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Book
Fotografien aus Lothringen und dem Ruhrgebiet = : photographies de la Ruhr et de la Lorraine
Authors: --- --- ---
ISBN: 3883752002 Year: 1994 Publisher: Essen : Ruhrlandmuseum Essen und Deustch-Französisches Kulturentrum,

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Book
Surgence : la création photographique contemporaine en Allemagne : Comédie de Reims, Reims, 16 mai-9 juin 1991
Authors: ---
ISBN: 2903015198 Year: 1991 Publisher: Poitiers : Ed. Musée de la ville de Poitiers,

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Book
the act of seeing (urban space) taking a distance / l(atto del vedere (lo spazio urbano) con un certo distacco
Author:
Year: 1996 Publisher: Lugano Galleria Gottardo, una fondazione per la cultura della Banca del Gottardo


Book
Another & another & another act of seeing (urban space) : 1994-97
Authors: --- --- --- ---
ISBN: 907559108X Year: 1997 Publisher: Antwerpen deSingel

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This exhibition focuses on how contemporary artists look at the city and how they worked. Artists included: Hans Aarsman, Gosbert Adler, Nobuyoshi Araki, Eugène Atget, Lewis Baltz, Thomas Bayrle, Joachim Brohm, Willie Doherty, Christoph Fink, Peter Fischli & David Weiss, Jean-Louis Garnell, Andreas Gursky, Marin Kasimir & Frédéric Migayrou, Aglaia Konrad, Manolo Laguillo,pie, Erica Overmeer, Thomas Ruff, Heidi Specker, Beat Streuli, Robert Suermondt, Koen Theys, Bernard Voïta.


Book
Werkstatt für Photographie, 1976-1986
Authors: --- --- --- --- --- et al.
ISBN: 9783960980438 3960980434 9783960980421 Year: 2016 Publisher: London Essen, Germany Berlin, Germany Hannover, Germany Koenig Books ; Museum Folkwang ; C/O Berlin ; Sprengel Museum Hannover

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This is the first book about the history, influences, and impact of the 'Werkstatt für Photography'(Photography Workshop) founded by the Berlin photographer Michael Schmidt at the Volkshochschule Kreuzberg in 1976. In the midst of the Cold War, the Werkstatt initiated an artistic 'airlift' to the United States, a democratic field of experimentation beyond the pale of traditional vocational and political-institutional standards. Those same years witnessed the establishment of infrastructures in West Germany that paved the way for the emancipation of photography as an art form. These included 'documenta 6' (1977), the first photo galleries and photography journals, and a number of pathbreaking exhibitions. Berlin, Hanover, and Essen played important roles in that process. All in all, the picture of a medium in transition emerges, a medium that developed an autonomous form of artistic authorship in the field of documentary. This book presents the story of German photography in the 1970s and 1980s, its international ties, its protagonists, and its networks.

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