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Antoni Tapies.
Authors: --- ---
Year: 1962 Publisher: New York [Solomon R. Guggenheim Foundation]

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Book
Contemporary prints and multiples : from the collections of Rivky R. Gerstner, Bridget Riley, the properties of the estate of Lawrence Alloway, Laguna Art Museum, the estate of Robert Mapplethorpe, the estate of Frederic Mueller, Mr. and Mrs. Gregory Peck, U.S.X. corporate collection, and from various sources
Authors: ---
Year: 1990 Publisher: New York Christie's

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The long front of culture : the Independent Group and exhibition design
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ISBN: 0262043890 9780262043892 Year: 2020 Publisher: Cambridge, Mass.: MIT Press,

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"The Long Front of Culture is the first book-length treatment of the exhibition designs of the Independent Group and its key members: artists Richard Hamilton, Nigel Henderson, and Eduardo Paolozzi; architects Alison and Peter Smithson; critics Lawrence Alloway and Reyner Banham; and many others. A pivotal research collaborative united by a shared interest in technology, popular culture, and lost histories of art, the IG came together in the 1950s at London's Institute of Contemporary Arts. There, as the story goes, they first put into practice a non-judgmental approach to the objects and pleasures of consumer culture that we now recognize as Pop Art. But if the IG gave rise to Pop, it also, Kevin Lotery argues, invented a form of research and experimentation that far exceeded the Pop label, one that could embrace all the sciences, technologies, aesthetic forms, and military-industrial discourses conditioning what they saw as a new chapter in the history of culture after the Second World War. They named this new phase the "long front" in order to get at the ways all visual production of the postwar period-from X-ray crystallography and painting down to science fiction and automotive design-seemed leveled within the non-hierarchical sameness of a horizontal field or "front." In his study, Lotery argues that the IG turned to exhibition design-that most cross-disciplinary technique of research, display, and spectator involvement-as the only medium capable of incorporating, reconfiguring, and ultimately, reimagining this expansive front of technologically-aided appliances, advertisements, films, and consumerist fantasies into new spatial set-ups and experiences"--


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Art et science fiction : La Ballard Connection
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ISBN: 9782940159468 2940159467 Year: 2011 Publisher: Genève: Mamco,

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Dans les années 1950 et jusqu'à la fin des années 1960, la science-fiction a joué, pour nombre d'artistes et de théoriciens anglais et américains, tant au plan iconographique qu'au plan méthodologique, un rôle stratégique : celui d'un véritable objet régulateur utilisé pour déplacer l'activité artistique loin de ses coordonnées conventionnelles. Dans cette entreprise, Eduardo Paolozzi côtoie Reyner Banham, Robert Smithson ou James Graham Ballard, Peter Hutchinson voisine avec Lawrence Alloway pour explorer ce que ce dernier a appelé « le front élargi de la culture » qui devient ici un ensemble d'images et d'idées rétrocédant en deçà du pop art, là où la subculture se fait relais d'invention. Passer l'art novateur au filtre de la SF, c'est par conséquent, pour les créateurs et les penseurs de l'époque mettant en œuvre cette opération théorique et plastique, ébranler radicalement les cadres d'une esthétique dominante – le formalisme – dont ils auront été les critiques en acte. Il en résulte notamment une révision des notions de passé, de présent et de futur dont Ballard, cet « anticipateur qui ne croit pas en l'avenir » comme il est dit dans l'ouvrage, est le fer de lance. Ce livre propose les pièces de ce dossier crucial pour la compréhension de l'art actuel.


Book
Art and pluralism
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ISBN: 1781386145 1781389071 1846316707 9781846316708 9781781386149 9781846316456 1846316456 9781781386149 9781781389072 Year: 2012 Publisher: Liverpool

