Abstract | Keywords | Export | Availability | Bookmark

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The Harlem Renaissance is rightly considered to be a moment of creative exuberance and unprecedented explosion. Today, there is a renewed interest in this movement, calling for a re-evaluation and a closer scrutiny of the era and of documents that have only recently become available. Temples for Tomorrow reconsiders the period -- between two world wars -- which confirmed the intuitions of W. E. B. DuBois on the ""color line"" and gave birth to the ""American dilemma,"" later evoked by Gunnar Myrdal. Is

African American arts. --- African American authors. --- African Americans. --- African Americans in literature. --- American literature. --- American literature - African American authors - H. --- Harlem Renaissance. --- History and criticism. --- Intellectual life. --- American literature --- African Americans --- African American arts --- African Americans in literature --- Harlem Renaissance --- American Literature --- English --- Languages & Literatures --- English literature --- Agrarians (Group of writers) --- New Negro Movement --- Renaissance, Harlem --- Afro-Americans in literature --- Negroes in literature --- Afro-American arts --- Arts, African American --- Negro arts --- Ethnic arts --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- African American authors --- History and criticism --- Intellectual life --- 20th century --- New York (N.Y.) --- Harlem (New York, N.Y.) --- Waters, Ethel --- Du Bois, William Edward Burghardt --- Criticism and interpretation --- Hurston, Zora Neale --- Hughes, Langston --- McKay, Claude --- Locke, Alain LeRoy, 1885-1954 --- Micheaux, Oscar --- Price, Florence Beatrice Smith --- Black people