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What is a thing? What is an object? Tristan Garcia decisively overturns 100 years of Heideggerian orthodoxy about the supposedly derivative nature of objects to put forward a new theory of ontology that gives us deep insights into the world and our place in it.
Metaphysics. --- Object (Philosophy). --- Philosophy. --- Object (Aesthetics) --- Form (Aesthetics) --- Philosophy, French --- Shapes --- Philosophy --- Philosophy & Religion --- Aesthetics --- Speculative Philosophy --- Forms (Shapes) --- Shape --- French philosophy --- Aesthetic form --- Aesthetic object --- Geometry --- Surfaces
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Aesthetics. --- Form (Aesthetics) --- Form (Aesthetics). --- Aesthetics --- Aesthetic form --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics
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A tie-in to major exhibition at the San Jose Museum of Art offers a comprehensive survey of the new fluidity of modern design, a style that emphasizes a turn away from hard edges and angles to celebrate an amorphic, organic, and curvaceous design.
Industriële vormgeving --- 772.9 --- amorfisme --- blobjects --- organisch design --- productdesign --- productdesign, afzonderlijke voorwerpen --- Industriële vormgeving. --- Design --- Form (Aesthetics) --- Aesthetic form --- History --- Aesthetics --- Creation (Literary, artistic, etc.)
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design [discipline] --- Art --- Applied arts. Arts and crafts --- Victoria and Albert Museum [London] --- anno 1900-1999 --- Aesthetics of art --- Design --- Form (Aesthetics). --- History --- 20th century --- Form (Aesthetics) --- Aesthetic form --- Aesthetics
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Kunstgeschiedenis --- 316.77 --- Communicatiesociologie --- Form (Aesthetics) --- Physiological optics. --- Visual perception. --- 316.77 Communicatiesociologie --- Form (Aesthetics). --- Physiological optics --- Visual perception --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Optics, Physiological --- Optics --- Aesthetic form --- Aesthetics --- Psychological aspects
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vormgeving --- Art --- Composition (Art) --- Form (Aesthetics) --- Themes, motives. --- Composition (Art). --- Form (Aesthetics). --- kunst --- ontwerp --- vorm --- beeldelementen --- 7.011 --- Vormgeving ; grondbeginselen --- Kunst ; ontwerp, compositie --- Aesthetic form --- Aesthetics --- Proportion (Art) --- Themes, motives --- Composition --- Subjects --- techniek --- techniek. --- Borgianni, Orazio.
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kunst --- iconologie --- kunsttheorie --- esthetica --- iconografie --- Form (Aesthetics) --- Form (Philosophy) --- Hand --- Hands --- Paw --- Paws --- Arm --- Left- and right-handedness --- Idealism --- Matter --- Metaphysics --- Structuralism --- Aesthetic form --- Aesthetics --- Form (Aesthetics). --- Form (Philosophy). --- Hand.
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Ce Traité ne propose ni une phénoménologie des objets ni une analyse du concept de " chose ", ni une pensée critique de la chosification ni une épistémologie du " découpage " de notre environnement par notre cognition. Ce Traité invite à prendre le large pour une tout autre aventure. Il suggère d'explorer d'abord notre monde comme s'il était vraiment plat, en lui ôtant toute intensité, toute valeur. Dans un second temps seulement, avec en poche la boussole de cette solitude ontologique radicale, cet ouvrage invite à retrouver la possibilité d'un univers, c'est-à-dire d'un ensemble de choses non plus seules, mais les unes dans les autres. Le désert théorique se transformera alors en encyclopédie luxuriante de nos objets contemporains, traversés d'ordres et de valeurs cosmologiques, biologiques, anthropologiques, artistiques, économiques ou sexuels.
Object (Aesthetics) --- Form (Aesthetics) --- Philosophy, French. --- Form (Philosophy) --- Objet (Esthétique) --- Forme (Esthétique) --- Philosophie française --- Forme (Philosophie) --- Shapes and things --- Philosophy, French --- Shapes --- Philosophy --- French philosophy --- Forms (Shapes) --- Shape --- Aesthetic object --- Aesthetic form --- Geometry --- Surfaces --- Aesthetics --- Shapes - Philosophy
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Au terme d'une recherche sur la forme en architecture, l'architecte chercheur français, établi au japon, François Blanciak, propose une restitution créative où 1001 formes (dessinée à la main) remplacent le texte. Ayant mené cette étude dans différentes villes, l'auteur a regroupé ses créations par chapitres portant le nom des villes où il les a conçues. En fin d'ouvrage l'auteur teste l'une des formes en l'utilisant pour créer l'enveloppe d'un bâtiment de 7 niveaux situé sur une parcelle à Tokyo. "The 1001 building forms in Siteless include structural parasites, chain-link towers, ball-bearing floors, corrugated corners, exponential balconies, radial facades, crawling frames, forensic housing - and other architectural ideas that may require construction techniques not yet developed and a relation to gravity not yet achieved. Siteless presents an open-ended compendium of visual ideas for the architectural imagination to draw from." "The forms, drawn freehand (to avoid software-specific shapes) but from a constant viewing angle, are presented twelve to a page, with no scale, order, or end to the series. After setting down 1001 forms in siteless conditions and embryonic stages, Blanciak takes one of the forms and performs a "scale test," showing what happens when one of these fantastic ideas is subjected to the actual constraints of a site in central Tokyo. The book ends by illustrating the potential of these shapes to morph into actual building proportions."--Jacket.
Recherche --- Créativité --- Morphologie --- Expérimentation --- Composition architecturale --- Architecture --- Form (Aesthetics) --- 72.013 --- Architectuur ; proportie ; compositie --- Architectuur ; vormanalyse ; vormleer --- Bouwvormen ; grafische voorstelling --- Aesthetic form --- Aesthetics --- Proportion (Architecture) --- Architectural design --- Composition (Art) --- Composition, proportion, etc --- Architectuur ; proportie, symmetrie, harmonie --- Proportion
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