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Lawrence Alloway (1926-1990) was one of the most influential and widely respected (as well as prolific) art writers of the post-war years. His many books, catalogue essays and reviews manifest the changing paradigms of art away from the formal values of modernism towards the inclusiveness of the visual culture model in the 1950s, through the diversity and excesses of the 1960s, to the politicisation in the wake of 1968 and the Vietnam war, on to postmodern concerns in the 1970s.Alloway was in the right places at the right times. From his central involvement with the Independent Group and the ICA in London in the 1950s, he moved to New York, the new world centre of art, at the beginning of the 1960s. In the early 1970s he became deeply involved with the realist revival and the early feminist movement in art - Sylvia Sleigh, the painter, was his wife - and went on to write extensively about the gallery and art market as a system, examining the critic's role within this system. Positioning himself against the formalism and exclusivism associated with Clement Greenberg, Alloway was wholeheartedly committed to pluralism and diversity in both art and society. For him, art and criticism were always to be understood within a wider set of cultural, social and political concerns, with the emphasis on democracy, social inclusiveness, and freedom of expression. Art and Pluralism provides a close critical reading of Alloway's writings, and sets his work and thought within the cultural contexts of the London and New York art worlds from the 1950s through to the early 1980s. It is a fascinating study of one of the most significant art critics of the twentieth century.


Book
The Independent Group : postwar Britain and the aesthetics of plenty


Book
Sexuality
Author:
ISBN: 9780854882243 9780262526579 0262526573 Year: 2014 Publisher: Cambridge, Mass.: MIT Press,

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Tracing the identification of art with sexual expression or repression, from the era of the rights movements to the present. It has been argued, most notably in psychoanalytic and modernist art discourse, that the production of works of art is fundamentally driven by sexual desire. It has been further argued, particularly since the early 1970s, that sexual drives and desires also condition the distribution, display and reception of art. This anthology traces how and why this identification of art with sexual expression or repression arose and how the terms have shifted in tandem with artistic and theoretical debates, from the era of the rights movements to the present. Among the subjects it discusses are abjection and the “informe,” or formless; pornography and the obscene; the performativity of gender and sexuality; and the role of sexuality in forging radical art or curatorial practices in response to such issues as state-sponsored repression and anti-feminism in the broader social realm. Artists surveyed include Vito Acconci, Assume Vivid Astro Focus, Lynda Benglis, Louise Bourgeois, Gerard Byrne, George Chakravarthi, Judy Chicago, Vaginal Davis, Wim Delvoye, Elmgreen & Dragset, Valie Export, Félix González-Torres, Guillermo Gómez-Peña, Harmony Hammond, Claudette Johnson, Mary Kelly, Yayoi Kusama, Robert Legorreta, Paul McCarthy, Sarah Maple, Shirin Neshat, Lorraine O'Grady, Yoko Ono, Catherine Opie, Orlan, William Pope.L, Miriam Schapiro, Carolee Schneemann, Joan Semmel, Barbara Smith, Annie Sprinkle, Alina Szapocznikow, Del LaGrace Volcano, Hannah Wilke, David Wojnarowicz. Writers include Malek Alloula, Norman O. Brown, Judith Butler, Douglas Crimp, Angela Dimitrakaki, Michel Foucault, Daniel Guérin, Eleanor Heartney, Jonathan D. Katz, Rosalind Krauss, Julia Kristeva, Paweł Leszkowicz, Herbert Marcuse, Kobena Mercer, Laura Mulvey, Lawrence Rinder, Jacqueline Rose, Eve Kosofsky Sedgwick, Susan Sontag, Trinh T. Minh-ha, Stephen Whittle.


Book
De tweede helft gedocumenteerd : 130 teksten en documenten aangaande de beeldende kunst na 1945
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ISBN: 9058750566 9789058750563 Year: 2002 Publisher: Amsterdam SUN

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130 essays, interviews, manifesten, statements, gedichten en beschouwingen, waarvan 30 teksten voor het eerst in Nederlandse vertaling - teksten die ertoe doen binnen de beeldende kunst van na 1945

