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Art --- fables --- animal stories --- animal art --- Medieval [European] --- anno 500-1499 --- Germany

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'Dit ben ik, IA. Hoe je dat zegt? Nou gewoon: Ie-Aa. Ik ga je een verhaal vertellen. Niet zomaar een verhaal, maar een kerstverhaal. Welk geloof je ook hebt, of misschien geloof je helemaal niets, mijn verhaal moet ik kwijt. Je gaat de allermooiste schilderijen en tekeningen uit de hele wereld tegenkomen. Maar nog leuker: het zal je verbazen hoeveel kunstwerken er bestaan waarop ik te zien ben. Honderden, nee duizenden! En dat is omdat ik, IA, een grote rol speel in dit verhaal. Je zult het zien.'Martine Gosselink, directeur van museum het Mauritshuis, vertelt in dit boek het kerstverhaal door de ogen van IA het ezeltje. Veel schilders hebben ezels in hun werk opgenomen, in dit boek een keus daaruit, die samen het kerstverhaal laten zien. Het ezeltje IA blijkt ook veel over de kunstwerken te weten. 'Waarom? Ik was er altijd bij!', aldus IA. https://www.waanders.nl/nl/kerstverhaal-van-ia-het-ezeltje.html

Kerstverhaal --- Ezel (Dier) --- Kunstgeschiedenis --- Didactics of the arts --- Children's literature. Juvenile literature --- works of art --- animal stories --- Christmas stories

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Animal stories --- Animals [Fictitious ] --- Animals [Imaginary ] --- Animals [Legends and stories of ] --- Animals [Mythical ] --- Animaux chimériques --- Animaux fabuleux --- Animaux fantastiques --- Animaux fictifs --- Animaux imaginaires --- Animaux légendaires --- Animaux mythiques --- Bestiaires fabuleux --- Créatures chimériques --- Créatures de la mythologie --- Créatures du folklore --- Créatures fabuleuses --- Créatures fantastiques --- Créatures fictives --- Créatures folkloriques --- Créatures imaginaires --- Créatures légendaires --- Créatures mythiques --- Créatures mythologiques --- Dieren [Mythische ] --- Faune imaginaire --- Fictitious animals --- Folklore [Créatures du ] --- Imaginary animals --- Legends and stories of animals --- Mythical animals --- Mythische dieren --- Mythologie [Créatures de la ] --- Mythologie zoologique --- Zoological mythology --- Zoologie fantastique --- Zoologists --- Zoology --- Animals, Mythical --- Biography --- History --- Aldrovandi, Ulisse --- Gesner, Konrad --- Zoologists - Biography --- Zoology - History

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Animal stories --- Animals [Fictitious ] --- Animals [Imaginary ] --- Animals [Legends and stories of ] --- Animals [Mythical ] --- Animaux chimériques --- Animaux fabuleux --- Animaux fantastiques --- Animaux fictifs --- Animaux imaginaires --- Animaux légendaires --- Animaux mythiques --- Beschaving [Middeleeuwse ] --- Bestiaires fabuleux --- Civilisation médiévale --- Civilization [Medieval ] --- Civilization [Medieval ]--History --- Créatures chimériques --- Créatures de la mythologie --- Créatures du folklore --- Créatures fabuleuses --- Créatures fantastiques --- Créatures fictives --- Créatures folkloriques --- Créatures imaginaires --- Créatures légendaires --- Créatures mythiques --- Créatures mythologiques --- Dieren [Mythische ] --- Europa--Beschaving--476-1492 --- Europe--Civilisation--476-1492 --- Europe--Civilization--476-1492 --- Faune imaginaire --- Fictitious animals --- Folklore [Créatures du ] --- Freaks --- Imaginary animals --- Legends and stories of animals --- Medieval civilization --- Middeleeuwen--Beschaving --- Middeleeuwen--Cultuur --- Middeleeuwse beschaving --- Middeleeuwse cultuur --- Middle Ages--Civilization --- Monsters --- Monsters [Double ] --- Monstres --- Monstrosities --- Moyen-Age--Civilisation --- Mythical animals --- Mythische dieren --- Mythologie [Créatures de la ] --- Mythologie zoologique --- Teratology --- Zoological mythology --- Zoologie fantastique --- Popular culture --- Civilization, Medieval. --- Animals, Mythical. --- Miracles --- Monsters. --- Culture populaire --- Religious aspects --- History of doctrines --- Aspect religieux --- Histoire des doctrines --- Christianity. --- Comparative literature --- Thematology --- History of civilization --- anno 500-1499 --- Civilisation médiévale --- Religious aspects. --- Animals, Mythical --- Civilization, Medieval --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Monsters, Double --- Animals --- Curiosities and wonders --- Folklore --- Middle Ages --- Civilization --- Chivalry --- Renaissance --- Creatures, Fabled --- Fabled creatures --- Fabulous animals --- Fabulous creatures --- Fantastic animals --- Legendary animals --- Dragons --- Religious aspects&delete& --- Christianity --- Abnormalities --- History --- Mythology --- Europe --- Middle Ages, 600-1500 --- Middle Ages, 500-1500 --- MONSTRES DANS LA LITTERATURE --- MIRACLES DANS LA LITTERATURE --- CURIOSITES ET MERVEILLES --- ANGLETERRE --- HISTOIRE

