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This unique and exciting collection, inspired by the scholarship of literary critic Stephanie Trigg, offers cutting-edge responses to the writings of Geoffrey Chaucer for the current critical moment. The chapters are linked by the organic and naturally occurring affinities that emerge from Trigg's ongoing legacy; containing diverse methodological approaches and themes, they engage with Chaucer through ecocriticism, medieval literary and historical criticism, and medievalism. The contributors, trailblazing international specialists in their respective fields, honour Trigg's distinctive and energetic mode of enquiry (the symptomatic long history) and intellectual contribution to the humanities. At the same time, their approaches exemplify shifting trends in Chaucer scholarship. Like Chaucer's pilgrims, these scholars speak to and alongside each other, but their essays are also attentive to 'hearing Chaucer speak' then, now and in the future.
Chaucer, Geoffrey, --- Chaucer, Geoffrey --- Festschrift --- Criticism and interpretation. --- Alliterative Verse. --- Chaucer Redactions. --- Chaucer, Geoffrey. --- Ecocriticism. --- Emotions in Literature. --- Emotions, History. --- Face in Literature. --- Fifteenth-century Caxton. --- Geoffrey Chaucer. --- Medieval Literature. --- Medieval Romance. --- Medievalism. --- Middle English Literature. --- Nineteenth-century medievalism. --- Stephanie Trigg. --- Trigg, Stephanie.
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Essays examining the compiler and contents of two of the most important and significant extant late medieval manuscript collections. The Yorkshire landowner Robert Thornton (c.1397- c.1465) copied the contents of two important manuscripts, Lincoln Cathedral, MS 91 (the "Lincoln manuscript"), and London, British Library, MS Additional 31042 (the "London manuscript") in the middle decades of the fifteenth century. Viewed in combination, his books comprise a rare repository of varied English and Latin literary, religious and medical texts that survived the dissolution of the monasteries, when so many other medieval books were destroyed. Residing in the texts he copied and used are many indicators of what this gentleman scribe of the North Riding read, how he practised his religion, and what worldly values he held for himself and his family. Because of the extraordinary nature of his collected texts - Middle English romances, alliterative verse (the alliterative Morte Arthure only exists here), lyrics and treatises of religion ormedicine - editors and scholars have long been deeply interested in uncovering Thornton's habits as a private, amateur scribe. The essays collected here provide, for the first time, a sustained, focussed light on Thornton and hisbooks. They examine such matters as what Thornton as a scribe made, how he did it, and why he did it, placing him in a wider context and looking at the contents of the manuscripts. Susanna Fein is Professor of Englishat Kent State University; Michael Johnston is an Assistant Professor of English at Purdue University. Contributors: Julie Nelson Couch, Susanna Fein, Rosalind Field, Joel Fredell, Ralph Hanna, Michael Johnston, George R. Keiser, Julie Orlemanski, Mary Michele Poellinger, Dav Smith, Thorlac Turville-Petre.
Manuscripts, English (Middle) --- History and criticism. --- Thornton, Robert, --- London Thornton manuscript. --- English manuscripts (Middle) --- Manuscripts, Middle English --- Middle English manuscripts --- Alliterative Verse. --- Amateur Scribe. --- Ecclesiastical Institutions. --- Lyrics. --- Manuscripts. --- Medicine. --- Medieval Books. --- Middle English Romances. --- Private Scribe. --- Religion. --- Robert Thornton. --- Texts. --- Treatises. --- Yorkshire Landowner. --- Manuscripts, Medieval --- Transmission of texts --- English poetry --- History --- Criticism, Textual.
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