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Book
Make the world new : the poetry of Lillian Allen
Authors: --- ---
ISBN: 1771124962 1771124970 Year: 2021 Publisher: Waterloo, Ontario : Wilfrid Laurier University Press,

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Abstract

Lillian Allen is one of the leading creative Black feminist voices in Canada. Her work has been foundational to the dub poetry movement, which swept across the Black diaspora in the 1980s, taking roots/routes in Kingston, Toronto, and London and offering exciting sounds of protest and a careful, detailed documenting of everyday life as political praxis. Make the World New brings together some of the highlights of Lillian Allen's work in a single volume. It revisits her well-known verse from the celebrated collections Rhythm an' Hardtimes, Women Do This Everyday, and Psychic Unrest, while also assembling new and uncollected poems. Allen's poetry is incisive in its narration of Black life and its call to create new and different futures. Her work highlights the need for radical intersectional change as a process of social transformation. Allen's afterword, "Tuning the Heart with Poetry," includes the writer's reflections on her process and the social and cultural impact of the work. The introduction, by Ronald Cummings, engages with the duality of Lillian Allen's poetry in its written and spoken forms, and the give and take in committing poems to the page that "are not meant to lay still." He also reflects on the dynamism of Allen's dub poetry, where, for example, her portrayal of breaths and breathings take on new resonance in the era of Black Lives Matter and COVID-19.


Book
Multimodality in Canadian Black feminist writing : orality and the body in the work of Harris, Philip, Allen, and Brand.
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ISBN: 9042026871 9789042026872 9042026863 9789042026865 Year: 2009 Publisher: Amsterdam New York : Rodopi,

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This book develops a theory of multimodality – the participation of a text in more than one mode – centred on the poetry/poetics of Lillian Allen, Claire Harris, Dionne Brand, and Marlene Nourbese Philip. How do these poets represent oral Caribbean English Creoles (CECs) in writing and negotiate the relationship between the high literary in Canadian letters and the social and historical meanings of CECs? How do the latter relate to the idea of “female and black”? Through fluid use of code- and mode-switching, the movement of Brand and Philip between creole and standard English, and written orality and standard writing forms part of their meanings. Allen’s eye-spellings precisely indicate stereotypical creole sounds, yet use the phonological system of standard English. On stage, Allen projects a black female body in the world and as a speaking subject. She thereby shows that the implication of the written in the literary excludes her body’s language (as performance); and she embodies her poetry to realize a ‘language’ alternative to the colonizing literary. Harris’s creole writing helps her project a fragmented personality, a range of dialects enabling quite different personae to emerge within one body. Thus Harris, Brand, Philip, and Allen both project the identity “female and black” and explore this social position in relation to others. Considering textual multimodality opens up a wide range of material connections. Although written, this poetry is also oral; if oral, then also embodied; if embodied, then also participating in discourses of race, gender, sexuality, and a host of other systems of social organization and individual identity. Finally, the semiotic body as a mode (i.e. as a resource for making meaning) allows written meanings to be made that cannot otherwise be expressed in writing. In every case, Allen, Philip, Harris, and Brand escape the constraints of dominant media, refiguring language via dialect and mode to represent a black feminist sensibility.

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