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Les créatures artificielles peuplent une zone particulière de notre imaginaire, nourrie de vieilles légendes. Ce livre veut montrer qu'un lien existe entre toutes ces créatures, de la statue animée de Pygmalion au monstre de Frankenstein, en passant par les ordinateurs intelligents du XXe siècle. Les créatures artificielles tendent à l'homme un miroir où il est confronté à sa propre image.
Artificial life in art. --- Androids in art. --- Conscious automata in art. --- Arts.
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Human body and technology. --- Art and science. --- Androids in art. --- Human figure in art. --- Androids.
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Imagining Slaves and Robots in Literature, Film, and Popular Culture: Reinventing Yesterday's Slave with Tomorrow's Robot is an interdisciplinary study that seeks to investigate and speculate about the relationship between technology and human nature through popular culture. Imagining Slaves and Robots in Literature, Film, and Popular Culture seeks to gain a better understanding of how slaves are created and justified in the imaginations of a supposedly civilized nation. It is a timely and creative analysis of the ways in which we domesticate technology and the manner in which the history of s
Technology --- Technology in popular culture. --- Slavery --- Slavery in art. --- Androids --- Androids in art. --- Humanoid robots --- Humanoids (Androids) --- Robots --- Virtual humans (Artificial intelligence) --- Abolition of slavery --- Antislavery --- Enslavement --- Mui tsai --- Ownership of slaves --- Servitude --- Slave keeping --- Slave system --- Slaveholding --- Thralldom --- Crimes against humanity --- Serfdom --- Slaveholders --- Slaves --- Popular culture --- Social aspects. --- Enslaved persons
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The fantasy of a male creator constructing his perfect woman dates back to the Greek myth of Pygmalion and Galatea. Yet as technology has advanced over the past century, the figure of the lifelike manmade woman has become nearly ubiquitous, popping up in everything from Bride of Frankenstein to Weird Science to The Stepford Wives. Now Julie Wosk takes us on a fascinating tour through this bevy of artificial women, revealing the array of cultural fantasies and fears they embody. My Fair Ladies considers how female automatons have been represented as objects of desire in fiction and how "living dolls" have been manufactured as real-world fetish objects. But it also examines the many works in which the "perfect" woman turns out to be artificial-a robot or doll-and thus becomes a source of uncanny horror. Finally, Wosk introduces us to a variety of female artists, writers, and filmmakers-from Cindy Sherman to Shelley Jackson to Zoe Kazan-who have cleverly crafted their own images of simulated women. Anything but dry, My Fair Ladies draws upon Wosk's own experiences as a young female Playboy copywriter and as a child of the "feminine mystique" era to show how images of the artificial woman have loomed large over real women's lives. Lavishly illustrated with film stills, artwork, and vintage advertisements, this book offers a fresh look at familiar myths about gender, technology, and artistic creation.
Film criticism --- Motion pictures --- Mass media --- Philosophy --- Technological innovations --- Film criticism. --- Philosophy. --- Technological innovations. --- #SBIB:309H522 --- Motion picture criticism --- Moving-picture criticism --- Criticism --- Audiovisuele communicatie: kritiek --- Evaluation --- Critique cinématographique --- Cinéma --- Médias --- Philosophie --- Innovations --- Film --- Kvinnor i filmen --- Kvinnor i konsten --- Human body and technology. --- Technology and women. --- Androids in art. --- Anthropomorphism in art. --- Women in art. --- Women and technology --- Women --- Technology and the human body --- Technology --- Semiotics --- Sociology of the family. Sociology of sexuality --- Artificial intelligence. Robotics. Simulation. Graphics --- Motion pictures - Philosophy --- Mass media - Technological innovations
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