Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art styles --- Orozco, José Clemente --- Siqueiros, David Alfaro --- Rivera, Diego --- muralisten --- Mexicaanse revolutie --- geschiedenis --- politiek --- Afro-Amerikaanse kunst --- modernisme --- Brenner, Anita --- Reed, Alma --- Toor, Frances --- 1925 - 1945 --- 20ste eeuw --- Mexico --- Verenigde Staten --- muralisten. --- Mexicaanse revolutie. --- geschiedenis. --- politiek. --- Afro-Amerikaanse kunst. --- modernisme. --- Orozco, José Clemente. --- Rivera, Diego. --- Brenner, Anita. --- Reed, Alma. --- Toor, Frances. --- Siqueiros, David Alfaro. --- 1925 - 1945. --- 20ste eeuw. --- Mexico. --- Verenigde Staten.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Judith Scott's story has become widely known through several documentary films: born with Down syndrome, and institutionalized for thirty years, before moving to the Bay Area to be near her twin sister, Scott had long-hidden artistic sensibilities that were first discovered at the visionary Creative Growth Art Center in Oakland. There, she developed an affinity for fibre and other found materials, creating extraordinary and idiosyncratic objects - fastidiously assembled structures that radically challenge our attempts to define them as sculpture. In addition to illustrations of more than forty essential works, this volume includes a number of essays that trace Scott's artistic development and her place within the field of contemporary art as a whole. A previously unpublished interview with Scott's twin sister, Joyce, tells the story of how Judith's move from relative isolation to a supportive and nurturing environment allowed an unexpected and extraordinary talent to emerge and flourish.(https://www.amazon.co.uk/Judith-Scott-Unbound-Catherine-Morris/dp/3791353845)

portraits --- Wiley, Kehinde --- kunst --- eenentwintigste eeuw --- Verenigde Staten --- Afro-Amerikaanse kunst --- 75.071 WILEY --- gender studies --- portret --- portretschilderkunst --- schilderkunst --- Wiley, Kehinde, --- Exhibitions --- Sculpture --- soft sculpture --- Scott, Judith --- portretten --- #breakthecanon --- Beeldende therapie

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In the period of radical change that was 1963-1983, young black artists at the beginning of their careers in the USA confronted key questions and pressures. How could they make art that would stand as innovative, original, formally and materially complex, while also making work that reflected their concerns and experience as black Americans? This significant new publication, accompanying an exhibition at Tate Modern, surveys this crucial period in American art history, bringing to light previously neglected histories of twentieth-century black artists, including Sam Gilliam, Melvin Edwards, Jack Whitten, William T. Williams and Frank Bowling. This book features substantial essays from co-curators Mark Godfrey and Zoe Whitley, writing on abstraction and figuration respectively. It will also explore the art historical and social contexts with subjects including black feminism; AfriCOBRA and other artist-run groups; the role of museums in the debates of the period; and where visual art sat in relation to the Black Arts Movement.

Afro-Amerikaanse kunst --- vrouwelijke kunstenaars --- discriminatie --- geschiedenis --- burgerrechten --- politiek --- Black Arts Movement (New York, 1965-1975) --- 20ste eeuw --- Amerika --- 7.038(73) --- Exhibitions --- Beeldende kunst ; Africaans America ; 2de helft 20ste eeuw --- Civil Rights Movement --- Black Power --- Black Feminism --- Black Art Movements --- Spiral --- FESTAC --- Kunstgeschiedenis ; 1900 - 1950 ; Verenigde Staten --- Beeldende kunst ; Afrikaans America ; 2de helft 20ste eeuw --- African American art --- African American artists --- Art and society --- Black power --- Black Arts movement --- Photography, Artistic --- Art and Design. --- African American art. --- Art and society. --- Black power. --- History --- 1900-1999 --- United States. --- Afro-Amerikaanse kunst. --- vrouwelijke kunstenaars. --- discriminatie. --- geschiedenis. --- burgerrechten. --- politiek. --- Black Arts Movement (New York, 1965-1975). --- 20ste eeuw. --- Amerika.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

One wintry day in 1983, alongside other street sellers in the East Village, David Hammons peddled snowballs of various sizes. He had neatly laid them out in graduated rows and spent the day acting as obliging salesman. He called the evanescent and unannounced street action 'Bliz-aard Ball Sale', thus inscribing it into a body of work that, from the late 1960s to the present, has used a lexicon of ephemeral actions and self-consciously black materials to comment on the nature of the artwork, the art world, and race in America. And although 'Bliz-aard Ball Sale' has been frequently cited and is increasingly influential, it has long been known only through a mix of eyewitness rumors and a handful of photographs. Its details were as elusive as the artist himself; even its exact date was unrecorded. Like so much of the artist's work, it was conceived, it seems, to slip between our fingers -- to trouble the grasp of the market, as much as of history and knowability.0In this study, Elena Filipovic collects a vast oral history of the ephemeral action, uncovering rare images and documents, and giving us singular insight into an artist who made an art of making himself difficult to find.

Art --- conceptual artists --- Hammons, David --- art criticism --- kunstkritiek --- #breakthecanon --- United States --- Photographie --- Art urbain --- Art militant --- Hammons, David, --- Conceptual --- ephemeral art --- kunst --- performances --- performance --- assemblage --- sneeuw --- installaties --- 7.071 HAMMONS --- Hammons David --- Afro-Amerikaanse kunst --- twintigste eeuw --- Verenigde Staten --- Criticism and interpretation. --- Critique et interprétation. --- Black Arts movement --- Installations (Art) --- African American art

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

For his exhibition "Black Madonna" African-American artist Theaster Gates examined representations of black women, cultural legacies and spirituality. With his band, the Black Monks, he also engaged in a multifaceted musical and performative programme. Through pictorial reportage and new essays, the book illuminates the working methods and concepts underlying the project.

kunst --- beeldhouwkunst --- installaties --- kunst en muziek --- performances --- performance art --- afro-Amerikaanse kunst --- iconografie --- madonna's --- vrouwelijkheid --- zwarten --- gender studies --- Gates Theaster --- Black Monks --- 7.071 GATES --- Exhibitions --- Art --- racial discrimination --- video art --- gender issues --- African American --- Gates, Theaster --- spiritualiteit --- kunst en politiek