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English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professional," "native" or "foreign." These leading scholars explore the circulation of music and performers in early modern England, reconsidering previously held ideas about the boundaries between locations of musical performance and practice.
England. --- Angleterre --- Anglii͡ --- Anglija --- Engeland --- Inghilterra --- Inglaterra
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Middle-aged women --- Married women --- England --- Angleterre --- Anglii︠a︡ --- Inghilterra --- Engeland --- Inglaterra --- Anglija --- England and Wales
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This volume investigates the realisation and perception of four phonological variables in Liverpool English (Scouse), with a special focus on their sociolinguistic salience. Younger speakers’ speech is found to be more local, but only for the two salient variables in the sample (NURSE-SQUARE and /k/ lenition), which appear to carry considerable amounts of covert prestige. Local variants of non-salient happy-tensing and velar nasal plus, on the other hand, are actually found to be receding, so at least to a certain extent Scouse also seems to be participating in regional dialect levelling. The importance of salience is also obvious in the perception data, with only the two highly salient stereotypes generating robust effects in a social priming experiment (albeit in the unexpected direction). These results indicate that the investigated variables differ measurably not only in their use in production, but also in terms of how central they are to mental sociolinguistic representations of Scouse. They also tell us more about the way we process, store, and (re-)use sociolinguistic variation in perception. By defining likely contexts for significant priming effects they might finally even help in coming up with a more elaborate “theory of priming” in the realm of sociophonetics.
Linguistics --- England --- Sociolinguistics. --- Angleterre --- Anglii︠a︡ --- Inghilterra --- Engeland --- Inglaterra --- Anglija --- England and Wales
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'From Literacy to Literature' is a cultural history that draws a line between canonical ricardian writers and the school-books of their time.
Literacy --- History --- Illiteracy --- Education --- General education --- To 1500 --- England. --- Angleterre --- Anglii͡ --- Anglija --- Engeland --- Inghilterra --- Inglaterra
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England --- Angleterre --- Anglii︠a︡ --- Inghilterra --- Engeland --- Inglaterra --- Anglija --- England and Wales
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Male friendship --- Social classes --- Quakers --- England --- Angleterre --- Anglii︠a︡ --- Inghilterra --- Engeland --- Inglaterra --- Anglija --- England and Wales
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The History of Sir George Ellison (1766) is an important novel, both utopian and dystopian. Sir George, a man of benevolence, follows the pattern of the female utopia set forth in Scott's first novel, A Description of Millenium Hall (1762). In this sequel, Scott addresses issues of slavery, marriage, education, law and social justice, class pretensions, and the position of women in society, consistently emphasizing the importance, for both genders and all classes and ages, of devoting one's life to meaningful work. Although she adopted a gradualist approach to reform, Scott's uncompromising
Utopias --- Social reformers --- Reformers --- Fiction. --- England --- Angleterre --- Anglii︠a︡ --- Inghilterra --- Engeland --- Inglaterra --- Anglija --- England and Wales
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This volume examines the effects of rural depopulation as a process on the structure of family and kinship within one small rural area, analysing the spatial relationships of social and economic change.
England --- Angleterre --- Anglii︠a︡ --- Inghilterra --- Engeland --- Inglaterra --- Anglija --- England and Wales --- Rural conditions
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The novels of Charles Dickens (1812-70), with their inimitable energy and their comic, tragic and grotesque characters, are still widely read, and reworked for film and television. Great Expectations was (like most of Dickens' works) first published in serial form, in his periodical All the Year Round, shortly before the first book edition of 1861. The serial version is now reissued in the Cambridge Library Collection simultaneously with the three-volume book edition and a volume of newly photographed actual-size colour images of the entire original manuscript. Dickens himself had the manuscript bound and presented to his friend Chauncy Hare Townshend, and in 1868 Townshend bequeathed his library (including the manuscript) to the Wisbech and Fenland Museum. Dickens scholars and enthusiasts will now be able to study the two-column serialisation.
England --- Social conditions --- Angleterre --- Anglii︠a︡ --- Inghilterra --- Engeland --- Inglaterra --- Anglija --- England and Wales
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The novels of Charles Dickens (1812-70), with their inimitable energy and their comic, tragic and grotesque characters, are still widely read, and reworked for film and television. The first book edition of Great Expectations was published in three volumes in 1861. It is now reissued in the Cambridge Library Collection simultaneously with the serialised version, published in Dickens' periodical All the Year Round in 1860-1, and a volume of newly photographed actual-size colour images of the entire original manuscript. Dickens himself had the manuscript bound and presented to his friend Chauncy Hare Townshend, with whom he shared an interest in mesmerism and the occult, and in 1868 Townshend bequeathed his library (including the manuscript) to the Wisbech and Fenland Museum. Dickens scholars can study this three-volume book edition alongside the serial and the work-in-progress.
England --- Social conditions --- Angleterre --- Anglii︠a︡ --- Inghilterra --- Engeland --- Inglaterra --- Anglija --- England and Wales
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