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S'interroger sur la place du désir en islam est loin d'être anecdotique tant celui-ci y est tabou et central à la fois. Tabou en ce qu'un certain nombre de théologiens fondamentalistes voient dans le désir une forme de dévoilement diabolique. Central en ce qu'il est essentiellement humain, voire même profondément spirituel. Par essence, l'islam embrasse de nombreux aspects de la vie et codifie le lien au corps. Et alors que dans une vision dogmatique de l'islam, le désir est une réalité refoulée et donc proscrite, pour Malek Chebel il en est, au contraire, une part essentielle, anticipation du Paradis, et condition du bonheur ici-bas. A travers l'étude de la calligraphie, du tatouage, de l'amour des pierres précieuses, de l'art des jardins, etc, l'auteur nous relève l'importance du beau et du nu en islam, reflets d'une existence de plaisir tout autant que d'une attitude spirituelle. Face au constat tragique de l'affaiblissement du Logos en terre d'islam, il faut initier une nouvelle théologie, celle de la Raison face à l'idéologie assassine, celle de la Lumière face à l'obscurantisme, celle de la paix face à la monstruosité du crime, celle du désir face à l'interdit. Un véritable traité du bonheur en terre d'islam.
Désir --- Beau (esthétique) --- Islam -- Coutumes et pratiques --- Aspect religieux --- Islam --- Coutumes et pratiques --- Aesthetics --- Desire --- Religious aspects --- Customs and practices --- Esthétique --- Désir --- Esthétique --- Aesthetics - Religious aspects - Islam --- Desire - Religious aspects - Islam --- Islam - Customs and practices
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Aesthetics --- Religious studies --- Art and religion. --- Arts --- Religious aspects. --- Moral and ethical aspects. --- 210 --- Religion Philosophy and theory of religion --- Art and religion --- Art --- Religion --- Beautiful, The --- Beauty --- Art and philosophy --- Arts in the church --- Religion and art --- Philosophy --- Analysis, interpretation, appreciation --- Religious aspects --- Aesthetics - Religious aspects. --- Arts - Moral and ethical aspects.
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In this broad historical and critical overview based on a lifetime of scholarship, James Alfred Martin, Jr., examines the development of the concepts of beauty and holiness as employed in theories of aesthetics and of religion. The injunction in the Book of Psalms to "worship the Lord in the beauty of holiness" addressed a tradition that has comprehended holiness primarily in terms of ethical righteousness--a conception that has strongly influenced Western understandings of religion. As the author points out, however, the Greek forbears of Western thought, as well as many Eastern traditions, were and are more broadly concerned with the pursuit of beauty, truth, and goodness as ideals of human excellence, that is, with the "holiness of beauty." In this work Martin describes a philosophical stance that should prove to be most productive for the dialogue between aesthetics and religion.Beginning with the treatment of beauty and holiness in Hebrew, Greek, and classical Christian thought, the author traces the emergence of modern theories of aesthetics and religion in the Enlightenment. He then outlines the role of aesthetics in the theories of religion proposed by Otto, Eliade, van der Leeuw, and Tillich, in the cultural anthropology of Geertz, and in the thought of Santayana, Dewey, Whitehead, Heidegger, and Wittgenstein. In a global context Martin explores the relation of aesthetic theory to religious thought in the traditions of India, China, and Japan and concludes with reflections on the viability of modern aesthetic and religious theory in the light of contemporary cultural and methodological pluralism.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Aesthetics --- Art and religion. --- Religious aspects. --- Religious aspects --- Art and religion --- 21*01 --- 7.01 --- Art --- Arts in the church --- Religion and art --- Religion --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- 21*01 Godsdienstfilosofie: christelijke religie: filosofisch en rationeel --- Godsdienstfilosofie: christelijke religie: filosofisch en rationeel --- Radio broadcasting Aesthetics --- Aesthetics - Religious aspects.
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Christian theology --- anno 500-1499 --- Europe --- Christian art and symbolism --- Art and religion --- Aesthetics --- Image (Theology) --- Religious aspects --- Communication --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Art --- Religion and art --- Religion --- Christianity --- Symbolism in art --- Radio broadcasting Aesthetics --- Christian art and symbolism - Europe - Medieval, 500-1500 --- Art and religion - Europe --- Aesthetics - Religious aspects
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Christian dogmatics --- God (Christianity) --- Aesthetics --- Beauty. --- Religious aspects --- Christianity. --- 7.01 --- -God --- -#GROL:SEMI-230.01 --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Metaphysics --- Misotheism --- Monotheism --- Religion --- Theism --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- -Christianity --- Psychology --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- #GROL:SEMI-230.01 --- Beauty of God --- Religious aspects&delete& --- Christianity --- Attributes --- Radio broadcasting Aesthetics --- God (Christianity) - Beauty. --- Aesthetics - Religious aspects - Christianity.
