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Gordon Parks (1912-2006) was a pioneering figure in 20th-century photography. As well as being the first African-American photographer to join the Farm Security Administration (FSA) and to become a staff photographer for 'Life' magazine, he was also a writer, film director and composer. Although best known for documenting issues such as poverty, race relations and civil rights, he was remarkably versatile, turning his gift for visual narrative to subjects as diverse as news coverage, fashion, art and sport. He also captured prominent figures of his era, from Malcolm X to Marilyn Monroe, in a series of memorable portraits. Working in the USA and around the world, he was driven by a commitment to social justice: 'The common search for a better life and a better world is deeper than colour or blood.'
Photography, Artistic --- African American photographers --- Parks, Gordon,
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Dawoud Bey and Carrie Mae Weems met in New York in the late 1970s, and over the next 45 years these close friends and colleagues have each produced unique and influential bodies of work around shared interests and concerns. This publication brings together over 140 photographs and video art from the 1970s through the 2010s by two of our most notable and influential photo-based artists. Since first meeting at the Studio Museum in Harlem five decades ago, Bey and Weems have maintained spirited and supportive mutual engagement while exploring and addressing similar themes: race, class, representation, and systems of power. Dawoud Bey & Carrie Mae Weems: In Dialogue brings their work together in five thematic groupings to shed light on their unique creative visions and trajectories, and their shared concerns and principles.
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Photography --- Photography --- African American photographers --- African American photographers --- African Americans in art --- Photographie --- Photographie --- Photographes afro-américains --- Photographes afro-américains --- Noirs américains dans l'art --- History --- History --- History --- History --- Histoire --- Histoire --- Histoire --- Histoire
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Photograhy, Artistic --- African American photographers --- Photographers --- African Americans --- African American arts --- Harlem Renaissance --- Intellectual life --- History --- Brathwaite, Kwame, --- Brathwaite, Kwame
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Recipient of a 2017 MacArthur Foundation "genius grant," Dawoud Bey has created a body of photography that masterfully portrays the contemporary American experience on its own terms and in all of its diversity. Dawoud Bey: Seeing Deeply' offers a forty-year retrospective of the celebrated photographer's work, from his early street photography in Harlem to his current images of Harlem gentrification. Photographs from all of Bey's major projects are presented in chronological sequence, allowing viewers to see how the collective body of portraits and recent landscapes create an unparalleled historical representation of various communities in the United States. Leading curators and critics-Sarah Lewis, Deborah Willis, David Travis, Hilton Als, Jacqueline Terrassa, Rebecca Walker, Maurice Berger, and Leigh Raiford-introduce each series of images. Revealing Bey as the natural heir of such renowned photographers as Roy DeCarava, Walker Evans, Gordon Parks, and James Van Der Zee, Dawoud Bey: Seeing Deeply demonstrates how one man's search for community can produce a stunning portrait of our common humanity.
Photography, Artistic --- Photography --- Portrait photography --- African American photographers --- Social aspects --- History --- Bey, Dawoud, --- Harlem (New York, N.Y.)
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African American photographers --- Cross-cultural studies --- Photography --- Photography, Artistic --- Vernacular photography --- Social aspects --- Harris, Lyle Ashton, --- Friends and associates.
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Portrait photography --- Blacks --- African American photographers --- Photography, Artistic --- Negroes --- Afro-American photographers --- Negro photographers --- Photographers, African American --- Ethnology --- Photographers --- Black persons
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"In The Photography Workshop Series, Aperture Foundation works with the world's top photographers to distill their creative approaches, teachings, and insights on photography--offering the workshop experience in a book. The goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. In this book, Dawoud Bey--well-known for his striking portraits that reflect both the individual and their larger community--offers his insight on creating meaningful and beautiful portraits that capture the subject and speak to something more universal. Through images and words, he shares his own creative process and discusses a wide range of issues, from approaching strangers and establishing relationships with subjects, to sensitively representing communities."
Portrait photography. --- African American photographers. --- Photography --- Social aspects --- Bey, Dawoud, --- Portrait photography --- African American photographers --- fotografie --- fotografietheorie --- fotografietechniek --- fotografische techniek --- eenentwintigste eeuw --- portretfotografie --- documentaire fotografie --- Verenigde Staten --- Bey Dawoud --- Afro-Amerikanen --- 77.01 --- Afro-American photographers --- Negro photographers --- Photographers, African American --- Photographers --- Portraiture --- Portraits --- Smikle, David,
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"From photography's beginnings in the United States, Black studio photographers operated on the developing edge of popular media to produce affirming portraits for their clients, as well as a wide range of photographic work rooted in their communities. Called to the Camera offers a comprehensive history of this work, from the nineteenth-century daguerreotypes of James Presley Ball to the height of Black studios in the mid-twentieth century, and considers contemporary photographers responding to Black studio traditions today. In addition to showcasing famous photographers such as Ball, James Van Der Zee, and Addison Scurlock, this volume brings attention to dozens of other artists across the country, including Florestine Perrault Collins, Austin Hansen, and Henry Clay Anderson. The book features more than one hundred extraordinary vintage photographs, many of them unique objects and some, like those by the Hooks Brothers Studio, published here for the first time. Highlighting Black subjects on both sides of the camera, Called to the Camera presents a broader and more inclusive history of photography."--
African American portrait photographers --- African American photographers --- Photography --- African American photographers. --- Photography. --- History --- United States. --- African Americans --- Portrait photography --- fotografie --- fotografiegeschiedenis --- studiofotografie --- portretfotografie --- Verenigde Staten --- Afro-Amerikanen --- twintigste eeuw --- negentiende eeuw --- 77.03 --- 77.036 --- 77.041 --- Portraiture --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Black people --- Afro-American portrait photographers --- Portrait photographers, African American --- Portrait photographers --- Portraits
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With this collection of more than fifty pieces on politics, photography, travel, history, and literature, Teju Cole solidifies his place as one of today's most powerful and original voices. On page after page, deploying prose dense with beauty and ideas, he finds fresh and potent ways to interpret art, people, and historical moments, taking in subjects from Virginia Woolf, Shakespeare, and W. G. Sebald to Instagram, Barack Obama, and Boko Haram.
Essays. --- Aesthetics --- Literature --- Politics and literature --- African American photographers --- African American authors --- African American politicians --- Black lives matter movement. --- History and criticism. --- Baldwin, James, --- Criticism and interpretation. --- Africa --- Foreign relations --- Amerikaanse letterkunde --- essays --- Cole, Teju --- American literature --- #breakthecanon
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