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Anderson, Paul Thomas

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Anderson, Paul Thomas

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Since his explosive debut with the indie sensation 'Hard Eight', Paul Thomas Anderson has established himself as one of contemporary cinema's most exciting artists. His 2002 feature 'Punch-Drunk Love' radically reimagined the romantic comedy. Critics hailed 'There Will Be Blood' as a key film of the new millennium. In 'The Master', Anderson jarred audiences with dreamy amorphousness and a departure from conventional story mechanics. Acclaimed film scholar and screenwriter George Toles approaches these three films in particular, and Anderson's oeuvre in general, with a focus on the role of emergence and the production of the unaccountable.

Motion picture producers and directors --- Anderson, Paul Thomas. --- Anderson, P. T.

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Paul Thomas Anderson has been described as a true auteur and among the foremost filmmaking talents of his generation. His films have received 25 Academy Award nominations, and he has worked closely with the finest actors of our time, including Daniel Day-Lewis, Joaquin Phoenix, and Philip Seymour Hoffman. In Paul Thomas Anderson : Masterworks, Anderson's entire oeuvre-from Boogie Nights (1997), There Will Be Blood (2007), and The Master (2012) to his music videos for Radiohead to his early short films-is examined in illustrated detail for the first time.Anderson's influences, his style, and the recurring themes of reinvention, alienation, destiny, and ambition that course through his movies are analyzed and supplemented by firsthand interviews with Anderson's closest collaborators and illuminated by film stills, archival photos, original illustrations, and a vibrant, engaging design aesthetic. Masterworks is a tribute to the dreamers, drifters, and evil dentists who populate his world

Anderson, Paul Thomas --- Motion picture producers and directors --- Motion pictures --- 798.53 --- Anderson, Paul Thomas (PTA) --- film --- cinema --- Filmregisseurs --- cineasten --- There will be blood --- The master --- Inherent vice --- Boogie nights --- Hard eight --- Magnolia --- Punch-drunk love --- Phantom thread --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Production and direction --- film, cineasten --- Direction --- Anderson, P. T. --- Criticism and interpretation. --- Anderson Paul Thomas --- filmgeschiedenis --- Verenigde Staten --- twintigste eeuw --- eenentwintigste eeuw --- 791.471 ANDERSON

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Motion pictures --- Independent filmmakers --- Cinéma --- Réalisateurs de cinéma indépendants --- Biography --- Biographie --- Cinéma indépendant --- Histoire et critique --- #SBIB:012.AANKOOP --- #SBIB:309H1320 --- film --- twintigste eeuw --- Verenigde Staten --- filmregisseurs --- Cassavetes John --- Brakhage Stan --- Warhol Andy --- film en homoseksualiteit --- Lee Spike --- Van Sant Gus --- Vasquez Joseph B. --- gender studies --- Gray F. Gary --- Haynes Todd --- Kalin Tom --- Troche Rose --- Araki Gregg --- Peirce Kimberley --- Jarmusch Jim --- Linklater Richard --- DiCillo Tom --- Holofcener Nicole --- Hartley Hal --- Solondz Todd --- Tarantino Quentin --- Ferrara Abel --- Altman Robert --- Anderson Paul Thomas --- Kaufman Charlie --- Jonze Spike --- Korine Harmony --- Lynch David --- Sayles John --- McNaughton John --- Franklin Carl --- westerns --- Singer Bryan --- Wachowski Andy --- Wachowski Larry --- Soderbergh Steven --- African American cinema --- afro-amerikaanse film --- 791.43 --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Cinéma --- Réalisateurs de cinéma indépendants --- Vasquez Joseph B --- Histoire et critique.