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Brooklyn College. --- I.S.A.M. --- Institute for Studies in American Music, Brooklyn College --- ISAM
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Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar's "Alright," J. Cole's "Be Free," D'Angelo and the Vanguard's "The Charade," The Game's "Don't Shoot," Janelle Monae's "Hell You Talmbout," Usher's "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In this collection of critical studies, contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world. 1. This important and very timely book provides a critical look at the role of music in teaching about the Black Lives Matter movement and the importance of promoting social equality via fieldwork from the perspectives of scholars of color. 2. This collection is an accessibly written tool for scholars and students in higher education. It uses case studies to help readers navigate teaching, studying, fostering understanding, and being an activist-scholar during this contemporary era of the Black Lives Matter movement. 3. It is the first book in our new series, Activist Encounters in Folklore and Ethnomusicology, and flows directly from important conversations currently occurring within the American Folklore Society and the Society for Ethnomusicology. As such, it will have a strong audience among Ethnomusicologists as well as Folklorists and instructors using music to teach about Black Lives Matter and current events. It has potential among general readers as well.
Black lives matter movement. --- African Americans --- Blacklivesmatter movement --- Social movements --- Music --- History and criticism. --- Protest songs. --- Black people --- Blacks --- Negro music --- Negro songs --- Topical songs (Negro) --- Topical songs (Negroes) --- African American music --- Afro-American music --- Afro-American songs --- Black American music --- Black music (African American music) --- Political ballads and songs --- Songs --- Topical songs --- Radicalism --- Music.
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Included in the anthology is newly researched biographical sketches of each poet, a year-by-year chronology of poets and poetry from 1800-1900, and extensive notes.
American poetry --- Poésie américaine --- Poésie américaine --- 19th century --- Poetry --- Indians of North America --- Folk songs --- Folk poetry --- Spirituals (Songs) --- African Americans --- African American music --- Afro-American music --- Afro-American songs --- Black American music --- Black music (African American music) --- Negro music --- Negro songs --- Topical songs (Negro) --- Topical songs (Negroes) --- African American spirituals --- Afro-American spirituals --- Negro spirituals --- Folk songs, English --- Hymns, English --- Oral poetry --- Folk literature --- Folksongs --- Folk music --- National music --- Songs --- Ballads --- National songs --- Music
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Horace Silver is one of the last giants remaining from the incredible flowering and creative extension of bebop music that became known as "hard bop" in the 1950's. This freewheeling autobiography of the great composer, pianist, and bandleader takes us from his childhood in Norwalk, Connecticut, through his rise to fame as a musician in New York, to his comfortable life "after the road" in California. During that time, Silver composed an impressive repertoire of tunes that have become standards and recorded a number of classic albums. Well-seasoned with anecdotes about the music, the musicians, and the milieu in which he worked and prospered, Silver's narrative-like his music-is earthy, vernacular, and intimate. His stories resonate with lessons learned from hearing and playing alongside such legends as Art Blakey, Charlie Parker, and Lester Young. His irrepressible sense of humor combined with his distinctive spirituality make his account both entertaining and inspiring. Most importantly, Silver's unique take on the music and the people who play it opens a window onto the creative process of jazz and the social and cultural worlds in which it flourishes. Let's Get to the Nitty Gritty also describes Silver's spiritual awakening in the late 1970's. This transformation found its expression in the electronic and vocal music of the three-part work called The United States of Mind and eventually led the musician to start his own record label, Silveto. Silver details the economic forces that eventually persuaded him to put Silveto to rest and to return to the studios of major jazz recording labels like Columbia, Impulse, and Verve, where he continued expanding his catalogue of new compositions and recordings that are at least as impressive as his earlier work.
Pianists --- Jazz musicians --- Silver, Horace, --- 526 --- Monografieën componisten --- 20th century american culture. --- 20th century american music history. --- african american culture. --- african american music. --- american composer. --- american jazz pianist. --- american music history. --- art blakey. --- artists. --- autobiography. --- bandleader. --- bands. --- bebop. --- blues. --- bop music. --- charlie parker. --- entertainment. --- gospel music. --- hard bop. --- jazz music. --- jazz. --- lester young. --- music arranger. --- music. --- musicians. --- performing arts. --- record label. --- rhythm and blues. --- silverto. --- singers. --- spiritual awakening. --- spirituality. --- the united states of mind.
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Identifying music as a vital site of cultural debate, Struggling to Define a Nation captures the dynamic, contested nature of musical life in the United States. In an engaging blend of music analysis and cultural critique, Charles Hiroshi Garrett examines a dazzling array of genres-including art music, jazz, popular song, ragtime, and Hawaiian music-and numerous well-known musicians, such as Charles Ives, Jelly Roll Morton, Louis Armstrong, and Irving Berlin. Garrett argues that rather than a single, unified vision, an exploration of the past century reveals a contested array of musical perspectives on the nation, each one advancing a different facet of American identity through sound.
Nationalism in music. --- Music --- Nationalism and music --- National music --- History and criticism. --- History and criticism --- 20th century american culture. --- 20th century american music. --- american culture. --- american identity. --- american music. --- american musical imagination. --- art music. --- bands. --- charles ives. --- chinatown. --- cultural debate. --- cultural studies. --- great migration. --- hawaiian music. --- irving berlin. --- jazz music. --- jelly roll morton. --- live entertainment. --- louis armstrong. --- music. --- musical orientalism. --- musical perspectives. --- musicians. --- musicology. --- popular song. --- ragtime. --- spanish tinge. --- true american music. --- united states of america.
