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A l'image de l'homme : du Golem aux créatures virtuelles
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ISBN: 2020134160 9782020134163 Year: 1995 Publisher: Paris: Seuil,

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Les créatures artificielles peuplent une zone particulière de notre imaginaire, nourrie de vieilles légendes. Ce livre veut montrer qu'un lien existe entre toutes ces créatures, de la statue animée de Pygmalion au monstre de Frankenstein, en passant par les ordinateurs intelligents du XXe siècle. Les créatures artificielles tendent à l'homme un miroir où il est confronté à sa propre image.


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Humanoïdes : expérimentations croisées entre arts et sciences
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ISBN: 2840162024 9782840162025 Year: 2015 Publisher: Paris: Presses universitaires de Paris Ouest,

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Imagining slaves and robots in literature, film, and popular culture
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ISBN: 0739191462 9780739191460 9780739191453 0739191454 1498527582 Year: 2015 Publisher: Lanham

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Imagining Slaves and Robots in Literature, Film, and Popular Culture: Reinventing Yesterday's Slave with Tomorrow's Robot is an interdisciplinary study that seeks to investigate and speculate about the relationship between technology and human nature through popular culture. Imagining Slaves and Robots in Literature, Film, and Popular Culture seeks to gain a better understanding of how slaves are created and justified in the imaginations of a supposedly civilized nation. It is a timely and creative analysis of the ways in which we domesticate technology and the manner in which the history of s


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Film criticism in the digital age
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ISBN: 9780813570730 9780813570723 0813570735 0813570727 9780813570747 9780813573649 0813570743 0813573645 9780813563398 0813563399 9780813563381 9780813563374 0813563380 0813563372 Year: 2015 Publisher: New Brunswick, New Jersey Rutgers University Press

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The fantasy of a male creator constructing his perfect woman dates back to the Greek myth of Pygmalion and Galatea. Yet as technology has advanced over the past century, the figure of the lifelike manmade woman has become nearly ubiquitous, popping up in everything from Bride of Frankenstein to Weird Science to The Stepford Wives. Now Julie Wosk takes us on a fascinating tour through this bevy of artificial women, revealing the array of cultural fantasies and fears they embody. My Fair Ladies considers how female automatons have been represented as objects of desire in fiction and how "living dolls" have been manufactured as real-world fetish objects. But it also examines the many works in which the "perfect" woman turns out to be artificial-a robot or doll-and thus becomes a source of uncanny horror. Finally, Wosk introduces us to a variety of female artists, writers, and filmmakers-from Cindy Sherman to Shelley Jackson to Zoe Kazan-who have cleverly crafted their own images of simulated women. Anything but dry, My Fair Ladies draws upon Wosk's own experiences as a young female Playboy copywriter and as a child of the "feminine mystique" era to show how images of the artificial woman have loomed large over real women's lives. Lavishly illustrated with film stills, artwork, and vintage advertisements, this book offers a fresh look at familiar myths about gender, technology, and artistic creation.

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