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Christian saints --- Saints chrétiens --- Biography --- Early works to 1800. --- Biographie --- Ouvrages avant 1800 --- Poésie --- Amand, --- Poetry. --- Christian saints - France - Biography - Early works to 1800 --- Christian saints - Poetry --- Amandus ep. Traiectensis --- Amand, - Saint, - approximately 584-approximately 676 --- Amand, - Saint, - approximately 584-approximately 676 - Poetry --- 235.3 AMANDUS --- Hagiografie--AMANDUS
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The Medieval Cult of Saints: Formations and Transformations explores the political economy and visual topography of the cult of saints in Medieval Europe. Especially in the eleventh and twelfth centuries, liturgies for the veneration of saints were incorporated into public spectacles staged in sumptuous architecture and coordinated with market fairs that attracted audiences of locals and pilgrim visitors. Using more than thirty picture cycles of saints' lives in a range of media, published together for the first time, Abou-El-Haj examines a spectrum of cult practices. She argues that repeated and emphasized subjects visualized renewal, expansion, and fierce competition among cults, whether displayed in private or in public spaces. She then applies her results to the history of one monastery and its cult, St. Amand d'Elnone, where three distinct illustrated versions of its patron's life, produced over a hundred years, document how the covent shifted the visual record of its patron as it devised economic strategies to protect its property and privileges. Charts, a map, lists, iconographic and comparative analyses, and 206 plates survey the statistical, temporal, and spatial distribution of the cults, as well as the sources for the St. Amand manuscripts
Architecture and religion --- Architecture et religion --- Architectuur en godsdienst --- Art and religion --- Art et religion --- Kunst en godsdienst --- Religion and architecture --- Christian saints --- Saints chrétiens --- Cult --- History --- Culte --- Histoire --- Amand, --- Saint-Amand-les-Eaux (Abbey) --- Saint-Amand-les-Eaux (Abbaye) --- 235.3*15 --- 235.3 AMANDUS --- -Saints --- Canonization --- Hagiografie: vereringsgeschiedenis --- Hagiografie--AMANDUS --- -History --- -Amand Saint --- -Cult --- -Saint-Amand-les-Eaux (Abbey) --- -Saint-Amand-les-Eaux (France). --- Saint-Amand, France (Nord). --- Klosters Saint-Amand --- St. Amand d'Elnone (Monastery) --- Elnone (Monastery : Saint-Amand-les-Eaux, France) --- Elnon (Monastery : Saint-Amand-les-Eaux, France) --- -Christian saints --- -Hagiografie: vereringsgeschiedenis --- -235.3*15 --- 235.3*15 Hagiografie: vereringsgeschiedenis --- -235.3*15 Hagiografie: vereringsgeschiedenis --- -Architecture and religion --- Saints chrétiens --- Cult. --- Saints --- Amandus, --- Saint-Amand-les-Eaux (France). --- Europe --- Amand --- 7.046.3 --- -Religion and architecture --- Religion --- Art --- Arts in the church --- Religion and art --- 7.046.3 Iconografie: religieuze voorstellingen --- Iconografie: religieuze voorstellingen --- -Middle Ages, 600-1500 --- Religious aspects --- Amand Saint --- Christian saints - Cult - History - To 1500 --- Amandus ep. Traiectensis --- Culte des saints --- Moyen Age --- Amand, - Saint, - approximately 584-approximately 676 - Cult - History - To 1500 --- Amand, - Saint, - approximately 584-approximately 676
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Maria R. Grasso's monograph on the twelfth-century illustrated vita of Saint Amand, Valenciennes, Bibliothèque municipale MS 500, presents new information regarding its contents. The author's discovery and analysis of a second almost complete set of preliminary drawings beneath another set of the same drawings demonstrates that important alterations were made prior to the execution of the cycle. Grasso's discussion includes the probable reason for the change: the isolation of the terminating folio depicting the soul of Amand. This important devotional image is the focus of detailed analysis since the soul of Amand rests in the lap of a male figure she convincingly identifies as Christ, an extremely unusual placement for the soul of a saint, demonstrating the creativity of the artists.
Artists' preparatory studies --- Christian art and symbolism --- Illumination of books and manuscripts, French --- Illumination of books and manuscripts, Romanesque --- Soul in art. --- Underdrawing. --- History --- Amand, --- Bibliothèque municipale de Valenciennes. --- Book history --- miniatures [paintings] --- Saint Amand --- Bibliothèque municipale [Valenciennes] --- anno 1100-1199 --- Christian saints in art --- Soul in art --- Illumination of books and manuscripts, Medieval --- Underdrawing --- Themes, motives --- Art --- Illustrations --- 091 <44 VALENCIENNES> --- 091.31 --- 091 "11" --- 091:235 --- Handschriftenkunde. Handschriftencatalogi--12e eeuw. Periode 1100-1199. --- 091:235 Handschriftenkunde. Handschriftencatalogi-:-Engelen. Demonen. Heiligen --- Handschriftenkunde. Handschriftencatalogi-:-Engelen. Demonen. Heiligen --- 091.31 Verluchte handschriften --- Verluchte handschriften --- 091 <44 VALENCIENNES> Handschriftenkunde. Handschriftencatalogi--Frankrijk--VALENCIENNES --- Handschriftenkunde. Handschriftencatalogi--Frankrijk--VALENCIENNES --- Handschriftenkunde. Handschriftencatalogi--12e eeuw. Periode 1100-1199 --- Illumination of books and manuscripts, Romanesque - France --- Illumination of books and manuscripts, Medieval - Themes, motives --- Illumination of books and manuscripts, French - 12th century --- Christian art and symbolism - France - Medieval, 500-1500 --- Artists' preparatory studies - France - History - 12th century --- Amandus ep. Traiectensis --- Iconographie --- Amand, - Saint, - approximately 584-approximately 676 - Art --- Drawing --- Painting --- Preliminary sketches (Art) --- Preparatory studies (Art) --- Presentation drawings (Art) --- Sketches, Preparatory (Art) --- Working drawings (Art) --- Romanesque illumination of books and manuscripts --- French illumination of books and manuscripts --- Technique --- Amandus, --- Bibliothèque municipale de Valenciennes. --- Amand, - Saint, - approximately 584-approximately 676
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