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Spanish American literature --- Literature and society --- Aesthetics, Latin American --- Popular literature --- Latin America
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En esta densa y bella reflexión, Jens Andermann nos introduce en la lógica del trance, una forma de nombrar al nudo borromeo que enlaza el espacio y tiempo del sujeto con el de la comunidad, ambos escindidos por violentos desplazamientos e hiatos temporales. Así persigue un objeto desvaneciente que, hacia adelante, se dirige al hiperobjeto, el in-mundo postnatural, pero que, retrospectivamente, puede ser leído como el trazado de una historia natural del antropoceno. En la perspectiva del autor, se trata del relato de un repliegue, doblez del arte en relación a su marco institucional, y desdoblamiento de modos anteriores de postulación estética del mundo como "paisaje". El ambiente surge así como "escena", conjunto espaciotemporal fluido que no se define por la exterioridad social de sus formas, sino por la dinámica interna de sus fuerzas.
Aesthetics, Latin American. --- Art and philosophy. --- Environment (Aesthetics). --- Environment (Aesthetics) --- Aesthetics, Latin American --- Art and philosophy --- Philosophie de la nature. --- Esthétique --- Philosophie et art. --- Noeud borroméen, Théorie du. --- Transe.
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This book proposes a critical reevaluation of antipoetry, nueva canción, and third cinema in relation to decolonial theory and contemporary aesthetic inquiries. A prime objective of the book as a whole is to bring these separate art forms into dialogue with each as collectively contributing to an archive of decolonial art forms.
Aesthetics, Latin American. --- Decolonization in literature. --- Decolonization in art. --- Counterculture --- Counter culture --- Countercultures --- Culture --- Hippies --- Subculture --- Latin American aesthetics
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The Handbook of Latin American Environmental Aesthetics offers a comprehensive overview of Latin American aesthetic and conceptual production addressing the more-than-human environment at the intersection between art, activism, and critique. Fields include literature, performance, film, and other audiovisual media as well as their interactions with community activisms. Scholars who have helped establish environmental approaches in the field as well as emergent critical voices revisit key concepts such as ecocriticism, (post-)extractivism, and multinaturalism, while opening new avenues of dialogue with areas including critical race theory and ethnicity, energy humanities, queer-*trans studies, and infrastructure studies, among others. This volume both traces these genealogies and maps out key positions in this increasingly central field of Latin Americanism, at the same time as they relate it to the environmental humanities at large. By showing how artistic and literary productions illuminate critical zones of environmental thought, articulating urgent social and material issues with cultural archives, historical approaches and conceptual interventions, this volume offers cutting-edge critical tools for approaching literature and the arts from new angles that call into question the nature/culture boundary.
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How did Latin Americans represent their own countries as modern? By treating modernity as a ubiquitous category in which ideas of progress and decadence are far from being mutually exclusive, this book explores how different groups of intellectuals, between the late nineteenth and the early twentieth century, drew from European sociological and medical theories to produce a series of cultural representations based on notions of degeneration. Through a comparative analysis of three country case studies − Argentina, Uruguay and Chile − the book investigates four themes that were central to definitions of Latin American modernity at the turn of the century: race and the nation, the search for the autochthonous, education, and aesthetic values. Using a transnational approach, it shows how civilizational constructs were adopted and adapted in a post-colonial context where cultural modernism foreshadowed economic modernization. In doing this, this work sheds new light on the complex discursive negotiations through which the idea of 'Latin America' became gradually established in the region.
Aesthetics, Latin American. --- Latin American aesthetics --- Argentina --- Chile --- Uruguay --- Anatolikē Dēmokratia tēs Oyrougouaēs --- Cisplatine Province --- Dēmokratia Anatolika tou Oyrougouaē --- Dēmokratia Anatolika tou Potamou Oyrougouaē --- Eastern Republic of Uruguay --- Estado Cisplatino --- Gweriniaeth Ddwyreiniol Uruguay --- Iztochna republika Urugvaĭ --- Oriental Republic of Uruguay --- Oyrougouaē --- Provincia Cisplatina --- Provincia Oriental del Río de la Plata --- Provincia Uruguaya del Tape --- Republic East of the Uruguay --- Republic East of the Uruguay River --- República O. del Uruguay --- República Oriental del Uruguay --- Río de la Plata, Provincia Oriental del --- Uruguai --- Urugṿai --- Urugṿay --- Uruhvaĭ --- Uskhodni︠a︡i︠a︡ Rėspublika Uruhvaĭ --- Východní Republika Uruguay --- Ουρουγουαη --- Ανατολική Δημοκρατία της Ουρουγουάης --- Δημοκρατία Ανατολικά του Ποταμού Ουρουγουάη --- Δημοκρατία Ανατολικά του Ουρουγουάη --- Уругвай --- Усходняя Рэспубліка Уругвай --- Източна република Уругвай --- Argenṭinah --- Argenṭine --- Argentine Confederation (1851-1861) --- Argentine Nation --- Argentine Republic --- Aruzenchin --- Confederación Argentina (1851-1861) --- Nación Argentina --- República Argentina --- アルゼンチン --- Provincias Unidas del Río de la Plata --- Civilization --- Intellectual life --- Modernity --- Race --- Aesthetics --- Decadence --- Education --- Autochthonous --- Latinity
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