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L’Allusion et L’Accès follows on from work previously published in GRAAT, in particular Usure et Rupture – Breaking Points (GRAAT 13) and Fonctions du Cliché – Du Banal à la Violence (GRAAT 16). The present conference aimed to articulate the strategies that the literary text deploys to access the unsayable, whilst, simultaneously, keeping in mind the notion of play contained in the etymology of allusion: alludere. Allusion and Access, then, are two vast subjects put into juxtaposition and perspective. Allusion sets up various mechanisms of expression by Indirection while Access gives some sort of Direction although one might not know to where the direction is leading. To Allude means to say something by other means. What is that otherness which one chooses to name by substitution? What is the fundamental otherness to which access leads us, when one is dealing with meaning and is left with language as the only tool? Allusion will be understood as metaphoric play. The receiver is expected to know what the game is all about. As Pizzorusso has well said: «La notion d’allusion demande, ou demanderait, une vaste enquête : le mot, l’idée, la pratique de l’allusion.» Access meanwhile means “to reach” in terms of a path, a progress, implying a hermeneutic search. L’Allusion et L’Accès fait suite à des travaux déjà publiés dans GRAAT, notamment Usure et Rupture - Breaking Points (GRAAT 13) et Fonctions du Cliché - Du Banal à la Violence (GRAAT 16). La présente conférence visait à articuler les stratégies que le texte littéraire déploie pour accéder à l’indicible, tout en gardant à l’esprit la notion de jeu contenue dans l’étymologie de l’allusion : alludere. Allusion et Accès sont donc deux vastes sujets mis en juxtaposition et en perspective. L’allusion met en place divers mécanismes d’expression par l’Indirection tandis que l’Accès donne une sorte de Direction bien que l’on puisse ne pas savoir vers où la direction mène. Faire allusion signifie dire quelque chose par…

Literature (General) --- allusion --- esthétique --- lecture --- esthétique de la réception

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Quotations are a standard way that the humanities make meaning; the pull-quote, epigraph, and quotation are standard for citing evidence and invoking and interrogating authority in both literary and scholarly writing. However, film studies has yet to seriously examine how moving images can quote one another, convening interaction and creating new knowledge across time.Classical Projections offers "film quotation" as a new concept for understanding how preexisting moving image fragments are reframed and re-viewed within subsequent films. As a visual corollary to literary quotation, film quotations embed film fragments in on-screen movie screens. Though film quotations have appeared since silent cinema, Classical Projections focuses on quotations of classical Hollywood film--mainstream American studio production, 1915-1950--as quoted in post-classical Hollywood, roughly 1960 to present. This strategic historical frame asks: how does post-classical cinema visualize its awareness of coming after a classical or golden age? How do post-classical filmmakers claim or disavow classical history? How do historically disenfranchised post-classical filmmakers, whether by gender, sexuality, or race, grapple with exclusionary and stereotype-ridden canons?As a constitutive element of post-classical authorship, film quotations amass and manufacture classical Hollywood in retrospective, highly strategic ways. By revealing how quotational tellings of film history build and embolden exclusionary, myopic canons, Classical Projections uncovers opportunities to construct more capacious cultural memory.

Motion pictures --- Allusions --- Film within a film. --- Histoire du cinéma. --- Allusion --- History. --- Au cinéma.

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Die enge Beziehung zwischen Jeremia und Deuteronomium stand über ein Jahrhundert lang im Zentrum der Jeremia- Forschung. Nathan Mastnjak wirft ein neues Licht auf dieses Phänomen, indem er jede glaubwürdige Anspielung auf Deuteronomium in Jeremia einer genauen Untersuchung unterzieht und dabei besonderes Augenmerk auf Interpretationsprozesse und die Verschiebungen der Autorität legt.

Bible. --- Bible. --- Criticism, interpretation, etc. --- Influence. --- Pentateuch --- Prophecy --- inner-biblical Interpretation --- Allusion --- Altes Testament --- Antike

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Questions about how ancient Greek texts establish their authority, reflect on each other, and project their own truths have become central for a wide range of recent critical discourses. In this volume, an influential group of international scholars examines these themes in a variety of poetic and rhetorical genres. The result is a series of striking and original readings from different critical perspectives that display the centrality of these questions for understanding the poetic and rhetorical aims of ancient Greek texts. Characterized by a combination of close attention to philological detail and theoretical sophistication, the essays in this volume make a compelling case for this kind of focused, critically informed dialogue about the nature of ancient textual praxis. Students of classical literature will find a wealth of critical insights and challenging new readings of many familiar texts.

Poésie grecque --- Allusion (rhétorique) --- Rhétorique antique --- Greek poetry --- Allusions in literature. --- Rhetoric, Ancient. --- Histoire et critique --- History and criticism. --- Greek poetry -- History and criticism. --- Allusions in literature --- Rhetoric, Ancient --- Greek & Latin Languages & Literatures --- Languages & Literatures --- History and criticism --- Allusion --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Rhetoric --- E-books --- Ancient rhetoric --- Greek poetry -- History and criticism --- Allusion. --- Rhétorique antique. --- Histoire et critique. --- Poésie grecque --- Rhétorique antique. --- Drama. --- Epic. --- Greek Literature. --- Interpretation. --- Prose.

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A survey of Restoration poetry, from the forms in which it was disseminated to studies of important texts.

English poetry --- English literature --- History and criticism. --- Allusion. --- Authorial Anonymity. --- Censorship. --- Charles II. --- Dryden's Canon. --- Individual Poets. --- Intertextual Reference. --- Mac Flecknoe. --- Manuscript. --- Marvell's "To his Coy Mistress". --- Poetic Canons. --- Print. --- Restoration Poetry. --- Rochester's Canon.