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"In this rich memoir, the first of two volumes, Paul Farmer traces the story of A39, the Cornish political theatre group he co-founded and ran from the mid-1980s to the early 1990s. Farmer offers a unique insight into A39's creation, operation, and artistic practice during a period of convulsive political and social change. The reader is plunged into the national miners' strike and the collapse of Cornish tin mining, the impact of Thatcherism and 'Reaganomics', and the experience of touring Germany on the brink of reunification, alongside the influence on A39 of writers Bertolt Brecht, John McGrath and Keith Johnstone. Farmer, a former bus driver turned artistic director, details the theatre group's inception and development as it fought to break down social barriers, attract audiences, and survive with little more than a beaten-up Renault 12, a photocopier and two second-hand stage lights at its disposal: the book traces the progress from these raw materials to the development of an integrated community theatre practice for Cornwall. Farmer's candour and humour enliven this unique insight into 1980s theatre and politics. It will appeal to anyone with an interest in theatre history, life in Cornwall, and the relationship between performance and society during a turbulent era."--Publisher's website.
Agitprop theater --- Workers' theater --- History
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Theater --- Agitprop theater. --- Street theater --- Theater --- Théâtre --- Théâtre agit-prop --- Théâtre de rue --- Théâtre --- Political aspects. --- History --- Aspect politique --- Histoire
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Agitprop theater --- Germany --- Berlin (Germany) --- Workers' theater --- History --- 20th century --- Theater --- Political aspects --- Brecht, Bertolt --- Criticism and interpretation --- Agitprop theater - Germany - Berlin. --- Workers' theater - Germany - Berlin - History - 20th century. --- Theater - Political aspects - Germany - Berlin - 20th century. --- Brecht, Bertolt (1898-1956) --- Théâtre d'agit-prop --- Théâtre --- Théâtre prolétarien --- Critique et interprétation --- Allemagne --- Berlin (Allemagne) --- Histoire et critique --- 20e siècle --- Aspect politique
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Depuis les années 1960, de nombreuses expériences théâtrales ont revendiqué en France un dessein militant. Inscrit au coeur des luttes, ce théâtre s'est donné pour but de contribuer aux combats d'émancipation de son temps. L'ouvrage retrace l'histoire du théâtre militant, ses formes de lutte, ses solutions dramaturgiques et scéniques pour mettre en scène le présent à transformer, et les troupes.
Agitprop theater --- Theater --- Théâtre agit-prop --- Théâtre --- Political aspects --- History --- Théâtre agit-prop --- Théâtre --- Theater - Political aspects - France - History - 20th century --- Theater - Political aspects - France - History - 21st century --- Théâtre politique français --- Thèmes, motifs --- 1945-1990
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Agitprop theater --- Political plays, American --- Theater --- 792.036 <73> --- 792.036 <73> Modern theater--Verenigde Staten van Amerika. VSA. USA --- Modern theater--Verenigde Staten van Amerika. VSA. USA --- American political plays --- American drama --- Propaganda, Communist --- Socialism and theater --- Workers' theater --- Translations into German --- Political aspects --- Theatrical science --- United States --- United States of America
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Puppet theater --- Street theater --- Theater and society --- Theater --- Workers' theater --- Actors --- Society and theater --- Labor theater --- Proletariat theater --- Agitprop theater --- Puppet shows --- Puppetry --- Puppets and puppet-plays --- Political aspects --- Social status --- Social aspects --- Welfare State (Theater company) --- Welfare State International (Theater company) --- Welfare State Theatre Company (Burnley, Lancashire) --- WSI (Theater company) --- Theatrical science --- anno 1970-1979 --- anno 1980-1989 --- England --- theatergeschiedenis --- Welfare State International
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Theatrical science --- Sociology of culture --- United States --- Great Britain --- arbeiderscultuur --- 820-2 --- Political plays --- Socialism and literature --- -Socialism and literature --- -Theater --- -Workers' theater --- Labor theater --- Proletariat theater --- Theater --- Agitprop theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Literature and socialism --- Literature --- Political drama --- Politicians --- Politics, Practical --- Drama --- Engelse literatuur: toneel; drama --- Political aspects --- Political plays. --- Workers' theater. --- Political aspects. --- 820-2 Engelse literatuur: toneel; drama --- Workers' theater --- United States of America
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Political philosophy. Social philosophy --- Theatrical science --- Recreation. Games. Sports. Corp. expression --- anno 1930-1939 --- anno 1940-1949 --- anno 1910-1919 --- anno 1920-1929 --- Germany --- Pageants --- -Theater --- -Working class --- -Commons (Social order) --- Labor and laboring classes --- Laboring class --- Labouring class --- Working class --- Working classes --- Social classes --- Labor --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Amateur plays --- Festivals --- Processions --- Political aspects --- History --- Employment --- Nationalsozialistische Deutsche Arbeiter-Partei --- Nazi Party --- NSDAP --- National Socialist German Labor Party --- Partito nazionalsocialista dei lavoratori tedeschi --- Kokumin Shakaishugi Doitsu Rōdōshatō --- Partido Nacionalsocialista --- National Socialist German Workers Party --- NSVSP --- Nacionālsociālistiskā vācu strādnieku partija --- Nachitō --- Partia Narodowosocjalistyczna --- Narodowosocjalistyczna Niemiecka Partia Robotnicza --- NSGWP --- Partido Obrero Alemán Nacionalsocialista --- Narodowo-Socjalistyczna Niemiecka Robotnicza Partja --- N.S.D.A.P. --- Partido Nazista --- מפלגה הנאצית --- נאצים --- Theater --- Workers' theater --- Political aspects. --- History. --- -Political aspects --- Commons (Social order) --- Labor theater --- Proletariat theater --- Agitprop theater --- Nationalsozialistische Deutsche Arbeiter-Partei.
