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Classical Greek literature --- 1 <38> AELIUS ARISTIDES --- 937.07 --- #BIBC:bibl.Reekmans --- Griekse filosofie--AELIUS ARISTIDES --- Geschiedenis van Rome: constitutioneel keizerrijk van Augustus tot de soldatenkeizers--(31 v. Chr.-284 n. Chr.) --- 937.07 Geschiedenis van Rome: constitutioneel keizerrijk van Augustus tot de soldatenkeizers--(31 v. Chr.-284 n. Chr.) --- 1 <38> AELIUS ARISTIDES Griekse filosofie--AELIUS ARISTIDES --- Aristides, Publius Aelius --- 871-5 --- Latijnse literatuur: redevoering; preek --- Aristides, Aelius --- Ailios Aristeides --- Aristeides, Ailios --- Aristide, Elio --- Aristides, Elio --- Aristide, Aelius --- Aelius Aristides --- Pseudo-Aelius Aristides --- Rome. --- 871-5 Latijnse literatuur: redevoering; preek --- Aristides --- Aelius Aristide --- Aristides, Aelius. --- Aristide --- Aristides, Publius Aelius. --- Rim --- Roman Empire --- Roman Republic (510-30 B.C.) --- Romi (Empire) --- Byzantine Empire --- Rome (Italy) --- Ailios Aristeidēs --- Aristeidēs, Ailios --- Aristides, P. Aelius --- Ἀριστείδης, Αἴλιος --- Αἴλιος Ἀριστείδης

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Religion --- History. --- Asklepios --- Cult. --- Religious history --- History --- Asklepios (Greek deity) --- Aristides, Publius Aelius --- Aristides --- Aristides, Aelius --- Aelius Aristide --- Aristide --- Criticism and interpretation. --- Ailios Aristeidēs --- Aristeidēs, Ailios --- Aristide, Elio --- Aristides, Elio --- Aristide, Aelius --- Aelius Aristides --- Aristides, P. Aelius --- Ἀριστείδης, Αἴλιος --- Αἴλιος Ἀριστείδης --- Pseudo-Aelius Aristides

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Wealthy, conceited, hypochondriac (or perhaps just an invalid), obsessively religious, the orator Aelius Aristides (117 to about 180) is not the most attractive figure of his age, but because he is one of the best-known -- and he is intimately known, thanks to his Sacred Tales -- his works are a vital source for the cultural and religious and political history of Greece under the Roman Empire. The papers gathered here, the fruit of a conference held at Columbia in 2007, form the most intense study of Aristides and his context to have been published since the classic work of Charles Behr forty years ago.

Sophists (Greek philosophy) --- Sophistes grecs --- Congresses --- Congrès --- Aristides, Aelius --- Criticism and interpretation --- Congresses. --- Gods, Greek. --- Gods, Roman. --- Aristides, Aelius -- Criticism and interpretation -- Congresses. --- Languages & Literatures --- Greek & Latin Languages & Literatures --- Congrès --- Aristides --- Aelius Aristide --- Aristide --- Aristides, Publius Aelius --- Ailios Aristeidēs --- Aristeidēs, Ailios --- Aristide, Elio --- Aristides, Elio --- Aristide, Aelius --- Aelius Aristides --- Aristides, P. Aelius --- Ἀριστείδης, Αἴλιος --- Αἴλιος Ἀριστείδης --- Pseudo-Aelius Aristides

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Aristides, Aelius --- Bible. --- Influence --- Criticism and interpretation --- Religion --- Bible --- 225.08*8 --- Theologie van het Nieuwe Testament: relatie met de klassieke oudheid --- -Aristides, Aelius --- -Ailios Aristeides --- Aristeides, Ailios --- Aristides, Publius Aelius --- Aristide, Elio --- Aristides, Elio --- Aristide, Aelius --- Aelius Aristides --- Pseudo-Aelius Aristides --- Criticism and interpretation. --- Religion. --- Influence. --- -Criticism and interpretation --- 225.08*8 Theologie van het Nieuwe Testament: relatie met de klassieke oudheid --- -Aristides --- Aelius Aristide --- Aristides --- Aristide --- Ba-yon Tipan --- Bagong Tipan --- Jaji ma Hungi --- Kainē Diathēkē --- New Testament --- Nouveau Testament --- Novo Testamento --- Novum Testamentum --- Novyĭ Zavet --- Novyĭ Zavi︠e︡t Gospoda nashego Īisusa Khrista --- Novyĭ Zavit --- Nuevo Testamento --- Nuovo Testamento --- Nye Testamente --- Perjanjian Baru --- Dhamma sacʻ kyamʻʺ --- Injīl --- Ailios Aristeidēs --- Aristeidēs, Ailios --- Aristides, P. Aelius --- Ἀριστείδης, Αἴλιος --- Αἴλιος Ἀριστείδης --- Aristides, Aelius - Criticism and interpretation --- Aristides, Aelius - Religion

