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Satan --- Satanism --- America --- the devil --- bigotry --- exclusion --- cruelty --- mass murder --- American cultural history --- colonialism --- music --- demons --- religion --- culture --- the prince of darkness --- Jesus --- puritans --- terrorism --- evangelism --- national identity --- deviant sexuality --- theology --- politics --- symbolism
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Shirley Temple, Clark Gable, Errol Flynn and Olivia de Havilland, Fred Astaire and Ginger Rogers, Bette Davis, Joan Crawford and Norma Shearer, Marlene Dietrich and Greta Garbo, William Powell and Myrna Loy, Jean Harlow, and Gary Cooper-Glamour in a Golden Age presents original essays from eminent film scholars that analyze movie stars of the 1930's against the background of contemporary American cultural history. Stardom is approached as an effect of, and influence on, the particular historical and industrial contexts that enabled these actors and actresses to be discovered, featured in films, publicized, and to become recognized and admired-sometimes even notorious-parts of the cultural landscape. Using archival and popular material, including fan and mass market magazines, other promotional and publicity material, and of course films themselves, contributors also discuss other artists who were incredibly popular at the time, among them Ann Harding, Ruth Chatterton, Nancy Carroll, Kay Francis, and Constance Bennett.
Motion picture actors and actresses --- Movie Stars, 1930s, glamour, Shirley Temple, Clark Gable, Errol Flynn, Olivia de Havilland, Fred Astaire, Ginger Rogers, Bette Davis, Joan Crawford, Norma Shearer, Marlene Dietrich, Greta Garbo, William Powell, Myrna Loy, Jean Harlow, Gary Cooper, essays, eminent film scholars, American cultural history.
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Bringing alive a remarkable moment in American cultural history, Scott MacDonald tells the colorful story of how a small, backyard organization in the San Francisco Bay Area emerged in the 1960's and evolved to become a major force in the development of independent cinema. Drawing from extensive conversations with men and women crucial to Canyon Cinema, from its newsletter Canyon Cinema news, and from other key sources, MacDonald offers a lively chronicle of the life and times of this influential, idiosyncratic film exhibition and distribution collective. His book features many primary documents that are as engaging and relevant now as they were when originally published, including essays, poetry, experimental writing, and drawings.
Independent films --- Canyon Cinema. --- 20th century american film culture. --- 20th century american film history. --- american cultural history. --- army surplus screen. --- avant garde films. --- bruce baillie. --- canyon california. --- canyon cinema. --- canyon cinemanews. --- cinema. --- exhibition outlet. --- experimental films. --- experimental writings. --- film distribution collective. --- filmmakers cooperative. --- films. --- independent film cinema. --- independent films. --- independent movie pictures. --- movies. --- san francisco bay area. --- san francisco cinematheque.
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The postwar US political imagination coalesced around a quintessential midcentury American trope: happiness. In Incremental Realism, Mary Esteve offers a bold, revisionist literary and cultural history of efforts undertaken by literary realists, public intellectuals, and policy activists to advance the value of public institutions and the claims of socioeconomic justice. Esteve specifically focuses on era-defining authors of realist fiction—including Philip Roth, Gwendolyn Brooks, Patricia Highsmith, Paula Fox, Peter Taylor, and Mary McCarthy—who mobilized the trope of happiness to reinforce the crucial value of public institutions, such as the public library, and the importance of pursuing socioeconomic justice, as envisioned by the United Nations Universal Declaration of Human Rights and welfare-state liberals. In addition to embracing specific symbols of happiness, these writers also developed narrative modes—what Esteve calls "incremental realism"—that made justifiable the claims of disadvantaged Americans on the nation-state and promoted a small-canvas aesthetics of moderation. With this powerful demonstration of the way postwar literary fiction linked the era's familiar trope of happiness to political arguments about socioeconomic fairness and individual flourishing, Esteve enlarges our sense of the postwar liberal imagination and its attentiveness to better, possible worlds.
American fiction --- Authors, American --- History and criticism. --- Political and social views. --- American cultural history. --- happiness. --- incremental realism. --- liberalism. --- postwar American fiction. --- public institutions. --- socioeconomic justice. --- welfare state. --- Happiness in literature --- Welfare state in literature --- Liberalism in literature --- Realism in literature --- History and criticism --- Political and social views
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Since the 2000 presidential election, debate over the role of religion in public life has followed a narrow course as pundits and politicians alike have focused on the influence wielded by conservative Christians. But what about more mainstream Christians? Here, Steven M. Tipton examines the political activities of Methodists and mainline churches in this groundbreaking investigation into a generation of denominational strife among church officials, lobbyists, and activists. The result is an unusually detailed and thoughtful account that upends common stereotypes while asking searching questions about the contested relationship between church and state. Documenting a wide range of reactions to two radically different events-the invasion of Iraq and the creation of the faith-based initiatives program-Tipton charts the new terrain of religious and moral argument under the Bush administration from Pat Robertson to Jim Wallis. He then turns to the case of the United Methodist Church, of which President Bush is a member, to uncover the twentieth-century history of their political advocacy, culminating in current threats to split the Church between liberal peace-and-justice activists and crusaders for evangelical renewal. Public Pulpits balances the firsthand drama of this internal account with a meditative exploration of the wider social impact that mainline churches have had in a time of diverging fortunes and diminished dreams of progress. An eminently fair-minded and ethically astute analysis of how churches keep moral issues alive in politics, Public Pulpits delves deep into mainline Protestant efforts to enlarge civic conscience and cast clearer light on the commonweal and offers a masterly overview of public religion in America.
