Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Préfacé par François Bovon, cet ouvrage défend la thèse que Lc 22,43-44 a été omis d'une partie de la tradition manuscrite égyptienne, au deuxième siècle. La première partie propose de considérer le genre littéraire de Luc-Actes comme une catégorie évolutive de la réception, et souligne les connivences entre histoire et poétique. La seconde partie démontre que le Jésus lucanien n'est pas sans émotion, apporte des éléments nouveaux quant aux attestations externes, et prouve l'existence au début de notre ère de la polysémie d'agonia, comprise comme angoisse ou lutte. En Egypte, des chrétiens minoritaires ont appelé Jésus «le grand combattant», s'inspirant de la mémoire de Jacob et de l'ange et de la sueur de sang.

Angels --- Blood --- Biblical teaching. --- Religious aspects --- Christianity. --- Bible. --- Criticism, interpretation, etc. --- 226.4 --- Evangelie volgens Lucas --- Body fluids --- Fear of blood --- Biblical teaching --- Religious aspects&delete& --- Christianity --- Angels - Biblical teaching. --- Blood - Religious aspects - Christianity.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Angels --- Biblical teaching. --- Bible. --- Angels in the Bible. --- Criticism, interpretation, etc. --- 226.2 --- Evangelie volgens Matteüs --- Evangelie volgens Matteus --- Evangelie volgens Matthéüs --- Matʻae pogŭm --- Matai den --- Matai ni yoru fukuinsho --- Matius (Book of the New Testament) --- Mattá --- Matteo (Book of the New Testament) --- Matteus --- Matthäusevangelium --- Matthéüs --- Matthew (Book of the New Testament) --- Matthieu (Book of the New Testament) --- Bible --- Criticism, interpretation, etc --- Biblical teaching --- Angels - Biblical teaching.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Throughout the course of Byzantine history, Christian doctrine taught that angels have a powerful place in cosmology. It also taught that angels were immaterial, bodiless, invisible beings. But if that were the case, how could they be visualized and depicted in icons and other works of art? This book describes the strategies used by Byzantine artists to represent the incorporeal forms of angels and the rationalizations in defense of their representations mustered by theologians in the face of iconoclastic opposition. Glenn Peers demonstrates that these problems of representation provide a unique window on Late Antique thought in general.

Church history --- Angels in literature. --- Angels in art. --- Angels --- Iconoclasm --- Christianity --- Angels (Buddhism) in art --- Idols and images --- Biblical teaching. --- History. --- Middle Ages, 600-1500 --- History --- Worship --- Orthodox Eastern Church --- Byzantine Empire --- Church history. --- Orthodox Eastern Church -- Byzantine Empire -- History.. --- Iconoclasm -- Byzantine Empire -- History.. --- Angels -- Biblical teaching.. --- Angels in art.. --- Angels in literature.. --- Church history -- Middle Ages, 600-1500.. --- Byzantine Empire -- Church history. --- aesthetics. --- ancient world. --- angels in art. --- angels in literature. --- angels. --- archangel. --- art. --- barberini diptych. --- bible. --- bodies. --- byzantine art. --- byzantium. --- cherub. --- cherubim. --- church doctrine. --- divinity. --- early christian theology. --- early church. --- embodiment. --- folk belief. --- folk religion. --- greece. --- hagiography. --- hellenism. --- iconoclasm. --- icons. --- literature. --- madonna. --- magritte. --- michael. --- middle ages. --- religion. --- religious practices. --- saints legends. --- saints lives. --- saints. --- sarcophagus. --- theology. --- unrepresentable. --- virgin and child.