Keywords

Art, Modern --- kunsttheorie --- 20ste eeuw --- Comparative literature --- art history --- art theory --- Contemporary [style of art] --- Art --- anno 1900-1999 --- Kunst ; 1945 --- -Art, Modern --- Morris Robert --- Musil Robert --- narcisme --- naslagwerk --- neue Wilden --- Newman Barnett --- Nietzsche Friedrich --- nouveau réalisme --- Nul --- Oldenburg Claes --- op art --- Peeters Henk --- Piene Otto --- Pieters Din --- Plato --- Pollock Jackson --- pop art --- postmodernisme --- post-painterly abstraction --- Reichenfeld J --- Reijnders Frank --- Reinhardt Ad --- Restany Pierre --- Rohde Carl --- Roodnat Bas --- Rooduijn Tom --- Rosenberg Harold --- Roszak Theodore --- Rothko Mark --- Ruyters Dominiek --- Sartre Jean-Paul --- Satie Erik --- schilderkunst --- Schoonhoven Jan --- Simons Riki --- Sontag Susan --- Steiner George --- Stein Gertrude --- Stella Frank --- Tapié Michel --- Tegenbosch Lambert --- Tilroe Anna --- Tinguely Jean --- twintigste eeuw --- Uecker Günther --- van Weelden Dirk --- Vos Marcel --- Warhol Andy --- Weiner Lawrence --- Wittgenstein Ludwig --- Wölfflin Heinrich --- Woolf Virginia --- Zero --- 7.038 --- beeldende kunst --- kunst 20e eeuw --- 7.01 --- Abramovic Marina --- abstracte kunst --- abstracte schilderkunst --- abstractie --- action painting --- Ad de Visser --- Adorno Theodor W --- After Nature --- Alloway Lawrence --- Andre Carl --- Appel Karel --- Armando --- art brut --- arte povera --- Baudrillard Jean --- beat generation --- beatniks --- beeldhouwkunst --- Beeren Wim --- Benjamin Walter --- Bergson Henri --- Beuys Joseph --- Bongard Willi --- Boomgaard Jeroen --- Broodthaers Marcel --- Cage John --- Cameron Dan --- Celant Germano --- Cobra --- concept art --- conceptuele kunst --- Constant --- Dante Arthur C --- de Kooning Willem --- den Hartog Jager Hans --- Denis Maurice --- Depondt Paul --- Derrida Jacques --- Dotremont Christian --- Dubuffet Jean --- Eco Umberto --- Emmerik Pam --- Engelander Ruud --- esthetica --- Fabre Jan --- Finkielkraut Alain --- fluxus --- Fontana Lucio --- fotografie --- Foucault Michel --- Fuchs Rudi --- Giacometti Alberto --- Gilbert & George --- Greenberg Clement --- Groot Ger --- Grootveld Robert Jasper --- Habermas Jürgen --- Hamilton Richard --- Hassan Ihab --- Heyting Lien --- Illich Ivan --- informele kunst --- installaties --- Jencks Charles --- Kaal Ron --- Kaprow Allan --- kinetische kunst --- Klein Yves --- Kosuth Joseph --- Kounellis Jannis --- kunst --- LeWitt Sol --- Lucebert --- Lüpertz Markus --- Lyotard Jean-François --- Maciunas George --- Manzoni Piero --- Mitchell Adrian --- Modern art --- kunstgeschiedenis - kunst na 1945 --- Nieuwe Ploeg (Group of artists) --- -Art --- Kunsten --- 1945 --- -20e eeuw --- Kunstgeschiedenis --- Schilderkunst --- Tekenkunst --- Beeldhouwkunst --- -Kunsten --- Kunst --- 2e helft 20e eeuw --- 20e eeuw --- -Kunst --- writings [documents] --- artists' statements --- Art, Modern - 20th century - Sources --- 20ste eeuw.