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Sociology of culture --- United States --- African American aesthetics --- African American dance --- African Americans --- Popular culture --- Signifying (Rhetoric) --- #KVHA:Afro-Amerikaanse cultuur; Verenigde Staten --- #KVHA:American Studies --- Black English --- Rhetoric --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- African American music --- Afro-American music --- Afro-American songs --- Black American music --- Black music (African American music) --- Negro music --- Negro songs --- Topical songs (Negro) --- Topical songs (Negroes) --- Afro-American dance --- Dance, African American --- Dance --- Aesthetics, African American --- Afro-American aesthetics --- Aesthetics, American --- Languages --- Music --- Social life and customs --- Sports --- Civilization --- African American influences. --- Afro-American influences --- Negro influences --- Black people --- United States of America
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Experiencing Latin American Music draws on human experience as a point of departure for musical understanding. Students explore broad topics-identity, the body, religion, and more-and relate these to Latin American musics while refining their understanding of musical concepts and cultural-historical contexts. With its brisk and engaging writing, this volume covers nearly fifty genres and provides both students and instructors with online access to audio tracks and listening guides. A detailed instructor's packet contains sample quizzes, clicker questions, and creative, classroom-tested assignments designed to encourage critical thinking and spark the imagination. Remarkably flexible, this innovative textbook empowers students from a variety of disciplines to study a subject that is increasingly relevant in today's diverse society. In addition to the instructor's packet, online resources for students include:customized Spotify playlistonline listening guidesaudio sound links to reinforce musical conceptsstimulating activities for individual and group work
Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism. --- Analysis, appreciation. --- Social aspects --- audio tracks. --- candombe. --- ethnic music. --- jewish music in latin america. --- latin american music listening guide. --- latin american music. --- latin american religious music. --- marimba. --- music and healing. --- music appreciation. --- music history. --- music in latin american culture. --- music instructor. --- music of santeria. --- music students. --- music studies. --- music teacher. --- music. --- musica vallenata. --- musical concepts. --- musical genres. --- organology. --- performing arts. --- samba. --- selk nam shamans. --- timbre. --- traditional latin american music.
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The ballad ""John Henry"" is the most recorded folk song in American history and John Henry--the mighty railroad man who could blast through rock faster than a steam drill--is a towering figure in our culture. But for over a century, no one knew who the original John Henry was--or even if there was a real John Henry. In Steel Drivin' Man, Scott Reynolds Nelson recounts the true story of the man behind the iconic American hero, telling the poignant tale of a young Virginia convict who died working on one of the most dangerous enterprises of the time, the first rail route through the Appalachian
African Americans --- Railroad construction workers --- African American art. --- Afro-American art --- Art, African American --- Negro art --- Ethnic art --- African American music --- Afro-American music --- Afro-American songs --- Black American music --- Black music (African American music) --- Negro music --- Negro songs --- Topical songs (Negro) --- Topical songs (Negroes) --- Railroad workers --- Construction workers --- Henry, John William, --- Henry, John --- John Henry --- Homes and haunts. --- Travel --- Chesapeake and Ohio Railway Company --- Chessie System, Inc. --- Pere Marquette Railway --- Baltimore and Ohio Railroad Company --- Chesapeake and Ohio Railroad Company --- Chicago, Cincinnati & Louisville Railroad Company --- C. & O. Ry. Co. --- C and O Auto Ferries --- C&O --- Chessie Cruises --- History. --- Southern States --- American South --- American Southeast --- Dixie (U.S. : Region) --- Former Confederate States --- South, The --- Southeast (U.S.) --- Southeast United States --- Southeastern States --- Southern United States --- United States, Southern --- History, Local. --- John Henry (Legendary character) --- Henry, John (Legendary character)
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Best known for his work as a member of the avant-garde African American free jazz groups Art Ensemble of Chicago and the Association for the Advancement of Creative Musicians, Jarman is also a poet, writing poems of exile, travel and return home. Volume I contains poems composed 1960 to 1970; volume II from1972-1974. Volume II includes more prose, and is directed towards musicians and theatre people, with three poems "set" to music. All poems are undated.
Exiles --- Return migration --- Jazz --- African Americans --- American poetry --- African American musicians --- Black Arts movement --- kunst --- muziek --- jazz --- literatuur --- poëzie --- Verenigde Staten --- twintigste eeuw --- Afro-Amerikanen --- performances --- 7.071 JARMAN --- African American arts --- Black Mountain school (Group of poets) --- African American poetry (English) --- Black poetry (American) --- Negro poetry --- Afro-American musicians --- Musicians, African American --- Negro musicians --- Musicians --- African American music --- Afro-American music --- Afro-American songs --- Black American music --- Black music (African American music) --- Negro music --- Negro songs --- Topical songs (Negro) --- Topical songs (Negroes) --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- Migration, Return --- Emigration and immigration --- Repatriation --- Race identity --- African American authors --- Afro-American authors --- Negro authors --- Jarman, Joseph --- Exile --- Travel --- Homes and haunts --- Musique et poésie. --- Black Arts movement. --- Poetry. --- African American authors. --- Black people
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