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Andrew Marvell --- English literature --- history of literature --- history of liberty --- andrew marvell --- english literature --- Marvell, Andrew, --- Criticism and interpretation. --- A. M. --- M., A. --- Marvel, Andrew, --- Protestant, --- Rivetus, Andreas, --- Poets, English --- Criticism and interpretation --- Poètes anglais --- 1600-1699 --- Poets, English.
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"Recent literary criticism, along with academic culture at large, has stressed collaboration as essential to textual creation and sociability as a literary and academic virtue. Solitude and Speechlessness proposes an alternative understanding of writing with a complementary mode of reading: literary engagement, it suggests, is the meeting of strangers, each in a state of isolation. The Renaissance authors discussed in this study did not necessarily work alone or without collaborators, but they were uncertain who would read their writings and whether those readers would understand them. These concerns are represented in their work through tropes, images, and characterizations of isolation. The figure of the isolated, misunderstood, or misjudged poet is a preoccupation that relies on imagining the lives of wandering and complaining youths, eloquent melancholics, exemplary hermits, homeless orphans, and retiring stoics; such figures acknowledge the isolation in literary experience. As a response to this isolation of literary connection, Solitude and Speechlessness proposes an interpretive mode it defines as strange reading: a reading that merges comprehension with indeterminacy and the imaginative work of interpretation with the recognition of historical difference."--
English literature --- History and criticism. --- 1450-1600 --- England --- Aemilia Lanyer. --- Andrew Marvell. --- Francis Bacon. --- John Donne. --- Shakespeare. --- Sidney-Pembroke Circle. --- Thomas Traherne. --- ascetics. --- authorship. --- hermits. --- isolation. --- melancholy. --- obscurity. --- poets. --- solitude.
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From Shakespeare's "green-eyed monster" to the "green thought in a green shade" in Andrew Marvell's "The Garden," the color green was curiously prominent and resonant in English culture of the sixteenth and seventeenth centuries. Among other things, green was the most common color of household goods, the recommended wall color against which to view paintings, the hue that was supposed to appear in alchemical processes at the moment base metal turned to gold, and the color most frequently associated with human passions of all sorts. A unique cultural history, The Key of Green considers the significance of the color in the literature, visual arts, and popular culture of early modern England. Contending that color is a matter of both sensation and emotion, Bruce R. Smith examines Renaissance material culture-including tapestries, clothing, and stonework, among others-as well as music, theater, philosophy, and nature through the lens of sense perception and aesthetic pleasure. At the same time, Smith offers a highly sophisticated meditation on the nature of consciousness, perception, and emotion that will resonate with students and scholars of the early modern period and beyond. Like the key to a map, The Key of Green provides a guide for looking, listening, reading, and thinking that restores the aesthetic considerations to criticism that have been missing for too long.
English literature --- Color in literature. --- Color --- Color (Philosophy) --- Visual perception in literature. --- Senses and sensation in literature. --- Mind and body in literature. --- History and criticism. --- Psychological aspects. --- Philosophy --- Psychology --- Affective and dynamic functions --- Aesthetics of art --- Thematology --- anno 1500-1599 --- anno 1600-1699 --- Color (Philosophy). --- History and criticism --- passion, romance, sexuality, renaissance, painting, art, history, literature, shakespeare, jealousy, andrew marvell, green, alchemy, sensation, emotion, affect, material culture, tapestry, clothing, stonework, music, theater, philosophy, performing arts, drama, nature, sense perception, aesthetics, consciousness, color, nonfiction.
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'Texts and Readers in the Age of Marvell' offers fresh perspectives from leading and emerging scholars on seventeenth-century British literature, with a focus on the surprising ways that texts interacted with writers and readers at specific cultural moments.
Intellectual life. --- Influence (Literary, artistic, etc.) --- English literature. --- Books and reading. --- Books and reading --- English literature --- Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Art --- Influence (Psychology) --- Literature --- Intermediality --- Intertextuality --- Originality in literature --- Cultural life --- Culture --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Appraisal of books --- Books --- Choice of books --- Evaluation of literature --- Reading, Choice of --- Reading and books --- Reading habits --- Reading public --- Reading --- Reading interests --- Reading promotion --- History --- History and criticism. --- Appraisal --- Evaluation --- Marvell, Andrew, --- Influence. --- Criticism and interpretation. --- Great Britain. --- Great Britain --- Intellectual life --- Literary Studies: C 1500 To C 1800 --- LITERARY CRITICISM / Renaissance --- Literary studies: fiction, novelists & prose writers --- Marvel, Andrew, --- Rivetus, Andreas, --- A. M. --- M., A. --- Protestant, --- Anglia --- Angliyah --- Briṭanyah --- England and Wales --- Förenade kungariket --- Grã-Bretanha --- Grande-Bretagne --- Grossbritannien --- Igirisu --- Iso-Britannia --- Marea Britanie --- Nagy-Britannia --- Prydain Fawr --- Royaume-Uni --- Saharātchaʻānāčhak --- Storbritannien --- United Kingdom --- United Kingdom of Great Britain and Ireland --- United Kingdom of Great Britain and Northern Ireland --- Velikobritanii͡ --- Wielka Brytania --- Yhdistynyt kuningaskunta --- Northern Ireland --- Scotland --- Wales --- Andrew Marvell. --- English monarchy. --- European poetry. --- aesthetics. --- child abuse. --- de Ruyter's victory. --- economic policies. --- literary history. --- literary landscape. --- literature of politics. --- martial heroism. --- politics of literature. --- print consumption. --- public sphere. --- seventeenth century England. --- seventeenth-century literary culture.
