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"In The Photography Workshop Series, Aperture Foundation works with the world's top photographers to distill their creative approaches, teachings, and insights on photography--offering the workshop experience in a book. The goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. In this book, Dawoud Bey--well-known for his striking portraits that reflect both the individual and their larger community--offers his insight on creating meaningful and beautiful portraits that capture the subject and speak to something more universal. Through images and words, he shares his own creative process and discusses a wide range of issues, from approaching strangers and establishing relationships with subjects, to sensitively representing communities."
Portrait photography. --- African American photographers. --- Photography --- Social aspects --- Bey, Dawoud, --- Portrait photography --- African American photographers --- fotografie --- fotografietheorie --- fotografietechniek --- fotografische techniek --- eenentwintigste eeuw --- portretfotografie --- documentaire fotografie --- Verenigde Staten --- Bey Dawoud --- Afro-Amerikanen --- 77.01 --- Afro-American photographers --- Negro photographers --- Photographers, African American --- Photographers --- Portraiture --- Portraits --- Smikle, David,
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"Inspired by the archive of Richmond native Louis Draper, VMFA has organized an unprecedented exhibition that chronicles the first twenty years of the Kamoinge Workshop, a group of African American photographers he helped to found in 1963. More than 180 photographs by fifteen of the early members--Anthony Barboza, Adger Cowans, Danny Dawson, Roy DeCarava, Louis Draper, Al Fennar, Ray Francis, Herman Howard, Jimmie Mannas Jr., Herb Randall, Herb Robinson, Beuford Smith, Ming Smith, Shawn Walker, and Calvin Wilson--reveal the vision and commitment of this remarkable group of artists. When the collective began in New York City, they selected the name Kamoinge, which means "a group of people acting and working together" in Gikuyu, the language of the Kikuyu people of Kenya. They met weekly, exhibited and published together, and pushed each other to expand the boundaries of photography as an art form during a critical era of Black self-determination in the 1960s and 1970s. The group organized several shows in their own gallery space, in addition to exhibitions at the Studio Museum in Harlem and the International Center for Photography. They were also the driving force behind The Black Photographers Annual, a publication founded by Kamoinge member Beuford Smith, which featured the work of a wide variety of Black photographers at a time when mainstream publications offered them few opportunities. In the continuing spirit of Kamoinge, Shawn Walker, Beuford Smith, Herb Robinson, and Tony Barboza have also made significant archival contributions and are among the nine members who recorded oral histories to provide the fullest account of the group's first two decades. In addition, through a generous grant from the National Endowment of the Humanities, VMFA has digitized the Draper archive--which will be available online." Exhibition and catalogue draw works and archival material from Louis H. Draper, 1935-2002, and includes work from the Komoinge Workshop and it's founding members including Louis Draper, Anthony Barboza, Adger Cowens, Danny Dawson, Al Fennar, Ray Francis, Herman Howard, Jimmie Mannas, Herb Randall, Herb Robinson, Beuford Smith, Ming Smith, Shawn Walker, and Calvin Wilson.
African American photographers --- Photography, Artistic --- African American art --- African Americans in art --- fotografie --- twintigste eeuw --- Verenigde Staten --- Afro-Amerikanen --- Afro-Amerikaanse kunst --- documentaire fotografie --- portretfotografie --- straatfotografie --- stadsfotografie --- Komoinge Workshop --- New York --- 77.038 --- Afro-American art --- Art, African American --- Negro art --- Ethnic art --- Afro-American photographers --- Negro photographers --- Photographers, African American --- Photographers --- Afro-Americans in art --- Negroes in art --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Draper, Louis H., --- Criticism and interpretation. --- Themes, motives. --- Kamoinge Inc --- Exhibitions
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American literature --- African American women --- Women and literature --- African American women in literature. --- Identity (Psychology) in literature. --- Women, Black --- African American photographers. --- Group identity in literature. --- African American aesthetics. --- Women, Black, in literature. --- Women photographers. --- Women as photographers --- Photographers --- Aesthetics, African American --- Afro-American aesthetics --- Aesthetics, American --- Afro-American photographers --- Negro photographers --- Photographers, African American --- Black women --- Women, Negro --- Afro-American women in literature --- Literature --- Afro-American women --- Women, African American --- Women --- African American authors --- History and criticism --- Theory, etc. --- Women authors --- Intellectual life. --- African American aesthetics --- African American photographers --- African American women in literature --- Group identity in literature --- Identity (Psychology) in literature --- Women, Black, in literature --- Women photographers --- English literature --- Agrarians (Group of writers) --- Intellectual life --- African American authors&delete& --- History and criticism&delete& --- Theory, etc --- Women authors&delete&
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"It is relatively unknown that the photographer Gordon Parks was close friends with Ralph Ellison, author of the acclaimed 1952 novel Invisible Man. Even less known is the fact that their common vision of racial injustices, coupled with a shared belief in the communicative power of photography, inspired collaboration on two important projects, in 1948 and 1952. Capitalizing on the growing popularity of the picture press, Parks and Ellison first joined forces on an essay titled 'Harlem Is Nowhere' for '48: The Magazine of the Year. Conceived while Ellison was already three years into writing Invisible Man, this illustrated essay was centered on the Lafargue Clinic, the first non-segregated psychiatric clinic in New York City, as a case study for the social and economic conditions in Harlem. He chose Parks to create the accompanying photographs, and during the winter of 1948, the two roamed the streets of Harlem, with Parks photographing under the guidance of Ellison's writing. In 195 2 the two collaborated again on 'A Man Becomes Invisible' for the August 25 issue of Life, which promoted Ellison's newly released novel. This is the first publication on Parks' and Ellison's two collaborations, one of which was lost, while the other was published only in reduced form. Gordon Parks was born in Fort Scott, Kansas, in 1912. In addition to his storied tenures photographing for the Farm Security Administration (1941-45) and Life (1948-72), Parks found success as a film director, introducing Blaxploitation through his film Shaft (1971). Parks died in 2006. Ralph Ellison was born in Oklahoma City in 1913. He enrolled at Booker T. Washington's Tuskegee Institute in Macon County, Alabama, as a music major and later turned to writing essays and short stories for publications such as New Masses, The Negro Quarterly, The New Republic and Saturday Review. Invisible Man won the National Book Award in 1953. Ellison published two collections of essays: Shadow and Act (1964) and Going ^to the Territory (1986). He died in 1994"--Publisher description.
