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Before the late sixteenth century, the churches of Florence were internally divided by monumental screens that separated the laity in the nave from the clergy in the choir precinct. Enabling both separation and mediation, these screens were impressive artistic structures that controlled social interactions, facilitated liturgical performances, and variably framed or obscured religious ritual and imagery. In the 1560s and 70s, screens were routinely destroyed in a period of religious reforms, irreversibly transforming the function, meaning, and spatial dynamics of the church interior. In this volume, Joanne Allen explores the widespread presence of screens and their role in Florentine social and religious life prior to the Counter-Reformation. She presents unpublished documentation and new reconstructions of screens and the choir precincts which they delimited. Elucidating issues such as gender, patronage, and class, her study makes these vanished structures comprehensible and deepens our understanding of the impact of religious reform on church architecture.
Screens (Church decoration) --- Counter-Reformation. --- Florence --- History --- Church history --- Church renewal --- Reformation --- Anti-Reformation --- Church decoration and ornament --- Church furniture --- Altar screens --- Choir-screens --- Jubes --- Rood-lofts
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Religious architecture --- Christian religion --- Art --- Iconostases --- Screens (Church decoration) --- Jubés --- Congresses. --- Congrès --- -Screens (Church decoration) --- -264-031 --- Altar screens --- Choir-screens --- Jubes --- Rood-lofts --- Church decoration and ornament --- Church furniture --- Heilige plaatsen: kerken; tempels; bidplaatsen --- 264-031 Heilige plaatsen: kerken; tempels; bidplaatsen --- Jubés --- Congrès --- 264-031 --- Iconostases - Congresses --- Screens (Church decoration) - Congresses --- Cancel --- Choeur
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Screens (Church decoration) --- Church decoration and ornament --- Church ornament --- Ecclesiastical decoration and ornament --- Decoration and ornament --- Interior decoration --- Religious articles --- Christian art and symbolism --- Altar screens --- Choir-screens --- Jubes --- Rood-lofts --- Church furniture --- Religious architecture --- preservation [function] --- polychromy --- rood screens --- Medieval [European] --- anno 500-1499 --- Europe --- religieuze architectuur
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At the heart of Gothic cathedrals, the threshold between nave and sanctuary was marked by the choir screen, a partitioning structure of special complexity, grandeur and beauty. At once a canopy for altars, a stage for performance, a pedestal for crucifixes and reliquaries and a ground for spectacular arrays of narrative and iconic sculptures, the choir screen profoundly shaped the spaces of liturgy and social interaction for the diverse communities, both clerical and lay, who shared the church interior. For the first time, this book draws together the most important examples - some fully extant, others known through fragments and graphic sources - from thirteenth- and fourteenth-century France and Germany. Through analyses of both their architectural and sculptural components, Jacqueline E. Jung reveals how these furnishings, far from being barricades or hindrances, were vital vehicles of communication and shapers of a community centred on Christian rituals and stories.
Screens (Church decoration) --- Space (Architecture) --- Sculpture, Gothic --- Christian art and symbolism --- Jubés --- Espace (Architecture) --- Sculpture gothique --- Art et symbolisme chrétiens --- Social aspects --- History --- Themes, motives. --- Themes, motives --- Aspect social --- Histoire --- Thèmes, motifs --- Jubés --- Art et symbolisme chrétiens --- Thèmes, motifs --- Religious architecture --- anno 1300-1399 --- anno 1200-1299 --- France --- Germany --- Gothic sculpture --- Sculpture, Medieval --- Architecture and space --- Negative space (Architecture) --- Space and architectural mass --- Space in architecture --- Architecture --- City planning --- Altar screens --- Choir-screens --- Jubes --- Rood-lofts --- Church decoration and ornament --- Church furniture --- Composition, proportion, etc. --- Arts and Humanities
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