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Book
Transforming the church interior in Renaissance Florence : screens and choir spaces, from the Middle Ages to Tridentine Reform
Author:
ISBN: 1108985653 1108988202 1108833594 110898343X Year: 2022 Publisher: Cambridge : Cambridge University Press,

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Abstract

Before the late sixteenth century, the churches of Florence were internally divided by monumental screens that separated the laity in the nave from the clergy in the choir precinct. Enabling both separation and mediation, these screens were impressive artistic structures that controlled social interactions, facilitated liturgical performances, and variably framed or obscured religious ritual and imagery. In the 1560s and 70s, screens were routinely destroyed in a period of religious reforms, irreversibly transforming the function, meaning, and spatial dynamics of the church interior. In this volume, Joanne Allen explores the widespread presence of screens and their role in Florentine social and religious life prior to the Counter-Reformation. She presents unpublished documentation and new reconstructions of screens and the choir precincts which they delimited. Elucidating issues such as gender, patronage, and class, her study makes these vanished structures comprehensible and deepens our understanding of the impact of religious reform on church architecture.

Thresholds of the sacred : architectural, art historical, liturgical, and theological perspectives on religious screens, East and West
Authors: ---
ISBN: 9780884023111 0884023117 Year: 2006 Publisher: Washington, D.C. Dumbarton Oaks Research Library and Collection


Book
The art and science of the church screen in medieval Europe : making, meaning, preserving.
Authors: --- ---
ISBN: 9781783271238 Year: 2017 Publisher: Woodbridge The Boydell Press


Multi
The gothic screen
Author:
ISBN: 9781107022959 1107022959 9781139149358 9781139776714 1139776711 1139149350 9781139779753 1139779753 9781139782746 1139782746 1139889001 1139794108 1139783696 1283812479 1139778234 1108430767 9781283812474 Year: 2012 Publisher: Cambridge [England] New York Cambridge University Press

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Abstract

"In the Catharijneconvent Museum in Utrecht there hangs a panel painting whose diminutive size belies the magnificence of its contents (Plate I). Supporting a soaring canopy of rib vaults, two rows of polished marble columns mark the outer boundaries of the picture; their lower halves are concealed, however, by luminous winged altarpieces - most opened to display their gilt interiors, one decorated with paintings, and one still closed. But the sumptuousness of these material accoutrements carries little weight to the twenty-two tonsured men who fill the central space. With hands tucked into their gleaming white robes and mouths gently open as if in song, they gaze in quiet admiration at the Virgin Mary, dazzling with her loose golden locks and glittering crown, her gown of brocaded gold and purple velvet mantle, and the luminous infant she proffers to St. Dominic, the foremost friar. Whereas the phalanx of men forms a symmetrical buffer around the maiden and baby on the church's central axis, the scene is not wholly static. Following the steep orthogonals created jointly by architecture and figures, we discover the beginnings of movement as the two men farthest from our standpoint, thus deepest in the pictorial space, prepare to enter the choir"--

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