PARKS G. --- ELLISON R. --- African American photographers --- African American authors --- African Americans --- Documentary photography --- fotografie --- documentaire fotografie --- straatfotografie --- stadsfotografie --- Parks Gordon --- Verenigde Staten --- twintigste eeuw --- New York --- Harlem --- fotografie en literatuur --- Ellison Ralph --- 77.071 PARKS --- Photography, Documentary --- Photography --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- Afro-American authors --- Authors, African American --- Negro authors --- Authors, American --- Afro-American photographers --- Negro photographers --- Photographers, African American --- Photographers --- Social conditions --- Parks, Gordon, --- Ellison, Ralph --- Ellison, Ralph. --- אליסון, ראלף --- Lafargue Clinic (New York, N.Y.) --- Lafargue Mental Hygiene Clinic (New York, N.Y.) --- History --- Harlem (New York, N.Y.) --- New York (N.Y.) --- New York (City) --- New Amsterdam (N.Y.) --- Ni︠u︡ Ĭork (N.Y.) --- Novi Jork (N.Y.) --- Nova Iorque (N.Y.) --- Nyu-Yorḳ (N.Y.) --- Nueva York (N.Y.) --- Nu Yorḳ (N.Y.) --- Nyuyok (N.Y.) --- Nuyorḳ (N.Y.) --- New York City (N.Y.) --- Niyū Yūrk (N.Y.) --- Niyūyūrk (N.Y.) --- Niu-yüeh (N.Y.) --- Nowy Jork (N.Y.) --- City of New York (N.Y.) --- New York Stad (N.Y.) --- نيويورك (N.Y.) --- Táva Nueva York (N.Y.) --- Nyu-York Şähäri (N.Y.) --- Нью-Йорк (N.Y.) --- Горад Нью-Ёрк (N.Y.) --- Horad Nʹi︠u︡-I︠O︡rk (N.Y.) --- Нью-Ёрк (N.Y.) --- Ню Йорк (N.Y.) --- Nova York (N.Y.) --- Çĕнĕ Йорк (N.Y.) --- Śĕnĕ Ĭork (N.Y.) --- Dakbayan sa New York (N.Y.) --- Dinas Efrog Newydd (N.Y.) --- Efrog Newydd (N.Y.) --- Nei Yarrick Schtadt (N.Y.) --- Nei Yarrick (N.Y.) --- Νέα Υόρκη (N.Y.) --- Nea Yorkē (N.Y.) --- Ciudad de Nueva York (N.Y.) --- Novjorko (N.Y.) --- Nouvelle York (N.Y.) --- Nua-Eabhrac (N.Y.) --- Cathair Nua-Eabhrac (N.Y.) --- Caayr York Noa (N.Y.) --- York Noa (N.Y.) --- Eabhraig Nuadh (N.Y.) --- Baile Eabhraig Nuadh (N.Y.) --- Нью Йорк балhсн (N.Y.) --- Nʹi︠u︡ Ĭork balḣsn (N.Y.) --- Шин Йорк (N.Y.) --- Shin Ĭork (N.Y.) --- 뉴욕 (N.Y.) --- Lungsod ng New York (N.Y.) --- Tchiaq York Iniqpak (N.Y.) --- Tchiaq York (N.Y.) --- New York-borg (N.Y.) --- Nuova York (N.Y.) --- ניו יורק (N.Y.) --- New York Lakanbalen (N.Y.) --- Lakanabalen ning New York (N.Y.) --- Evrek Nowydh (N.Y.) --- Nouyòk (N.Y.) --- Bajarê New Yorkê (N.Y.) --- New Yorkê (N.Y.) --- Mueva York (N.Y.) --- Sivdad de Mueva York (N.Y.) --- סיבֿדאד די מואיבֿה יורק (N.Y.) --- Sivdad de Muevah Yorḳ (N.Y.) --- מואיבֿה יורק (N.Y.) --- Muevah Yorḳ (N.Y.) --- Novum Eboracum (N.Y.) --- Neo-Eboracum (N.Y.) --- Civitas Novi Eboraci (N.Y.) --- Ņujorka (N.Y.) --- Niujorkas (N.Y.) --- Niujorko miestas (N.Y.) --- Niuiork (N.Y.) --- Њујорк (N.Y.) --- Njujork (N.Y.) --- Bandar Raya New York (N.Y.) --- Bandaraya New York (N.Y.) --- Nuoba Iorque (N.Y.) --- Нью-Йорк хот (N.Y.) --- Nʹi︠u︡-Ĭork khot (N.Y.) --- Āltepētl Yancuīc York (N.Y.) --- Niej-York (N.Y.) --- ニューヨーク (N.Y.) --- Nyū Yōku (N.Y.) --- ニューヨーク市 (N.Y.) --- Nyū Yōku-shi (N.Y.) --- NYC (N.Y.) --- N.Y.C. (N.Y.) --- Harlem, New York (City) --- Exhibitions --- documentary photography --- Parks, Gordon --- #breakthecanon --- Black people
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