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Animal Narratology interrogates what it means to narrate, to speak—speak for, on behalf of—and to voice, or represent life beyond the human, which is in itself as different as insects, bears, and dogs are from each other, and yet more, as individual as a single mouse, horse, or puma. The varied contributions to this interdisciplinary Special Issue highlight assumptions about the human perception of, attitude toward, and responsibility for the animals that are read and written about, thus demonstrating that just as “the animal” does not exist, neither does “the human”. In their zoopoetic focus, the analyses are aware that animal narratology ultimately always contains an approximation of an animal perspective in human terms and terminology, yet they make clear that what matters is how the animal is approximated and that there is an effort to approach and encounter the non-human in the first place. Many of the analyses come to the conclusion that literary animals give readers the opportunity to expand their own points of view both on themselves and others by adopting another’s perspective to the degree that such an endeavor is possible. Ultimately, the contributions call for a recognition of the many spaces, moments, and modes in which human lives are entangled with those of animals—one of which is located within the creative bounds of storytelling.

Research & information: general --- Biology, life sciences --- Animals & society --- animal narrators --- anthropocentrism --- cultural ontologies --- discourse analysis --- fiction-nonfiction distinction --- framing and footing --- life writing --- narratology --- politeness --- self-narratives --- animal studies --- human-animal studies --- speaking animals --- Tolstoy --- Bulgakov --- trauma theory --- Russian literature --- allegory --- humanism --- literary theory --- film studies --- George Orwell --- Animal Farm --- Chicken Run --- Uwe Timm --- 'Morenga' --- African history --- colonialism --- postcolonial German literature --- animal narratology --- multi-perspective narration --- animal agency --- The Plague Dogs --- Richard Adams --- unreliability --- talking animal stories --- non-human focalizer --- Pincher Martin --- non-human narrators --- intradiegetic narration --- Gerard Genette --- anthropomorphism --- Eric Linklater --- The Wind on the Moon --- direct speech --- characterization --- posthumanism --- inter-species comprehension --- Hindi cinema --- Bollywood --- animal narrator --- world literature --- empathy --- Cartesian dualism --- Maurice Merleau-Ponty --- animal poetry --- 'Inventing a Horse --- 'Spermaceti' --- eco-humanities --- eco-criticism --- eco-philosophy --- Industrial Farm Animal Production --- narrative --- plot --- conflict --- environmental crisis --- catastrophe --- play theory --- Franz Kafka --- manuscripts --- speaking-for --- narrative representation --- literary representation --- animal autobiography --- fictional autobiography --- meta-autobiography --- contextualist narratology --- cultural and literary animal studies --- poetics of knowledge --- zoology --- natural history --- equine autozoography --- horse-science --- narrative voice --- inoperativity --- singing mice --- zoopoetics --- anthropological machine --- community --- music --- Cervantes --- Novelas ejemplares --- El coloquio de los perros --- Novela del casamiento engañoso --- Siglo de Oro --- Early Modern Age --- cynicism --- Diogenes of Sinope --- Montaigne --- Derrida --- Animal Studies --- rhetoric --- animal narration --- fable --- Aesopic fables --- Greek fable --- antagonistic fables --- comics --- animals --- cinema --- sound effects --- science fiction --- Achilles --- Archilochus --- fox --- Gryllus --- Hesiod --- Homer --- Lucian --- pig --- Plutarch --- Pythagoras --- rooster --- Xanthus --- talking dogs --- agency --- animal --- dystopia --- Marie Darrieussecq --- human --- non-human --- Truismes --- Kafka studies --- adaptation studies --- intertextuality --- intermediality --- mimesis --- emulation --- imitation --- repetition --- parody --- autobiography --- genre --- entanglement --- Cixous --- dogs --- earth --- worldviews --- indigenous wisdom traditions --- relationality --- ecology --- language --- more-than-human geography --- multispecies ethnography --- ecopsychology --- anthropology --- environmental philosophy --- decolonization --- intuition --- instinct --- myth --- non-verbal communication --- IK --- TEK --- animality --- film --- White God --- filmic representation of animals --- material ecocriticism --- Moby-Dick --- Werner Herzog --- Hans Sahl --- lyric poetry --- mole --- space --- time --- species --- metamorphosis --- transformation --- exile