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Aesthetics in the Bible --- Bible. --- Criticism, interpretation, etc.
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"These seven essays offer fresh perspectives on beauty's role in revelation. Each essay features a hermeneutical approach informed by the contemporary study of aesthetics. Covering a series of texts in the Hebrew Bible and New Testament, from Adam and Eve in the garden to Jesus on trial in the Fourth Gospel, the authors engage beauty from three overarching perspectives: modern philosophy, contextual criticism, and the postcritical return to beauty's primary qualities. The three perspectives are not harmonized but rather explored concurrently to create a volume with intriguing methodological tensions. As this collection highlights beauty in the narratives of scripture, it opens readers to a largely unexplored dimension of the Bible."--Back cover.
Aesthetics in the Bible. --- Bible --- Criticism, interpretation, etc. --- Aesthetics in the Bible --- 22.015 --- 22.015 Bijbel: literaire kritiek; authenticiteit; bronnenstudie; Formgeschichte; Traditionsgeschichte; Redaktionsgeschichte --- Bijbel: literaire kritiek; authenticiteit; bronnenstudie; Formgeschichte; Traditionsgeschichte; Redaktionsgeschichte
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The book of Lamentations is a challenge to its readers. Its ambiguous theology, strident protestations against its deity, and haunting imagery confound interpreters. This monograph engages the enigma of Lamentations by assessing its theology. It does so, however, neither by tracing a single theological perspective through the book nor by reconstructing the history of the composition of the book. Rather, Heath Thomas assesses the poetry of Lamentations by offering a close analysis of each poem in the book. He reconsiders the acrostic as the foundational structure for the poetry, reads the book as an intentionally composed whole, and assesses the pervasive use of repetition, metaphor, and allusion. For the first time in the field, the analysis here is grounded on the insights of the Italian semiotician Umberto Eco. Drawing upon Eco's distinction between 'open' and 'closed' textualities, Thomas argues that Lamentations represents a distinctively 'open' text, one that presents its reader with a myriad of surprising avenues to interpret the poetry. This distinctive approach avoids a polarization in the portrait of God in Lamentations, arguing that its poetry neither justifies God outright nor does it exonerate God's people in the exilic age. Rather, it enables these theological visions to interrelate with each another, inviting the reader to make sense of the interaction. The ambiguous theological vision of Lamentations, then, is not a problem that the reader is intended to overcome but an integral feature in the construction of meaning. This original monograph offers a new perspective on how the poetry informs our appreciation of theological thought in the exilic age.
Aesthetics in the Bible --- Bible as literature --- Hebrew poetry, Biblical --- History and criticism --- Eco, Umberto --- Bible. --- Criticism, interpretation, etc. --- Theology.
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Aesthetics in the Bible --- Bible as literature --- Arts and religion --- 75.046.3 --- Religie in de schilderkunst. Heiligenbeelden --- Conferences - Meetings --- Festschrift - Libri Amicorum --- 75.046.3 Religie in de schilderkunst. Heiligenbeelden --- Bible and literature --- Religious literature --- Arts --- Religion and the arts --- Religion --- Religious aspects --- Bible. --- Antico Testamento --- Hebrew Bible --- Hebrew Scriptures --- Kitve-ḳodesh --- Miḳra --- Old Testament --- Palaia Diathēkē --- Pentateuch, Prophets, and Hagiographa --- Sean-Tiomna --- Stary Testament --- Tanakh --- Tawrāt --- Torah, Neviʼim, Ketuvim --- Torah, Neviʼim u-Khetuvim --- Velho Testamento --- Criticism, interpretation, etc. --- Aesthetics in the Bible - Congresses. --- Bible as literature - Congresses. --- Arts and religion - Congresses.
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