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Book
Historical dictionary of African American theater
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ISBN: 1538117290 9781538117293 9781538117286 1538117282 Year: 2018 Publisher: Lanham : Rowman & Littlefield,

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"Contains a chronology, introduction, list of acronyms and abbreviations, in-depth chronology, appendixes, and more than 700 cross-references dictionary entries on African American theater"--


Book
Drumbeats, masks and metaphor : contemporary Afro-American theatre
Authors: ---
ISBN: 0674216784 Year: 1983 Publisher: Cambridge, Mass. London Harvard University Press

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Book
Radical theatre in the sixties and seventies
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ISBN: 0946488142 Year: 1993 Publisher: Keele British Association for American Studies

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The African American theatre directory, 1816-1960 : a comprehensive guide to early Black theatre organizations, companies, theatres, and performing groups
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ISBN: 0313295379 0313033323 9780313033322 9798400607851 Year: 1997 Publisher: Westport, Conn. : London : Greenwood Press, Bloomsbury Publishing,

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Book
America hurrah! per un teatro di metafora
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Year: 1968 Publisher: Genova Teatro stabile di Genova

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Book
Theatre History Studies 2010 : African and African American Theatre Past and Present
Authors: ---
ISBN: 0817384804 9780817384807 9780817371074 0817371079 Year: 2010 Publisher: Alabama : University of Alabama Press,

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To mark the thirtieth anniversary of the Theatre History Studies journal, editor Rhona Justice-Malloy and the Mid-America Theatre Conference have collected a special-themed volume covering the past and present of African and African American theatre. Topics included range from modern theatrical trends and challenges in Zimbabwe and Kenya, and examining the history and long-range impact of Paul Robeson's groundbreaking and troubled life and career, to gender issues in the work of Ghanaian playwright Efo Kodjo Mawugbe, and the ways that 19th-century American blackness was


Book
African American theater buildings : an illustrated historical directory, 1900-1955
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ISBN: 1476604665 9781476604664 0786449225 9780786449224 Year: 2003 Publisher: Jefferson, North Carolina ; London, [England] : McFarland & Company, Inc., Publishers,

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African American theater buildings were theaters owned or managed by blacks or whites and serving an African American audience. Nearly 2,000 such theaters, including nickelodeons, vaudeville houses, storefronts, drive-ins, opera houses and neighborhood movie theaters, existed in the 20th century, yet very little has been written about them. In this book the African American theater buildings from 1900 through 1955 are arranged by state, then by city, and then alphabetically under the name by which they were known. The street address, dates of operation, number of seats, architect, whether it w

White people do not know how to behave at entertainments designed for ladies & gentlemen of colour : William Brown's African & American theater
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ISBN: 0807862606 9780807862605 0807827770 9780807827772 0807854506 9780807854501 9798890874139 Year: 2003 Publisher: Chapel Hill : University of North Carolina Press,

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An exploration of the career of William Brown, a 19th-century free man of colour, who pioneered theatrical spaces for black New Yorkers, hitherto denied access to whites-only venues. The text explores these intercultural, multiracial environments and investigates negative white reactions.


Book
Negro playwrights in the American theatre, 1925-1959
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Year: 1969 Publisher: New York: Columbia university press,

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Book
Theater and crisis : myth, memory, and racial reckoning in America, 1964-2020
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ISBN: 164315060X 1643150596 9781643150604 Year: 2024 Publisher: Amherst, Massachusetts : Lever Press,

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Racial reckoning was a recurrent theme throughout the summer of 2020, a response to George Floyd's murder and the unprecedented impact of COVID on marginalized groups. Theater and Crisis proposes a literary and theatrical study of how Floyd's killing could possibly happen in the aftermath of the Civil Rights era, and in the supposedly post-racial era following the election of Barack Obama. In the days and months following Floyd's death, there were nightly protests in streets across the United States and broader world. At the same time, theater performances were forced to shift online to video conferencing platforms and to find new ways to engage audiences. In each case, groups made shared meaning through storytelling and narrative, a liberatory process of myth-making and reverence that author Patrice D. Rankine calls "epiphanic encoding."

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