Pop
Authors: --- ---
ISBN: 0714843636 Year: 2005 Volume: *3

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Art [Pop ] --- Neo-Dadaism --- New super-realism --- Pop art --- Edited by Mark Francis ; Survey by Hal Foster --- kunst --- twintigste eeuw --- pop art --- beeldhouwkunst --- schilderkunst --- literatuur --- fotografie --- installaties --- Adam Ken --- Alloway Lawrence --- Anger Kenneth --- film --- Antonioni Michelangelo --- Arbus Diane --- d'Arcangelo Allan --- Archizoom & Superstudio --- Arman --- Artschwager Richard --- Ashton Dore --- Bailey David --- Banham Reyner --- Barker Clive --- Barthes Roland --- Battcock Gregory --- Baudrillard Jean --- Ben --- Vautier Ben --- Bengston Billy Al --- Berman Wallace --- Blake Peter --- Boshier Derek --- Boty Pauline --- Boyle Mark --- Hills Joan --- Brecht George --- Broodthaers Marcel --- Buchloh Benjamin H.D. --- Buckminster Fuller R. --- Burckhardt Rudy --- Cage John --- Cammell Donald --- Roeg Nicolas --- Caulfield Patrick --- César --- Chamberlain John --- Cohn Nick --- Conner Bruce --- Coplans John --- Sister Corita --- Corita Sister --- Corman Roger --- Crumb Robert --- Danto Arthur C. --- Debord Guy --- Dine Jim --- Walt Disney Imagineering --- Disney Walt --- Drexler Rosalyn --- Duchamp Marcel --- Dylan Bob --- Eco Umberto --- Eggleston William --- Erro --- Falhström Öyvind --- Fletcher Allan --- Frank Robert --- Fried Michael --- Friedlander Lee --- Geldzahler Henry --- Ginsberg Allen --- Godard Jean-Luc --- Goldfinger Ernö --- Goode John --- Graham Dan --- Gunn Thom --- Grooms Red --- Hains Raymond --- Hamilton Richard --- Hanson Duane --- Henderson Nigel --- Hockney David --- Hollein Hans --- Hopper Dennis --- Huyssen Andreas --- Indiana Robert --- Jacquet Alain --- Jess --- Joannes Gérard --- Johns Jasper --- Johnson Ellen H. --- Johnston Jill --- Johnson Ray --- Jones Allen --- Jorn Asger --- Judd Donald --- Katz Alex --- Kelley Mike --- Kienholz Edward --- Kitaj R.B. --- Klein William --- Klüver Billy --- Kramer Hilton --- Kunitz Stanley --- Kusama Yayoi --- Laing Gerald --- Lennon John --- kunst en politiek --- Lichtenstein Roy --- Lueg Konrad --- MacDonald Ian --- McCartney Paul --- McHale John --- McLuhan Marshall --- Marcus Greil --- Mekas Jonas --- Moore Charles --- Morley Malcolm --- Mulvey Laura --- O'Doherty Brian --- O'Hara Frank --- Oldenburg Claes --- Paolozzi Eduardo --- Peenbaker D.A. --- Perkins Carl --- Phillips Peter --- Pistoletto Michelangelo --- Polke Sigmar --- Price Cedric --- Quarmby Arthur --- Ramos Mel --- Rauschenberg Robert --- Raysse Martial --- Reichardt Jasia --- Resatny Pierre --- Rice Ron --- Richter Gerhard --- Rivers Larry --- Rosenblum Robert --- Rosenquist James --- Rotella Mimmo --- Ruscha Ed --- Samaras Lucas --- Saul Peter --- Schneemann Carolee --- Schwitters Kurt --- Segal George --- Self Colin --- Selz Peter --- Sharp Martin --- Smith Jack --- Smith Richard --- Smithson Alison --- Smithson Peter --- Sontag Susan --- Spoerri Daniel --- Steinberg Leo --- Swenson G.R. --- Tashlin Frank --- Thek Paul --- Thiebaud Wayne --- Thompson Hunter S. --- Tilson Joe --- Tinguely Jean --- Velvet Underground --- Venturi, Scott Brown & Associates --- De la Villegleé Jacques --- Vostell Wolf --- Warhol Andy --- Watts Robert --- Wesley John --- Wesselmann Tom --- Whitman Robert --- Winogrand Garry --- Wolfe Tom --- 7.038 --- hedendaagse kunst --- pop-art --- Pop [fine arts styles] --- Contemporary [style of art] --- Art --- anno 1900-1999 --- Buchloh Benjamin H.D --- Buckminster Fuller R --- Danto Arthur C --- Johnson Ellen H --- Kitaj R.B --- Peenbaker D.A --- Swenson G.R --- Thompson Hunter S

Modern dreams : the rise and fall and rise of Pop
Authors: --- --- ---
ISBN: 0262730812 0262231387 Year: 1988 Publisher: Cambridge, Mass. THE MIT Press

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Alloway, Lawrence ; Banham, Reyner ; Barry, Judith ; Castelli, Leo ; Coplans, John ; Finkelpearl, Tom ; Frampton, Kenneth ; Halle, Howard ; Hamilton, Richard ; Hebdige, Dick ; Heiss, Alanna ; Johnson, Betsey ; Lawson, Thomas ; Leffingwell, Edward ; Lichtenstein, Roy ; Oldenburg, Claes ; Phillips, Patricia ; Smithson, Alison and Peter ; Tsai, Eugenie ; Wallis, Brian ; Wess, Glenn ; Whitham, Graham

