiences' understanding of what it means to be human. Affect, Animals, and Autists maps connections across performances that question the borders of the human whose neurodiverse experiences have been shaped by the diagnostic label of autism, and animal-human performance relationships that dispute and blur anthropocentric edges. By analyzing specific structures of affect with the vocabulary of emotions, Marla Carlson builds upon the conception of affect articulated by psychologist Silvan Tomkins. The book treats a diverse selection of live performance and archival video and analyzes the ways in which they affect their audiences. The range of performances includes commercially successful productions such as The Curious Incident of the Dog in the Night-Time, War Horse, and The Lion King as well as to the more avant-garde and experimental theater created by Robert Wilson and Christopher Knowles, Back to Back Theatre, Elevator Repair Service, Pig Iron Theatre, and performance artist Deke Weaver.
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Des oiseaux chanteurs du théâtre à domicile aux chiens protagonistes du mélodrame canin, des éléphants vénérés dans les pantomimes zoologiques aux chevaux exhibés dans les performances équestres, des humains travestis en taupes ou primates aux rongeurs et aux escargots transposés en mots par les comédiens, telle est la ménagerie théâtrale comprise dans le présent ouvrage, le but étant d'examiner l'écriture, l'incarnation humaine et la mise en scène de l'animal en France, des Lumières à nos jours. En abordant une pluralité de topographies théâtrales, les différentes procédures de représentation de l'animal permettent d'explorer la scène en tant qu'espace de cohabitation et moyen de connaissance de l'altérité d'espèce. Cet ouvrage est le premier à proposer un panorama de la représentation de l’animal au théâtre en France, du siècle des Lumières à nos jours. Il comprend vingt-deux chapitres consacrés aux enjeux esthétiques découlant de la mise en scène tant de vrais animaux que de comédiens incarnant l’altérité d’espèce.
Animaux -- France --- Théâtre --- Animaux --- Mise en scène. --- Au théâtre --- Animals in the performing arts
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"When theater and related forms of live performance explore the borderlands labeled animal and autism, they both reflect and affect their audiences' understanding of what it means to be human. Affect, Animals, and Autists maps connections across performances that question the borders of the human whose neurodiverse experiences have been shaped by the diagnostic label of autism, and animal-human performance relationships that dispute and blur anthropocentric edges. By analyzing specific structures of affect with the vocabulary of emotions, Marla Carlson builds upon the conception of affect articulated by psychologist Silvan Tomkins. The book treats a diverse selection of live performance and archival video and analyzes the ways in which they affect their audiences. The range of performances includes commercially successful productions such as The Curious Incident of the Dog in the Night-Time, War Horse, and The Lion King as well as to the more avant-garde and experimental theater created by Robert Wilson and Christopher Knowles, Back to Back Theatre, Elevator Repair Service, Pig Iron Theatre, and performance artist Deke Weaver"--
Theater audiences --- Performing arts --- Animals in the performing arts --- Psychology --- Audiences --- Affect (Psychology) in the performing arts. --- Animals in the performing arts. --- Animaux dans les arts du spectacle. --- Autismus. --- Autistes dans les arts du spectacle. --- Autistic people in the performing arts. --- Mensch. --- PERFORMING ARTS / General. --- PSYCHOLOGY / Psychopathology / Autism Spectrum Disorders. --- Performance --- Tiere.
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" Everyone has an animal story--the pet they loved or hated, the wild animal that captured their childhood imagination, the nasty dog at the end of the street, the deer your uncle shot or your neighbor hit while driving. Telling stories about animals is part of how we tell the story of being human, but recent scientific breakthroughs in animal cognition, the exploding interdisciplinary field of animal studies, and global climate change have all complicated these stories. Animal Acts collects some of the most exciting, provocative, and moving solo performances on animals, grounded by commentaries that help put these engaging works in a larger context. Animal Acts includes the work of leading theater artists Holly Hughes, Rachel Rosenthal, Deke Weaver, Carmelita Tropicana, and others, along with commentary by major scholars including Donna Haraway, Jane Desmond, Jill Dolan, and Nigel Rothfels. A masterful introduction by Una Chaudhuri provides readers a useful foundation for understanding and appreciating the intersection of animal studies and performance. The anthology makes an important contribution to several fields as it foregrounds questions of race, gender, sexuality, class, nation, and other issues central to the human project within the discourse of the "post human." The collection will be of interest to those interested in solo performance, animal studies, gender studies, performance studies, and environmental studies"--
Animals in the performing arts. --- Animal behavior. --- Animals --- Animals, Habits and behavior of --- Behavior, Animal --- Ethology --- Animal psychology --- Zoology --- Ethologists --- Psychology, Comparative --- Performing arts --- Behavior --- NATURE / Animals / General. --- PERFORMING ARTS / Theater / History & Criticism.
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"A collection of essays that explore the role of performing animals in literature, theater, art, and other media prior to the twentieth century, and discuss recent theoretical work in animal studies, materialism, and post humanism"--Provided by publisher.
Human-animal relationships in the performing arts --- Equestrian drama --- Animals in the performing arts --- Animals as represented on the stage --- Performing arts --- Animals in the theater --- Theater --- Hippodrama --- Hippodrome --- Horse drama --- Drama --- History. --- Animals
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Nigeria --- African rock python --- Animals in the performing arts --- Captive wild animals --- Hyenas --- Monkeys --- Nigerians --- Portrait photography --- Threats of violence --- 77.071 HUGO --- documentaire fotografie --- eenentwintigste eeuw --- fotografie --- Hugo Pieter --- portretfotografie --- Violence, Threats of --- Violent threats --- Threats --- Photography --- Portraiture --- Ethnology --- Haplorhini --- Primates --- Hyaenas --- Hyaeninae --- Hyaenidae --- Captive animals --- Wild animals, Captive --- Animals --- Wild animal collecting --- Performing arts --- African python --- Python sebae --- Rock python --- Rock snake --- Python (Genus) --- Portraits
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Fighting Nature is an insightful analysis of the historical legacy of 19th century colonialism, war, animal acquisition and transportation. This legacy of entrenched beliefs about the human right to exploit other animal species is yet to be defeated. Throughout the 19th century animals were integrated into staged scenarios of confrontation, ranging from lion acts in small cages to large-scale re-enactments of war. Initially presenting a handful of exotic animals, travelling menageries grew to contain multiple species in their thousands. These 19th-century menageries entrenched beliefs about the human right to exploit nature through war-like practices against other animal species. Animal shows became a stimulus for antisocial behaviour as locals taunted animals, caused fights, and even turned into violent mobs. Human societal problems were difficult to separate from issues of cruelty to animals.
Animals in the performing arts --- Human-animal relationships --- Exotic animals --- Animals and civilization --- Animal welfare --- Social aspects. --- Social aspects --- Abuse of animals --- Animal cruelty --- Animals --- Animals, Cruelty to --- Animals, Protection of --- Animals, Treatment of --- Cruelty to animals --- Humane treatment of animals --- Kindness to animals --- Mistreatment of animals --- Neglect of animals --- Prevention of cruelty to animals --- Protection of animals --- Treatment of animals --- Welfare, Animal --- Civilization and animals --- Civilization --- Animal-human relationships --- Animal-man relationships --- Animals and humans --- Human beings and animals --- Man-animal relationships --- Relationships, Human-animal --- Performing arts --- Abuse of
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