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Walter Benjamins »Programm eines proletarischen Kindertheaters« (1929), das nicht nur durch die Kindertheaterarbeit von Asja Lacis und der russischen Theateravantgarde, sondern auch von Untersuchungen zum barocken Trauerspiel sowie zum Theater Bertolt Brechts inspiriert wurde, beschreibt einen von Autorität und Hierarchie befreiten Spiel- und Übungsraum, der gerade dem kindlichen Erleben und Verhalten entgegenkommt. Vor dem Hintergrund des bisher eher unentdeckten Motivs der Straße im Denken Walter Benjamins stellt Karin Burk die spielerische, dem Kind eigentümliche Idee seines Kindertheaters heraus: Auf prätheatralische Formen zurückgreifend steht es dem Karneval und der Performance nahe, was seine revolutionäre Invention unterstreicht. »The great strengh of Burk's study consists in the meticulous care she takes to unravel the conceptual vocabulary that permeates the thinking and practice of all three vanguardists, and the new intratextual trajectories she identifies in the thought of Benjamin.« Phoebe von Held, Das Brecht-Jahrbuch, 42 (2018) »Spannend [besonders] da, wo man Anklänge und das Erbe der russischen Avantgarde und dessen, was Benjamin in seiner Programmschrift fordert, in der heutigen Kinder- und Jugendtheaterarbeit erkennt.« www.samtundselters.de, 11.07.2016 »Die Publikation ist insbesondere für Theaterwissenschaftler, Theaterpraktiker, Kulturschaffende insgesamt sowie in Teilen auch Pädagogen oder Erziehungswissenschaftler eine Fundgrube vielfältiger Reflexionen und Verweise quer durch die Kultur-, Kunst- und Theatergeschichte, die bis in heutige performative Theaterpraktiken und aktuelle Überlegungen zur frühkindlichen Erziehung hineinreichen.« Bettina Brandi, www.socialnet.de, 28.06.2016 Besprochen in: Zeitschrift für Theaterpädagogik, 10 (2016), Florian Vaßen Das Brecht-Jahrbuch, 42 (2018), Phoebe von Held
Agitprop theater --- Children's theater --- Experimental theater --- Kindertheater. --- Socialism and theater --- Theater critics --- Theater --- Theatrical producers and directors --- Workers' theater --- Influence. --- History --- Political aspects --- Production and direction --- Benjamin, Walter, --- Brecht, Bertolt, --- Lācis, Anna, --- Lācis, Asja, --- Russland. --- Asja Lacis. --- Bertolt Brecht. --- Critical Theory. --- History of Theatre. --- Kritische Theorie. --- Russian Avant-garde. --- Russische Avantgarde. --- Theater. --- Theatergeschichte. --- Theaterwissenschaft. --- Theatre Studies. --- Theatre. --- Walter Benjamin. --- PERFORMING ARTS / Theater / History & Criticism. --- Lācis, Anna, --- Labor theater --- Proletariat theater --- Theater and socialism --- Alternative theater --- Avant-garde theater --- Children's dramatics --- Children's plays --- Theater for children --- Theater for young people --- Young people's theater --- Presentation, etc. --- Lacis, Asja, --- Lāce, Anna, --- Lat︠s︡is, A. --- Lat︠s︡is, Anna, --- Benjamin, W. --- Kindertheater; Theater; Asja Lacis; Russische Avantgarde; Bertolt Brecht; Walter Benjamin; Theaterwissenschaft; Theatergeschichte; Kritische Theorie; Theatre For Children; Theatre; Russian Avant-garde; Theatre Studies; History of Theatre; Critical Theory --- Brecht, Berthold Friedrich --- Brecht, Bertolt. --- Brecht, Bertholt --- Brecht, Bert --- Brecht, Eugen Berthold Friedrich --- Benjamin, Walter --- Holz, Detlef, --- Banyaming, --- Benʼyamin, Varutā, --- Peñcamin̲, Vālṭṭar, --- Binyamin, Ṿalṭer, --- בנימין, ולטר --- בנימין, ולטר, --- ולטר, בנימין, --- Penyamin, Palt'ŏ, --- 벤야민 발터,
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