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Davila redefines the history of this poetic-musical tradition in terms of the oral and literary processes that have preserved it since its beginnings in Islamic Spain, highlighting the social foundations of each. The book proposes a "value theory of tradition" that underscores the values attaching to "mixed orality" in order to explain the coexistence of the two kinds of process within the boundaries of this tradition.
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Performing al-Andalus explores three musical cultures that claim a connection to the music of medieval Iberia, the Islamic kingdom of al-Andalus, known for its complex mix of Arab, North African, Christian, and Jewish influences. Jonathan Holt Shannon shows that the idea of a shared Andalusian heritage animates performers and aficionados in modern-day Syria, Morocco, and Spain, but with varying and sometimes contradictory meanings in different social and political contexts. As he traces the movements of musicians, songs, histories, and memories circulating around the Mediterranean, he argues t
Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism. --- Andalusian influences.
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