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District of Columbia : National Museum of American Music
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Year: 2001 Publisher: Washington, D.C.

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Periodical
American music review.
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ISSN: 19439393 Year: 2008 Publisher: Brooklyn, NY : H. Wiley Hitchcock Institute for Studies in American Music

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Book
Black Lives Matter and music : protest, intervention, reflection
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ISBN: 0253038448 025303843X 0253038421 0253038413 Year: 2018 Publisher: Bloomington : Indiana University Press,

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Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar's "Alright," J. Cole's "Be Free," D'Angelo and the Vanguard's "The Charade," The Game's "Don't Shoot," Janelle Monae's "Hell You Talmbout," Usher's "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In this collection of critical studies, contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world. 1. This important and very timely book provides a critical look at the role of music in teaching about the Black Lives Matter movement and the importance of promoting social equality via fieldwork from the perspectives of scholars of color. 2. This collection is an accessibly written tool for scholars and students in higher education. It uses case studies to help readers navigate teaching, studying, fostering understanding, and being an activist-scholar during this contemporary era of the Black Lives Matter movement. 3. It is the first book in our new series, Activist Encounters in Folklore and Ethnomusicology, and flows directly from important conversations currently occurring within the American Folklore Society and the Society for Ethnomusicology. As such, it will have a strong audience among Ethnomusicologists as well as Folklorists and instructors using music to teach about Black Lives Matter and current events. It has potential among general readers as well.

American poetry : the nineteenth century
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ISBN: 0940450607 094045078X 9780940450608 9780940450783 9781598535655 Year: 2018 Volume: 66-67 Publisher: New York : Library of America,

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Included in the anthology is newly researched biographical sketches of each poet, a year-by-year chronology of poets and poetry from 1800-1900, and extensive notes.

Let's get to the nitty gritty
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ISBN: 1282360442 9786612360442 052094142X 1598759299 9780520941427 1423752651 9781423752653 9780520253926 0520253922 9781598759297 9780520243743 0520243749 9781282360440 6612360445 Year: 2006 Publisher: Berkeley, Calif. University of California Press

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Horace Silver is one of the last giants remaining from the incredible flowering and creative extension of bebop music that became known as "hard bop" in the 1950's. This freewheeling autobiography of the great composer, pianist, and bandleader takes us from his childhood in Norwalk, Connecticut, through his rise to fame as a musician in New York, to his comfortable life "after the road" in California. During that time, Silver composed an impressive repertoire of tunes that have become standards and recorded a number of classic albums. Well-seasoned with anecdotes about the music, the musicians, and the milieu in which he worked and prospered, Silver's narrative-like his music-is earthy, vernacular, and intimate. His stories resonate with lessons learned from hearing and playing alongside such legends as Art Blakey, Charlie Parker, and Lester Young. His irrepressible sense of humor combined with his distinctive spirituality make his account both entertaining and inspiring. Most importantly, Silver's unique take on the music and the people who play it opens a window onto the creative process of jazz and the social and cultural worlds in which it flourishes. Let's Get to the Nitty Gritty also describes Silver's spiritual awakening in the late 1970's. This transformation found its expression in the electronic and vocal music of the three-part work called The United States of Mind and eventually led the musician to start his own record label, Silveto. Silver details the economic forces that eventually persuaded him to put Silveto to rest and to return to the studios of major jazz recording labels like Columbia, Impulse, and Verve, where he continued expanding his catalogue of new compositions and recordings that are at least as impressive as his earlier work.


Book
Struggling to define a nation
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ISBN: 1282360833 9786612360831 0520942825 9780520942820 0520254872 0520254864 9780520254862 9780520254879 9781282360839 6612360836 Year: 2008 Publisher: Berkeley University of California Press

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Identifying music as a vital site of cultural debate, Struggling to Define a Nation captures the dynamic, contested nature of musical life in the United States. In an engaging blend of music analysis and cultural critique, Charles Hiroshi Garrett examines a dazzling array of genres-including art music, jazz, popular song, ragtime, and Hawaiian music-and numerous well-known musicians, such as Charles Ives, Jelly Roll Morton, Louis Armstrong, and Irving Berlin. Garrett argues that rather than a single, unified vision, an exploration of the past century reveals a contested array of musical perspectives on the nation, each one advancing a different facet of American identity through sound.


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Experiencing Latin American music
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ISBN: 0520961005 9780520961005 9780520285583 Year: 2018 Publisher: Oakland, California

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Experiencing Latin American Music draws on human experience as a point of departure for musical understanding. Students explore broad topics-identity, the body, religion, and more-and relate these to Latin American musics while refining their understanding of musical concepts and cultural-historical contexts. With its brisk and engaging writing, this volume covers nearly fifty genres and provides both students and instructors with online access to audio tracks and listening guides. A detailed instructor's packet contains sample quizzes, clicker questions, and creative, classroom-tested assignments designed to encourage critical thinking and spark the imagination. Remarkably flexible, this innovative textbook empowers students from a variety of disciplines to study a subject that is increasingly relevant in today's diverse society. In addition to the instructor's packet, online resources for students include:customized Spotify playlistonline listening guidesaudio sound links to reinforce musical conceptsstimulating activities for individual and group work

Steel drivin' man : John Henry, the untold story of an American legend
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ISBN: 0195341198 1280846119 0198041047 142942043X 9781429420433 9780198041047 9781280846113 9780199741144 019974114X 0195300106 9780195300109 Year: 2006 Publisher: New York ; Oxford : Oxford University Press,

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The ballad ""John Henry"" is the most recorded folk song in American history and John Henry--the mighty railroad man who could blast through rock faster than a steam drill--is a towering figure in our culture. But for over a century, no one knew who the original John Henry was--or even if there was a real John Henry. In Steel Drivin' Man, Scott Reynolds Nelson recounts the true story of the man behind the iconic American hero, telling the poignant tale of a young Virginia convict who died working on one of the most dangerous enterprises of the time, the first rail route through the Appalachian


Book
Black case.
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ISBN: 9781733723534 1733723536 Year: 2019 Publisher: Brooklyn, NY Blank Forms Editions

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Best known for his work as a member of the avant-garde African American free jazz groups Art Ensemble of Chicago and the Association for the Advancement of Creative Musicians, Jarman is also a poet, writing poems of exile, travel and return home. Volume I contains poems composed 1960 to 1970; volume II from1972-1974. Volume II includes more prose, and is directed towards musicians and theatre people, with three poems "set" to music. All poems are undated.

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