Christianity and politics --- Methodist Church (U.S.) --- Methodist Episcopal Church --- Methodist Episcopal Church, South --- Methodist Protestant Church (U.S. : 1830-1939) --- United Methodist Church (U.S.) --- Iglesia Metodista (U.S.) --- Methodist Church (United States) --- Methodist Church in the United States --- religion, politics, christianity, methodists, mainline churches, moral majority, denominational strife, church and state, faith-based initiatives, iraq, invasion, war on terror, nonfiction, jim wallis, pat robertson, bush, united methodist, advocacy, political science, protestant, prophetic witness, good news movement, faith, freedom, civil liberties, ird, religious lobbies, ecumenical, interfaith, ecclesiology. --- God --- Methodism --- Methodist Churches --- Mainline Churches --- public life --- America --- the religious right --- Christian center --- Christian left --- United Methodist Church --- mainlen Protestantism --- mainline religious groups --- American culture --- American cultural history
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Between 1908 and 1913, D. W. Griffith played a key role in the reformulating of film's narrative techniques, thus contributing to the creation of what we now think of as the classical Hollywood cinema. This book is the only extensive treatment of a critical period in the history of film acting: the emergence of the realistic "verisimilar" style in Griffith's biograph films. Roberta Pearson shows how Griffith gradually abandoned the deliberately affected "histrionic" acting style derived from the nineteenth-century stage. No longer did actors mime distress by raising their arms to heaven or clutching their heads--a subtle facial expression, a slight change in posture would convey a character's extreme emotions instead. Pearson makes detailed comparisons of certain Biograph films and brings a freshness to her analysis by closely examining contemporary journalistic writing, acting manuals, and the recollections of actors of the time. Her work is important for anyone interested in early cinema and performance, and it will enliven the study of American cultural history and mass communications.
Silent films --- Motion picture acting. --- Movement (Acting) --- Motion picture acting --- Music, Dance, Drama & Film --- Film --- Film acting --- Moving-picture acting --- Acting --- Movement on the stage --- Moving pictures, Silent --- Silent motion pictures --- Motion pictures --- History. --- History and criticism --- Griffith, D. W. --- Griffit, Dėvid Uork, --- Griffith, David Wark, --- Warwick, Grenville, --- Criticism and interpretation. --- Biograph Company. --- AB --- American Mutoscope and Biograph Company --- Protective Amusement Company --- Klaw & Erlanger --- History and criticism. --- acting manuals. --- actors. --- american cultural history. --- american director. --- biography films. --- birth of a nation. --- cinema. --- classical hollywood cinema. --- controversy. --- dw griffith. --- early cinema. --- extreme emotion. --- feature length movie. --- film acting. --- film and television. --- film theory. --- henry d walthall. --- hollywood. --- mass communication. --- movie theory. --- movies. --- narrative technique. --- performance style. --- performing arts. --- realistic film. --- theatrical heritage. --- trade press discourse. --- united states of america. --- verisimilar.
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When James Joyce's Ulysses was first published in America, it quickly became a dynamic symbol of both modern art and the modern age. Jeffrey Segall skillfully demonstrates how various political, ideological, and religious allegiances influenced the critical reception and eventual canonization of what is perhaps the twentieth century's greatest novel. In re-creating the polemical debates that erupted, Segall provides a dramatic reminder of just how challenging and controversial Ulysses was--and is. Seventy years after Ulysses was first banned, the novel remains at the center of contemporary debates among feminist, neo-Marxist, and poststructuralist critics. Segall allows us the opportunity to view Ulysses from the perspective of its early readers, and he also elucidates key moments in recent American cultural history.
Sociology of literature --- English literature --- Joyce, James --- United States --- Politics and literature --- Criticism --- English Literature --- English --- Languages & Literatures --- History --- Joyce, James, --- Appreciation --- Homer. --- Birmingham, Kevin. --- Dzhoĭs, Dzheĭms Avgustin Aloiziĭ, --- Džoiss, Džeimss, --- Gʻois, Gʻaims, --- Joyce, Giacomo, --- Jūyis, Jīms, --- Tzoys, Tzaiēms, --- Tzoys, Tzeēms, --- Джойс, Джеймс, --- Джойс, Джеймс Августин Алоїсуїс, --- Zhoĭs, Zheĭms, --- ג׳ויס, ג׳ײמס, --- ג׳ויס, ג׳יימס, --- ジェームスジョイス, --- Joyce, James Augustine Aloysius --- Dzhoĭs, Dzheĭms Avgustin Aloiziĭ --- Džoiss, Džeimss --- Gʻois, Gʻaims --- Joyce, Giacomo --- Jūyis, Jīms --- Tzoys, Tzaiēms --- Tzoys, Tzeēms --- Джойс, Джеймс --- Джойс, Джеймс Августин Алоїсуїс --- Zhoĭs, Zheĭms --- ジョイス --- Art appreciation. --- Appreciation of art --- Art --- Reception of art --- Art criticism --- Analysis, interpretation, appreciation --- Reception --- 20th century. --- america. --- american cultural history. --- banned books. --- controversy. --- cultural politics. --- debates. --- famous authors. --- famous novels. --- feminists. --- ideological. --- irish authors. --- james joyce. --- joyce scholars. --- lit students. --- literary canon. --- literary criticism. --- literary critics. --- literary history. --- literary theory. --- literature and culture. --- modern art and literature. --- modern history. --- neo marxists. --- nonfiction. --- postmodern lit. --- poststructuralists. --- religious issues. --- ulysses. --- United States of America
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