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In Roman Eyes, Jas Elsner seeks to understand the multiple ways that art in ancient Rome formulated the very conditions for its own viewing, and as a result was complicit in the construction of subjectivity in the Roman Empire. Elsner draws upon a wide variety of visual material, from sculpture and wall paintings to coins and terra-cotta statuettes. He examines the different contexts in which images were used, from the religious to the voyeuristic, from the domestic to the subversive. He reads images alongside and against the rich literary tradition of the Greco-Roman world, including travel writing, prose fiction, satire, poetry, mythology, and pilgrimage accounts. The astonishing picture that emerges reveals the mindsets Romans had when they viewed art--their preoccupations and theories, their cultural biases and loosely held beliefs. Roman Eyes is not a history of official public art--the monumental sculptures, arches, and buildings we typically associate with ancient Rome, and that tend to dominate the field. Rather, Elsner looks at smaller objects used or displayed in private settings and closed religious rituals, including tapestries, ivories, altars, jewelry, and even silverware. In many cases, he focuses on works of art that no longer exist, providing a rare window into the aesthetic and religious lives of the ancient Romans.

Arts, Classical. --- Visual perception. --- Aesthetics, Roman. --- Roman aesthetics --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Classical arts --- Psychological aspects --- Adoration. --- Aelius Aristides. --- Aeschylus. --- Agalmatophilia. --- Anchises. --- Ancient Greek art. --- Ancient Rome. --- Anecdote. --- Anthropomorphism. --- Apuleius. --- Art history. --- Atargatis. --- Bathing. --- Bibliography. --- Capitoline Museums. --- Castration. --- Christian apologetics. --- Conflation. --- Cooling. --- Cult image. --- Cupid and Psyche. --- De Dea Syria. --- Deity. --- Diana and Actaeon. --- Drapery. --- Ekphrasis. --- Epigram. --- Epithet. --- Eroticism. --- Genre. --- Greco-Roman world. --- H II region. --- Hagiography. --- Hare Krishna (mantra). --- Harpocrates. --- Hellenization. --- Hierapolis. --- Hieros gamos. --- Hydrogen line. --- Iconography. --- Illustration. --- In the Water. --- Indulgence. --- Initiation. --- Ionic Greek. --- Ionization. --- Late Antiquity. --- Leucippe and Clitophon. --- Libation. --- Mimesis. --- Narrative logic. --- Narrative. --- Neo-Attic. --- Number density. --- Oculus. --- Our Choice. --- Parody. --- Philostratus. --- Photon. --- Piety. --- Poetry. --- Polytheism. --- Posture (psychology). --- Praxiteles. --- Procession. --- Pubic hair. --- Putto. --- Queen of Heaven. --- Reionization. --- Religion and sexuality. --- Religious image. --- Rite. --- Roman art. --- Satire. --- Sculpture. --- Second Sophistic. --- Self-consciousness. --- Sensibility. --- Serapis. --- Sexual intercourse. --- Sincerity. --- Social reality. --- Sophist (dialogue). --- Sophistication. --- Star formation. --- Subjectivity. --- Temperature. --- The Golden Ass. --- The Last Sentence. --- The Sea Monster. --- Theatricality. --- Venus Anadyomene. --- Verisimilitude (fiction). --- Verisimilitude. --- Viewing (funeral). --- Voluptas. --- Voyeurism. --- Vulva. --- Writing. --- Zeuxis. --- Romans --- Aesthetics. --- Religious life.