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Aliens in art --- Art, Chinese --- Art, Chinese --- Art, Chinese --- China --- Foreign relations --- History.

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Roman provinces --- Art, Roman --- Aliens in art --- History --- Themes, motives --- Forlì --- Barbares --- Aliens in art. --- Roman provinces. --- Congrès --- Dans l'art. --- Themes, motives. --- Germanic Invasions of Rome (3rd-6th centuries). --- 200-599. --- Rome --- Rome (Empire). --- Roman provinces - History - Congresses. --- Art, Roman - Themes, motives - Congresses. --- Aliens in art - Congresses.

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Aliens in art --- Aliens in literature --- Sex differences in art --- Sex differences in literature --- 82.04 --- Literaire thema's --- Aliens in art. --- Aliens in literature. --- Sex differences in art. --- Sex differences in literature. --- 82.04 Literaire thema's --- Illegal aliens in literature

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Cet essai fait le lien entre les études visuelles, la sémiotique, l'anthropologie et l'histoire de l'art pour saisir le fonctionnement des stéréotypes. Par une analyse de tableaux, il met au jour diverses stratégies qui ont inventé un Autre : le Juif, le Noir, le paysan et l'Alien contemporain.

Other (Philosophy) in art --- Stereotypes (Social psychology) in art --- Painting --- Social aspects --- Juifs --- Noirs --- Paysannerie --- Extraterrestres --- Autrui --- Art --- Dans l'art. --- Thèmes, motifs. --- Political philosophy. Social philosophy --- Jews in art --- Blacks in art --- Peasants in art --- Aliens in art --- Racism in art --- Noncitizens in art. --- Black people in art. --- art [fine art] --- philosophy --- Painting - Social aspects --- art [discipline]

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Difference exists; otherness is constructed. This book asks how important Western artists, from Giotto to Titian and Caravaggio, and from Bosch to Dürer and Rembrandt, shaped the imaging of non-Western individuals in early modern art. Victor I. Stoichita's nuanced and detailed study examines images of racial otherness during a time of new encounters of the West with different cultures and peoples, such as those with dark skins: Muslims and Jews. Featuring a host of informative illustrations and crossing the disciplines of art history, anthropology, and postcolonial studies, Darker Shades also reconsiders the Western canon's most essential facets: perspective, pictorial narrative, composition, bodily proportion, beauty, color, harmony, and lighting. What room was there for the "Other," Stoichita would have us ask, in such a crystalline, unchanging paradigm?

Sociology of minorities --- Iconography --- History of civilization --- fine arts [discipline] --- exoticism --- iconography --- social anthropology --- zigeuner --- andere mens --- moslim --- negro --- anno 1500-1799 --- anno 1400-1499 --- Europe --- Aliens in art --- Art, Renaissance --- Art, Baroque --- Themes, motives. --- black --- Noncitizens in art. --- zwarten --- Joden, Joods leven --- Moslims --- zigeuners --- rassen --- rondzwervende gemeenschappen: zigeuners --- antropologie --- Westerse kunst --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak) --- orientalisme --- barok --- zwarten. --- Joden, Joods leven. --- Moslims. --- zigeuners. --- rassen. --- rondzwervende gemeenschappen: zigeuners. --- antropologie. --- Westerse kunst. --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak). --- orientalisme. --- barok. --- rondzwervende gemeenschappen: Roma --- Noncitizens in art --- Other (Philosophy) in art --- Themes, motives --- Orient --- In art.