Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

African Americans - History --- African Americans - Civil rights - History --- African Americans

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

African Americans --- Civil rights movements --- Black power --- Civil rights --- History --- 20th century --- United States --- African Americans - Civil rights - History - 20th century --- Civil rights movements - United States - History - 20th century --- Black power - United States - History - 20th century

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Après le scandale des prisons d'Afghanistan, de Guantanamo à Cuba et d'Abou Ghraïb en Irak, qui a révélé torture et violations des droits de l'homme, Angela Davis examine en quoi les prisons américaines sont le miroir d'un modèle démocratique fondé sur les inégalités sociales et raciales. Analyse du régime carcéral américain, critique d'un système qui bâtit des complexes pénitentiaires sur les ruines tenaces d'un passé esclavagiste, mise en cause d'une démocratie qui perpétue les inégalités à travers des institutions conçues comme un outil de contrôle de populations... Après l'abolition de l'esclavage, Angela Davis plaide ici pour le nouvel enjeu démocratique : abolir torture et prisons. Membre des Blacks Panthers et du Parti communiste américain, Angela Davis a été condamnée en 1970 à la peine capitale comme " ennemi d'État ". Après seize mois de détention, elle doit son acquittement et sa libération à une gigantesque mobilisation internationale. Figure mythique de la pensée progressiste et antiraciste américaine, elle enseigne aujourd'hui à l'université de Californie.

African Americans --- Political prisoners --- Torture --- Civil rights --- History --- Violence against --- Abuse of --- United States --- Race relations --- Activistes noirs américains --- Davis, Angela Y. --- États-Unis --- Relations raciales. --- African Americans - Civil rights - History --- African Americans - Violence against --- Political prisoners - Abuse of - United States --- Torture - United States --- United States - Race relations --- Violation des droits de l'homme --- Prisons --- 1990-....

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

C1 --- priesters --- missionarissen --- Kerken en religie --- Civil rights workers --- Anciaux, Joseph, --- Priests --- African Americans --- Civil rights --- History --- Catholic Church --- Clergy --- Belgium --- Biography --- Anciaux, Joseph --- United States --- Southern States --- Religious aspects --- African American Catholics --- Civil rights workers - United States - Biography --- Priests - United States - Biography --- African Americans - Civil rights - History - 20th century --- Anciaux, Joseph, - 1858-1931

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Black Movements analyzes how artists and activists of recent decades reference earlier freedom movements in order to imagine and produce a more expansive and inclusive democracy. The post-Jim Crow, post-apartheid, postcolonial era has ushered in a purportedly color blind society and along with it an assault on race-based forms of knowledge production and coalition formation. Soyica Diggs Colbert argues that in the late twentieth century race went "underground," and by the twenty-first century race no longer functioned as an explicit marker of second-class citizenship. The subterranean nature of race manifests itself in discussions of the Trayvon Martin shooting that focus on his hoodie, an object of clothing that anyone can choose to wear, rather than focusing on structural racism; in discussions of the epidemic proportions of incarcerated black and brown people that highlight the individual's poor decision making rather than the criminalization of blackness; in evaluations of black independence struggles in the Caribbean and Africa that allege these movements have accomplished little more than creating a black ruling class that mirrors the politics of its former white counterpart. Black Movements intervenes in these discussions by highlighting the ways in which artists draw from the past to create coherence about blackness in present and future worlds. Through an exploration of the way that black movements create circuits connecting people across space and time, Black Movements offers important interventions into performance, literary, diaspora, and African American studies.

African American theater --- Performing arts --- African Americans --- Show business --- Arts --- Performance art --- Afro-American theater --- Theater, African American --- Theater --- History. --- Civil rights --- Civil rights movements --- African Americans in the performing arts --- History --- African American theater - History --- Performing arts - United States - History --- African Americans - Civil rights - History --- Civil rights movements - United States - History --- Civil rights movements - History