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In Exhibition-ism, theorist and artist Mieke Bal develops the idea that exhibiting is a significant form of the contemporary. In an exhibition, visitors are in the actual company of artworks that can perform. This essay considers recent shows of Bal's own video work, and is framed by observations on contemporary sculpture's response to classics of the form. Looking at art as process, Bal makes the case that the being-together-in-time of an exhibition visit encourages and, if the curation is well thought-out, can heighten the sense of the contemporaneity art being more capable of this than anything else.

kunst --- film --- filmregisseurs --- kunstenaars --- twintigste eeuw --- eenentwintigste eeuw --- Akomfrah John --- Groot-Brittannië --- 7.071 AKOMFRAH --- Art --- ecology --- colonization --- migration [function] --- video art --- time --- montage [image-making technique] --- arrivals --- African diaspora --- Akomfrah, John --- Artists --- Colonialisme --- Akomfrah, John, --- Exhibitions --- Exhibition techniques. --- Technique. --- exhibitions [events] --- contemporary [generic time frame] --- philosophy of art --- Classical --- visitors --- Bal, Mieke --- Ausstellung --- Performance --- Videokunst --- Kunst --- Muséologie --- Art vidéo --- Artists - England - Interviews --- Akomfrah, John - Interviews --- Akomfrah, John, 1957 --- -Art --- -Ausstellung --- -Akomfrah, John --- dekolonisatie

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Since the early 1980s, Akomfrah's moving image works have offered some of the most rigorous and expansive reflections on the culture of the black diaspora. Zoe Whitley and Aram Moshayedi survey Akomfrah's early work as part of Black Audio Film Collective. Tina Campt explores the sonic resonances of Akomfrah's installation The Unfinished Conversation (2012), which focuses on the life of cultural theorist Stuart Hall. Diana Nawi examines the recent work Transfigured Night (2013/2018), considering how Akomfrah continues to find new languages for film, representation and narrative. T.J. Demos and Okwui Enwezor look at Vertigo Sea (2015), Akomfrah's monumental work exploring the concept of the black Atlantic, using the work to articulate the visual and philosophical underpinnings of Akomfrah's work across his career. Exhibition: New Museum, New York, USA (20.06.-02.09.2018).

Video installations (Art) --- Postcolonialism and the arts --- kunst --- videokunst --- video --- video-installaties --- film --- fotografie --- postkolonialisme --- twintigste eeuw --- eenentwintigste eeuw --- Akomfrah John --- Black Audio Film Collective --- 7.071 AKOMFRAH --- Arts and postcolonialism --- Arts --- Screen-reliant installations (Art) --- Installations (Art) --- Video art --- Film installations (Art) --- Akomfrah, John --- Criticism and interpretation. --- Exhibitions --- seas --- political art --- racial discrimination --- video art --- Art --- Kunst --- rassendiscriminatie --- videokunst [kunstwerken] --- politieke kunst --- zeeën --- John Akomfrah --- 20.30 history of art: general. --- Artists, Black --- Artists, Black. --- Postcolonialism and the arts. --- Video installations (Art). --- Akomfrah, John. --- New York (State) --- dekolonisatie

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Art --- art [discipline] --- Baselitz, Georg --- Antunes, Leonor --- El Anatsui --- Akomfrah, John --- Tuymans, Luc --- Arnardóttir, Hrafnhildur --- Yiadom-Boakye, Lynette --- Prouvost, Laure --- Jarpa, Voluspa --- Pauline Boudry/Renate Lorenz --- Burca, de, Benjamin --- Wagner, Bárbara --- Mesiti, Angelica --- Abban, Felicia --- Mahama, Ibrahim --- Sosu, Selasi Awusi --- Barzdžiukaité, Rugilé --- Lapelyte, Lina --- Gruyter, de, Jos --- Thys, Harald --- Kounellis, Jannis --- Frankenthaler, Helen

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freedom --- political art --- Art --- feminism --- art [fine art] --- Ganahl, Rainer --- Tiravanija, Rirkrit --- Ligon, Glenn --- Castro, Libia --- Bajević, Maja --- Akomfrah, John --- El-Tahri, Jihan --- Manna, Jumana --- Pershina-Yakimanskaya, Natalya --- Faldbakken, Matias --- Ólafsson, Ólafur --- Hiller, Susan --- Heier, Marianne --- Egorova, Olga --- Hayes, Sharon --- Einarsson, Gardar Eide --- Collins, Phil --- Ai Weiwei --- Bowers, Andrea --- Mir, Aleksandra --- Storihle, Sille --- Deller, Jeremy --- Slavs and Tatars --- Pussy Riot [Moscow] --- Superflex [Copenhagen] --- SUPERFLEX [Copenhagen] --- art [discipline]

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AES+F ; Akomfrah, John ; Barbey, bruno ; Berry, Ian ; Biemann, Ursula ; Tavares, Paulo ; Brodsky, Marcelo ; Burri, René ; Caron, Gilles ; Depardon, Raymond ; Douglas, stan ; Fatmi, Mounir ; Freed, Leonard ; Gaumy, Jean ; Glinn, Burt ; Hamaya, Hiroshi ; Jantjes, Gavin ; Loskutov, Artem ; Mendel, Gideon ; Ressler, Olivier ; Sacco, Graciela ; Sansour, Larissa ; Schapiro, Steve ; Schulze Eldowy, Gundula ; Serralongue, Bruno ; Storck, Henri ; Mellaerts , Hugo ; Tillmans, Wolfgang ; Williamson, Sue ; Willis, Thomas ; Hank ; Xu, Yong

kunst --- politiek --- kunst en politiek --- Yong Xu --- Willis Thomas Hank --- Williamson Sue --- Tillmans Wolfgang --- Mellaerts Hugo --- Storck Henri --- Serralongue Bruno --- Schulze Eldowy Gundula --- Schapiro Steve --- Sansour Larissa --- Sacco Gracielo --- Ressier Oliver --- Mendel Gideon --- Loskutov Artem --- Jantjes Gavin --- Hamaya Hiroshi --- Glinn Burt --- Gaumy Jean --- Freed Leonard --- fatmi mounir --- Douglas Stan --- Depardon Raymond --- Caron Gilles --- Burri René --- Brodsky Marcelo --- Tavares Paulo --- Biemann Ursula --- Berry Ian --- Barbey Bruno --- Alÿs Francis --- Akomfrah John --- AES+F --- 7.038/039 --- 7.039 --- 7.038 --- 77.038/039 --- 77.039 --- 77.038 --- sixties --- fotografie --- activisme --- mei 68 --- Exhibitions --- Documentaire fotografie --- Kunst en maatschappijkritiek --- Kunst en politiek --- Protestdemonstraties --- Fotografie ; 1950 - 2000