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Aesthetics --- Aesthetics, Modern --- Religious aspects --- Christianity --- 234.2 --- 21*02 --- Leer van het geloof. De Fide --- Filosofie en religieuze ervaring. Religious experience --- 21*02 Filosofie en religieuze ervaring. Religious experience --- 234.2 Leer van het geloof. De Fide --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Religious aspects&delete& --- Psychology --- History --- Radio broadcasting Aesthetics --- Aesthetics - Religious aspects - Christianity --- Aesthetics, Modern - 18th century --- Aesthetics, Modern - 19th century
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Aesthetics --- Christianity and the arts. --- Religious aspects --- Christianity. --- 2:7 --- -Christianity and the arts --- Arts and Christianity --- Arts --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Godsdienst. Theologie-:-Kunst. Ruimtelijke ordening. Architectuur. Sport en spel --- -Christianity --- Psychology --- 2:7 Godsdienst. Theologie-:-Kunst. Ruimtelijke ordening. Architectuur. Sport en spel --- Christianity and the arts --- Religious aspects&delete& --- Christianity --- Radio broadcasting Aesthetics --- Aesthetics - Religious aspects - Christianity.
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Aesthetics --- Christianity and art --- Religious aspects --- Catholic Church --- 2:7 --- 82.01 --- Godsdienst. Theologie-:-Kunst. Ruimtelijke ordening. Architectuur. Sport en spel --- Esthetica --- 82.01 Esthetica --- 2:7 Godsdienst. Theologie-:-Kunst. Ruimtelijke ordening. Architectuur. Sport en spel --- Art and Christianity --- Art --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics --- Aesthetics - Religious aspects - Catholic Church - Congresses --- Christianity and art - Catholic Church - Congresses
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This study develops the ethical theory implicit in the writings of Hans Urs von Balthasar, a prominent twentieth-century Swiss Catholic theologian. Balthasar's attempt to critically retrieve the concept of beauty for Christian theology yields important ethical insights, culminating in an aesthetic and dramatic theory of ethics: one in which the perception of the beauty of God's love in Christ becomes a foundational experience for moral formation and ongoing ethical discernment.
Aesthetics -- Religious aspects -- Catholic Church. --- Balthasar, Hans Urs von, 1905-1988. --- Christian ethics -- Catholic authors. --- God (Christianity) -- Beauty. --- God (Christianity) -- Love. --- Love -- Religious aspects -- Catholic Church. --- Christian ethics --- God (Christianity) --- Love --- Aesthetics --- Philosophy --- Philosophy & Religion --- Ethics --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Beauty of God --- Catholic authors --- Religious aspects --- Catholic Church --- Psychology --- Attributes --- Balthasar, Hans Urs von, --- Balthasar, Hans Urs von --- Balthasar, H. U. von --- Von Balthasar, Hans Urs --- von Balthasar, Hans Urs --- Radio broadcasting Aesthetics --- Religious aspects.
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L’islam offre deux visages : celui d’un monothéisme abstrait, où domine la transcendance de Dieu, au risque d’engendrer le fanatisme. Mais aussi, et surtout, celui, plus discret, mais non moins insistant, d’un monothéisme concret, qui valorise la manifestation visible de l’essence de Dieu dans l’apparition sensible des actions divines. Dans cette étude pionnière qui surprendra par sa liberté de ton, Souâd Ayada renouvelle en profondeur notre connaissance des systèmes de pensée qui ont fondé l’islam des théophanies. Un modèle de sagesse aux antipodes de l’austérité coranique, selon lequel Dieu se donne à voir par l’entremise de l’« homme parfait » et par toutes les formes de beauté qui révèlent sa majesté. Réconciliant l’amour, l’intelligence et la connaissance, cette conception de la révélation, notamment portée par le soufisme, préserve l’islam de toute dérive juridique et politique, et accorde à l’art toute sa place. Elle constitue l’antidote que l’islam a lui-même produit pour guérir le mal du dogmatisme et l’intolérance. Dévoilant les impasses et les contradictions du fondamentalisme, dialoguant avec les sources juives et chrétiennes, confrontant le message du soufisme à la philosophie de Hegel ou à la pensée d’Emmanuel Levinas, Souâd Ayada signe un livre essentiel, en forme de plaidoyer pour une approche audacieuse, exigeante et ouverte de l’islam.
Aesthetics --- Aesthetics in the Qur®an --- Islam and art --- Presence of God --- Religion --- Philosophy & Religion --- Islam --- Religious aspects --- God --- Schechinah --- Shechina --- Shechinah --- Shekhinah --- Shekina --- Shekinah --- Art and Islam --- Art --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Presence --- Omnipresence --- Psychology --- Radio broadcasting Aesthetics --- Aesthetics - Religious aspects - Islam --- Aesthetics in the Qurʼan --- Métaphysique --- Islam et art. --- Absolu. --- Dieu --- Art islamique --- Arts --- Islam. --- Présence --- Dans l'art. --- Thèmes, motifs. --- islam --- art --- Iran --- métaphysique --- Aesthetics in the Qur’an
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