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African American artists as teachers --- African American artists --- African American arts --- Fine Arts - General --- Art, Architecture & Applied Arts --- Afro-American arts --- Arts, African American --- Negro arts --- Ethnic arts --- Afro-American artists --- Artists, African American --- Negro artists --- Artists --- Afro-American artists as teachers --- Teachers --- African American artists. --- African American arts.
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American literature --- African American artists --- African American authors --- Harlem Renaissance --- African Americans --- Authors --- Artists --- New Negro Movement --- Renaissance, Harlem --- African American arts --- Afro-American artists --- Artists, African American --- Negro artists --- Harlem (New York, N.Y.)
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African American artists --- African American arts --- African American women --- Afro-Amerikaanse kunsten --- Afro-Amerikaanse kunstenaars --- Afro-Amerikaanse vrouwen --- Artistes afro-américains --- Artistes noirs--Etats-Unis --- Arts afro-americains --- Femmes afro-americaines --- Kunstenaars [Zwarte ]--Verenigde Staten --- Zwarte kunstenaars--Verenigde Staten --- Popular culture --- United States --- History --- 20th century --- Afro-American women. --- Afro-American artists. --- Wallace, Michele. --- United States - Popular culture - History - 20th century. --- Afro-American arts.
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More Dimensions Than You Know takes as its focal point nearly 25 paintings created in the years from 1979 to 1989, highlighting Whitten's propensity for pushing the technical and aesthetic boundaries of painting as a medium. The catalogue includes an essay by Richard Shiff, curator of the exhibition and Effie Marie Cain, Regents Chair in Art at The University of Texas at Austin. Parsing various aspects of Whitten's practice, Shiff's engaging essay speaks to the irreducible aspects of Whitten's work, establishing his invaluable contributions to the narrative of postwar American painting. Exhibition: Hauser & Wirth, New York, USA (28.01.-08.04.2017).
African American painters --- African American artists --- Painting, Abstract --- 75.07 --- Afro-American artists --- Artists, African American --- Negro artists --- Artists --- Afro-American painters --- Painters, African American --- Painters --- Schilderkunst ; schilders --- Whitten, Jack, --- Exhibitions --- Schilderkunst ; 2de helft 20ste eeuw ; J. Whitten --- Whitten, Jack 1939-2018 (° Bessemer, Alabama, Verenigde Staten) --- Abstracte schilderkunst --- Kunst en maatschappij --- Whitten, Jack
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Through its analysis of film, drama, fiction, visual culture, poetry, and other cultural -artifacts, Black Cultural Production after Civil Rights offers a fresh examination of how the historical paradox by which unprecedented civil rights gains coexist with novel impediments to collectivist black liberation projects. While black writers, artists, historians, and critics have taken renewed interest in the historical roots of black un-freedom, Black Cultural Production insists that the 1970s anchors the philosophical, aesthetic, and political debates that animate contemporary debates in African American studies.
African American arts --- American literature --- African Americans in motion pictures. --- African American artists. --- African Americans --- Politics and culture --- Afro-American artists --- Artists, African American --- Negro artists --- Artists --- Afro-Americans in motion pictures --- Negroes in moving-pictures --- Motion pictures --- Race films --- Afro-American arts --- Arts, African American --- Negro arts --- Ethnic arts --- Political aspects --- History --- African American authors --- History and criticism. --- Intellectual life
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"Black Art Notes is a collection of essays edited by artist and organizer Tom Lloyd. Originally published in 1971, the book was conceived as a critical response to the Contemporary Black Artists in America exhibition at the Whitney Museum of American Art but grew into a "concrete affirmation of Black Art philosophy as interpreted by eight Black artists," as Lloyd notes in the publication's introduction"--https://primaryinformation.org/product/black-art-notes.
Lloyd, Tom --- Art, Black --- African American art --- Artists, Black --- African American artists --- Black Arts movement --- kunst --- Verenigde Staten --- 7.038 --- 7.01 --- kunsttheorie --- twintigste eeuw --- Afro-Amerikaanse kunst --- African American arts --- Afro-American artists --- Artists, African American --- Negro artists --- Artists --- Black artists --- Afro-American art --- Art, African American --- Negro art --- Ethnic art --- Black art --- Philosophy
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In the Black Fantastic' assembles art and imagery from across the African diaspora that embraces ideas of the mythic and the speculative. It brings to life the forces that shape Afrofuturism - the cultural movement that conjures otherworldly visions out of the everyday of Black experience - and beyond, looking at how speculative fictions in Black art and culture are boldly reimagining perspectives on race, gender, identity and the body in the 21st century. Standing apart from Western narratives of progress and modernity - based as they are on the historical subjugation of people of colour - the book explores how Black artists are drawing inspiration from African-originated myth, knowledge systems and spiritual practices to confound the Western dichotomy between the real and unreal, the natural and the supernatural. With 250 illustrations spanning the spheres of photography, painting, sculpture, cinema, literature and architecture, this book reaches across time, space and art form, drawing together everything from works by leading visual artists such as Kara Walker, Chris Ofili and Lina Iris Viktor to groundbreaking films like Black Panther and Get Out and the radical politics of pan-Africanism.
