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Affiches allemandes --- Affiches de cinema --- 20e siecle --- Affiches allemandes --- Affiches de cinema --- 20e siecle
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Graphic arts --- Film --- Russian Federation --- Film posters --- Affiches de cinéma --- Russia --- Affiches de cinéma
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Film posters --- Affiches de cinéma --- Film posters, American. --- Affiches de cinéma
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Iconic graphic designer and Academy Award--winning filmmaker Saul Bass (1920--1996) defined an innovative era in cinema. His title sequences for films such as Otto Preminger''s The Man with the Golden Arm (1955) and Anatomy of a Murder (1959), Alfred Hitchcock''s Vertigo (1958) and North by Northwest (1959), and Billy Wilder''s The Seven Year Itch (1955) introduced the idea that opening credits could tell a story, setting the mood for the movie to follow. Bass''s stylistic influence can be seen in popular Hollywood franchises from the Pink Panther to James Bond, as well as in more contemporary works such as Steven Spielberg's Catch Me If You Can (2002) and television's Mad Men. The first book to examine the life and work of this fascinating figure, Saul Bass: Anatomy of Film Design explores the designer's revolutionary career and his lasting impact on the entertainment and advertising industries. Jan-Christopher Horak traces Bass from his humble beginnings as a self-taught artist to his professional peak, when auteur directors like Stanley Kubrick, Robert Aldrich, and Martin Scorsese sought him as a collaborator. He also discusses how Bass incorporated aesthetic concepts borrowed from modern art in his work, presenting them in a new way that made them easily recognizable to the public. This long-overdue book sheds light on the creative process of the undisputed master of film title design--a man whose multidimensional talents and unique ability to blend high art and commercial imperatives profoundly influenced generations of filmmakers, designers, and advertisers.
Bass, Saul --- Criticism and interpretation. --- Cinéma --- Affiches de cinéma. --- Générique (audiovisuel) --- Production et réalisation. --- Publicité.
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Le cinéma fait partie de notre vie. Chaque film mythique nous est familier ; l’affiche qui l’annonçait nous replonge immédiatement dans un univers connu et parfois nostalgique, nous fait penser aux bons moments passés en compagnie d’acteurs célèbres, d’actrices merveilleuses. Qui n’associe pas Jean Gabin et Michèle Morgan à Quai des Brumes, Brigitte Bardot au Mépris, Greta Garbo à Anna Karenine, Marilyn Monroe à 7 ans de réflexion, Catherine Deneuve à Belle de Jour, Robert de Niro à Taxi Driver, Audrey Hepburn à My Fair Lady, Liza Minelli à Cabaret, Leonardo Di Caprio à Titanic, etc. Qui peut ignorer Hitchcock, Truffaut, Fellini, Visconti, Buñuel, Scorcese, George Lucas, Luc Besson, Woody Allen… ? Nous sommes tous émus, en proie même à une certaine excitation, en tournant les pages de ce grand album qui nous fait revivre les grands moments du 7e art, celui dont nous sommes si proches.
Cinéma --- Affiche --- Graphisme publicitaire --- 769.91 --- 791.43 --- Prentenverzamelingen: affiches; posters; uithangborden --- Filmkunst. Films. Cinema --- 791.43 Filmkunst. Films. Cinema --- 769.91 Prentenverzamelingen: affiches; posters; uithangborden --- Affiches de cinéma --- Ouvrages illustrés
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Film posters. --- Horror films --- Affiches de cinéma --- Films d'horreur --- History and criticism. --- Histoire et critique --- Film posters --- History and criticism --- Affiches de cinéma --- Horror films - History and criticism
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Aftitelingen (Films, televisie, enz.) --- Cinéma -- Générique --- Credit titles (Motion pictures, television, etc.) --- Credits (Films, televisie, enz.) --- Eindgenerieken (Films, televisie, enz.) --- Films -- Générique --- Grafische vormgeving (Typografie) --- Graphic design (Typography) --- Graphisme (Typographie) --- Générique (Audiovisuel) --- Générique (Cinéma) --- Générique de film --- Générique de fin (Audiovisuel) --- Génériques (Audiovisuel) --- Génériques (Cinéma, télévision, etc.) --- Génériques de film --- Titles, Credit (Motion pictures, television, etc.) --- Typografisch ontwerp --- Typographic design --- Télévision -- Générique --- Vidéo -- Générique --- Vidéos -- Générique --- Voortitelingen (Films, televisie, enz.) --- Typographie --- Communication écrite --- Films --- Générique (audiovisuel) --- Affiches de cinéma --- Au cinéma --- Sous-titrage --- Motion pictures --- Aesthetics --- Sous-titrage. --- Affiches de cinéma. --- Au cinéma.
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Graphic arts --- Film --- anno 1910-1919 --- anno 1920-1929 --- Russian Federation --- Affiches ; filmaffiches ; Rusland ; 1910-1932 --- 766:659.133 --- Gebruiksgrafiek ; publiciteits- en reclamemiddelen ; affiches ; jaarboeken --- Russia --- Film posters, Russian --- Russian film posters --- 766.31.041(47) --- Grafische industrie en ontwerp ; beeld ; reclame ; thema's ; affiches ; Rusland --- AFFICHES DE CINEMA --- CINEMA --- RUSSIE
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