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"Wartime Kiss is a personal meditation on the haunting power of American photographs and films from World War II and the later 1940s. Starting with a powerful reinterpretation of one of the most famous photos of all time, Alfred Eisenstaedt's image of a sailor kissing a nurse in Times Square on V-J Day, Alexander Nemerov goes on to examine an idiosyncratic collection of mostly obscure or unknown images and movie episodes--from a photo of Jimmy Stewart and Olivia de Havilland lying on a picnic blanket in the Santa Barbara hills to scenes from such films as Twelve O'Clock High and Hold Back the Dawn. Erotically charged and bearing traces of trauma even when they seem far removed from the war, these photos and scenes seem to hold out the promise of a palpable and emotional connection to those years. Through a series of fascinating stories, Nemerov reveals the surprising background of these bits of film and discovers unexpected connections between the war and Hollywood, from an obsession with aviation to Anne Frank's love of the movies. Beautifully written and illustrated, Wartime Kiss vividly evokes a world in which Margaret Bourke-White could follow a heroic assignment photographing a B-17 bombing mission over Tunis with a job in Hollywood documenting the filming of a war movie. Ultimately this is a book about history as a sensuous experience, a work as mysterious, indescribable, and affecting as a novel by W. G. Sebald"--
ART / History / General. --- HISTORY / Modern / 20th Century. --- PHOTOGRAPHY / History. --- ART / American / General. --- Nineteen forties. --- Collective memory. --- Art and history. --- World War, 1939-1945 --- Historiography and photography. --- 1940s --- 40s (Twentieth century decade) --- Forties (Twentieth century decade) --- Twentieth century --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Memory --- Social psychology --- Group identity --- National characteristics --- History and art --- History --- History in art --- World War, 1939-1945, in motion pictures --- Photography and historiography --- Photography --- Motion pictures and the war. --- Photography. --- Art and history --- Collective memory --- Historiography and photography --- Nineteen forties --- 77.01 --- 791.43.01 --- Amerikaanse film ; 1936-1948 ; Wereldoorlog II --- Fotografie ; theorie ; beschouwing --- Kunsttheorie ; collectief geheugen --- Thema's in de film ; de oorlog --- Motion pictures and the war --- Fotografie ; theorie, filosofie, esthetica --- Filmkunst ; theorie, filosofie, esthetica --- Aircraft. --- Alfred Eisenstaedt. --- Andrew Marvell. --- Anecdote. --- Ann Carter. --- Anne Frank. --- Archibald MacLeish. --- Arsenic and Old Lace (play). --- Bertolt Brecht. --- Boeing B-17 Flying Fortress. --- Bomb bay. --- Bomb. --- Bosley Crowther. --- Cary Grant. --- Combat Mission. --- Command Decision (play). --- Confetti. --- Consolidated B-24 Liberator. --- Darryl F. Zanuck. --- Dick Powell. --- Donna Reed. --- Down on His Luck. --- Dr. Strangelove. --- Eddie Muller. --- Eloquence. --- Enola Gay. --- Erskine Caldwell. --- Fan magazine. --- Footage. --- G. (novel). --- Geoffrey de Havilland. --- Getty Images. --- Government Girl. --- Graflex. --- Gregory Peck. --- Henry Fonda. --- Hold Back the Dawn. --- Howard Hawks. --- Howard Hughes. --- I Wanted Wings. --- In the Woods. --- Instant. --- Intercom. --- Jack Warner (actor). --- James Agee. --- Jennifer Jones. --- Joan Fontaine. --- John Hersey. --- John Steinbeck. --- John Swope (photographer). --- Joseph Cornell. --- Lady, Be Good (musical). --- Lightness. --- Linhof. --- Los Angeles Times. --- Margaret Bourke-White. --- Margaret Herrick Library. --- Marx Brothers. --- Max Reinhardt. --- Meal. --- Memphis Belle (aircraft). --- Michelangelo Antonioni. --- Mickey Rooney. --- Mr. --- Nickname. --- North Africa. --- Olivia de Havilland. --- Patchwork. --- Paulette Goddard. --- Phonograph. --- Potion. --- Princess O'Rourke. --- Princeton University Press. --- Priscilla Lane. --- Report from the Aleutians. --- Roland Barthes. --- Rosie the Riveter. --- Seminar. --- Stanley Kubrick. --- Stardom. --- Swoon (artist). --- Sy Bartlett. --- Tamara Toumanova. --- The Adventures of Robin Hood (TV series). --- The Circus Animals' Desertion. --- The Curse of the Cat People. --- The Dark Corner. --- The New York Times. --- To His Coy Mistress. --- Toby Jug. --- Tom Conway. --- Toner. --- Top Gun. --- Twelve O'Clock High. --- Veronica Lake. --- William Wyler. --- Wing and a Prayer. --- Wings of the Navy. --- Writing.
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