Arts, Black --- Black people in art --- African American artists --- Artists, Black --- kunst --- zwarte cultuur --- zwarte identiteit --- kunst en feminisme --- afrofuturisme --- twintigste eeuw --- eenentwintigste eeuw --- kolonialisme --- postkolonialisme --- kunst en muziek --- afro-amerikaanse kunst --- 7.038/039 --- Black arts --- Negro arts --- Black artists --- Negro artists --- Afro-American artists --- Artists, African American --- Artists
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What impact do sexual politics and queer identities have on the understanding of 'blackness' as a set of visual, cultural and intellectual concerns? In Queering Post-Black Art, Derek Conrad Murray argues that the rise of female, gay and lesbian artists as legitimate African-American creative voices is essential to the development of black art. He considers iconic works by artists including Glenn Ligon, Kehinde Wiley, Mickalene Thomas and Kalup Linzy, which question whether it is possible for blackness to evade its ideologically overdetermined cultural legibility. In their own unique, often satirical way, a new generation of contemporary African American artists represent the ever-evolving sexual and gender politics that have come to define the highly controversial notion of 'post-black' art. First coined in 2001, the term 'post-black' resonated because it articulated the frustrations of young African-American artists around notions of identity and belonging that they perceived to be stifling, reductive and exclusionary. Since then, these artists have begun to conceive an idea of blackness that is beyond marginalization and sexual discrimination.
Philosophy and psychology of culture --- homosexuality --- civil rights --- art criticism --- gender [sociological concept] --- African American --- #breakthecanon --- kunst --- kunst en politiek --- 7.01 --- Verenigde Staten --- kunsttheorie --- 7.039 --- homoseksualiteit --- gender studies --- Afro-Amerikaanse kunst --- tekenkunst --- videokunst --- video --- film --- installaties --- schilderkunst --- Linzy Kalup --- Thomas Mickalene --- Ligon Glenn --- Wiley Kehinde --- African American art --- African American artists --- Homosexuality and art --- Gender identity in art --- African American gays --- Gay artists --- Afro-American gays --- Afro-American homosexuals --- Gays, African American --- Gays --- Art and homosexuality --- Art --- Afro-American artists --- Artists, African American --- Negro artists --- Artists --- Afro-American art --- Art, African American --- Negro art --- Ethnic art --- History and criticism. --- In art. --- History and criticism --- In art
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The first monograph on the groundbreaking video artist and member of the seminal Video Venice News and Studio Z groups. This is the first major retrospective on the groundbreaking Los Angeles–based video artist Ulysses Jenkins (born 1946). Since the 1970s, Jenkins has interrogated questions of race and gender as they relate to ritual, history and state power. From his work with Video Venice News, a Los Angeles media collective he founded in the early 1970s, to his involvement with the artists’ group Studio Z (alongside figures such as David Hammons, Senga Nengudi and Maren Hassinger), to his video and performance works, Jenkins explores how white supremacy is embedded in popular culture. Beginning as a painter and muralist, Jenkins was introduced to video just as the first consumer cameras were made available, and he quickly seized upon the technology as a means to broadcast critical depictions of multiculturalism. This catalog features an extensive portion of Jenkins’ archive, early documentary films, photographs and ephemera, as well as his video art.
Art vidéo --- Identité de genre --- Racisme --- African American artists --- African American art --- Art, American --- Video art --- Performance art --- Photography, Artistic --- Black people in art --- kunst --- video --- videokunst --- video-installaties --- Verenigde Staten --- twintigste eeuw --- eenentwintigste eeuw --- muziek --- kunst en muziek --- performances --- racisme --- zwarte identiteit --- zwarte cultuur --- Jenkins Ulysses --- 791.45 --- 7.071 JENKINS --- Blacks in art --- Negroes in art --- Arts, Modern --- Happenings (Art) --- Performing arts --- Afro-American art --- Art, African American --- Negro art --- Ethnic art --- Afro-American artists --- Artists, African American --- Negro artists --- Artists --- History --- Jenkins, Ulysses, --- Etude de genre
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Excluded from traditional design history and educational canons that heavily favor European modernist influences, the work and experiences of Black designers have been systematically overlooked in the profession for decades. However, given the national focus on diversity, equity, and inclusion in the aftermath of the nationwide Black Lives Matter protests in the United States, educators, practitioners, and students now have the opportunity?as well as the social and political momentum?to make long-term, systemic changes in design education, research, and practice, reclaiming the contributions of Black designers in the process.The Black Experience in Design, an anthology centering a range of perspectives, spotlights teaching practices, research, stories, and conversations from a Black/African diasporic lens. Through the voices represented, this text exemplifies the inherently collaborative and multidisciplinary nature of design, providing access to ideas and topics for a variety of audiences, meeting people as they are and wherever they are in their knowledge about design. Ultimately, The Black Experience in Design serves as both inspiration and a catalyst for the next generation of creative minds tasked with imagining, shaping, and designing our future.
Aesthetics --- Applied arts. Arts and crafts --- Graphic arts --- graphic design --- meubelkunst --- African American --- Design --- Afrika --- Invloed --- Grafische vormgeving --- African American artists --- Graphic artists --- African American aesthetics --- African American arts --- African diaspora --- 766.01 --- 749.01 --- 373.67.01 --- Creation (Literary, artistic, etc.) --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Art --- Visual communication --- Black diaspora --- Diaspora, African --- Human geography --- Africans --- Transatlantic slave trade --- Afro-American arts --- Arts, African American --- Negro arts --- Ethnic arts --- Aesthetics, African American --- Afro-American aesthetics --- Aesthetics, American --- Designers, Graphic --- Graphic designers --- Artists --- Afro-American artists --- Artists, African American --- Negro artists --- Social conditions --- Gebruiksgrafiek ; theorie, filosofie, esthetica --- Meubelkunst en design ; theorie, filosofie, esthetica --- Onderwijs ; kunst- architectuuronderwijs ; beschouwingen --- Migrations --- 766.071 --- Grafische industrie en ontwerp (algemeen) ; beroep (allround)
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