Keywords

environmental art --- Postmodern --- Independent Group --- Pop [fine arts styles] --- collages [visual works] --- posters --- Modernist --- Catleugh, J.D.H. --- Voelcker,John --- Halley, Peter --- Wesselmann, Tom --- Ballard, James Graham --- Williams, Denis --- Hamilton, Richard --- Dine, Jim --- Herron, Ron --- Gilbert and George --- Scott Brown, Denise --- Matthews, Richard --- Lemieux, Annette --- Brodsky, Alexander --- Mullican, Matt --- Wright, Edward --- Ozenfant, Amédée --- Martin, Kenneth --- Pine, Michael --- Coplans, John --- Lawson, Thomas --- Smithson, Alison & Peter --- Utkin, Ilya --- Steinbach, Haim --- Johnson, Betsey --- Graham, Dan --- Smithson, Robert --- Heath, Adrian --- Gropius, Walter --- Dwyer, Nancy --- Domergue, Faith --- Newby, Frank --- Ernest, John --- Henderson, Nigel --- Nagy, Peter --- Hockney, David --- Clegg, Michael --- Belcher, Alan --- Hill, Anthony --- Scanavino, Emilio --- Paolozzi, Eduardo --- Facetti, Germano --- SITE --- St. John Wilson, Colin --- Kawasaki, Frank --- Lannoy, Richard --- Rosenquist, James --- Chalk, Warren --- Guttmann, Martin --- Thornton, Leslie --- Crosby, Theo --- del Renzio, Toni --- Adams, Dennis --- Bruggen, van, Coosje --- Turnbull, William --- Martin, Mary --- Magnuson, Ann --- Mapplethorpe, Robert --- Namuth, Hans --- Jackson, Anthony --- Dion, Mark --- Morris, William --- Clark, Gerod --- Pasmore, Victor --- Reason, Rex --- Warhol, Andy --- Ruscha, Ed --- Oldenburg, Claes --- Hull, James --- Wodiczko, Krysztof --- Froshaug, Andrew --- Robbins, David --- Jackson, Sarah --- Barry, Judith --- Graves, Michael --- Cordell, Magda --- Alloway, Lawrence --- Adams, Robert --- Cook, Peter --- Vaisman, Meyer --- McHale, John --- Bolande, Jennifer --- Diamond, Jessica --- Weeks, John --- Goldsmith, Nicholas --- Archigram --- Venturi & Rauch --- Haus-Rucker-Co --- Ant Farm --- Kunst algemeen 20ste eeuw Pop-Art en invloeden --- Kunstgeschiedenis 1950 - 2000 --- Pop art. --- Corbusier, le --- Arts and society --- Pop art --- Popular culture --- (069) --- 7.038 --- Kunst algemeen ; 20ste eeuw ; Pop-Art ; en invloeden --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Art, Pop --- Neo-Dadaism --- New super-realism --- Art, Modern --- Dadaism --- Surrealism --- History --- (Musea. Collecties) --- Kunstgeschiedenis ; 1950 - 2000 --- design [discipline] --- architecture [discipline] --- Applied arts. Arts and crafts --- Iconography --- Art styles --- Architecture --- painting [image-making] --- Graphic arts --- Art --- Painting --- women [female humans] --- art history --- Bickerton, Ashley --- Johns, Jasper --- Man Ray --- Brown, Scott --- Kruger, Barbara --- Holzer, Jenny --- Sherman, Cindy --- Baldessari, John --- Michals, Duane --- Gehry, Frank --- Rauschenberg, Robert --- Artschwager, Richard --- Hadid, Zaha --- Stirling, James --- Venturi, Robert --- Duchamp, Marcel --- Salle, David --- Tschumi, Bernard --- Moore, Henry --- Dubuffet, Jean --- Levine, Sherrie --- Prince, Richard --- Lichtenstein, Roy --- Koolhaas, Rem --- Schwitters, Kurt --- Koons, Jeff --- SOM-Coop Himmelblau --- anno 1900-1999 --- anno 1960-1969 --- anno 2000-2099 --- anno 1950-1959 --- United States --- Great Britain --- Popular culture. --- SITE [New York, N.Y.] --- Ballard, J.G. --- Renzio, del, Toni --- kunst en media --- United States of America --- Wodiczko, Krzysztof

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