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Cet ouvrage a pour objet la poétique des palimpsestes dramatiques. Dans une approche transhistorique, de Jacques Grévin à Bernard-Marie Koltès, les onze articles se proposent d'embrasser les problématiques de la réécriture inter et intramodale, avec transmodalisation d'un texte littéraire pour la scène, migration d'idées et de personnages d'un genre à l'autre, ou auto-variations intertextuelles. Quelles sont les métamorphoses opérées par l'écriture théâtrale ? Comment conduit-elle de l'autre à soi ?
Drama --- Stage adaptations --- Literature --- Théâtre (Genre littéraire) --- Adaptations scéniques --- Littérature --- Technique. --- History and criticism. --- Adaptations --- Technique --- Histoire et critique --- Théâtre (genre littéraire) --- Adaptations théâtrales --- Variations (littérature) --- Théâtre (Genre littéraire) --- Adaptations scéniques --- Littérature --- Adaptations théâtrales. --- History and criticism --- Drama - Technique --- Stage adaptations - History and criticism
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Une analyse des différentes formes d'emprunt du théâtre au cinéma, qui contribuent à faire du spectacle vivant un art total : dimension cinématographique de la scénographie, acteurs, références, intégration d'éléments filmiques sur scène, adaptations de films sur les planches, etc. Si, depuis les origines, le 7e art adapte régulièrement le théâtre, le flux est en train de s'inverser et c'est le théâtre qui emprunte aujourd'hui au cinéma ses comédiens comme ses images et son langage, adaptant des films, installant des écrans sur les planches où fonctionnent même en direct de mini caméras DV. Mise en scène et art dramatique sont alors bouleversés par ces nouveaux moyens audiovisuels qui enrichissent l'expression créatrice du spectacle vivant. Cet ouvrage, le premier du genre, écrit l'histoire de la naissance de cette formidable mutation d'un théâtre d'images, désormais art total du troisième millénaire.
Motion pictures and theater --- Stage adaptations --- Cinéma et théâtre --- Adaptations scéniques --- History and criticism --- Histoire et critique --- Adaptations théâtrales --- Cinéma et théâtre --- Adaptations scéniques --- Cinéma et théâtre. --- Histoire et critique.
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Goethe, Johann Wolfgang von --- Goethe, Johann Wolfgang von --- Steiner, Rudolf --- Faust, --- Goethe, Johann Wolfgang von, --- Goethe, Johann Wolfgang von, --- Steiner, Rudolf, --- Adaptations théâtrales. --- Mise en scène. --- Dramatic production. --- Stage history. --- Criticism and interpretation. --- Goethe
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Les articles de ce recueil mettent en lumière la richesse des relations unissant le théâtre et le roman d'Ancien Régime, deux genres habituellement tenus pour deux domaines nettement distincts et qui cependant sont parfois unis, de la Renaissance aux Lumières, par les liens d'une coopération féconde.
Fiction --- French literature --- Drama --- anno 1600-1699 --- Chamber theater --- Roman --- Adaptations --- Adaptation théâtrale --- Roman français --- Stage adaptations --- Adaptations théâtrales --- Histoire et critique --- History and criticism --- French drama --- Roman. --- Ancien régime. --- Theater. --- Rezeption. --- Adaptation théâtrale --- Adaptations. --- Roman français --- Adaptations théâtrales --- Histoire et critique. --- History and criticism.
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Peter Brook and Ariane Mnouchkine are among the most important directors in recent theatre history. This book focuses on two of their landmark productions, 'Mahabharata' (1985) and 'Les Atrides' (1992-1994) respectively, in order to uncover parallel methodologies in the transfer of ancient mythological narratives to the contemporary French stage. It investigates audiences' relationship with these works re-told, questioning their/our relationship to heritage, at a time when marketing departments and politicians re-hash the same old stories to cajole would-be consumers and voters
Adaptations [Stage ] --- Adaptations théâtrales --- Stage adaptations --- Toneelbewerkingen --- Theater --- Mythology, Classical --- Mythology, Indic --- Storytelling --- Brook, Peter, --- Mnouchkine, Ariane, --- Criticism and interpretation --- Drama --- English Literature --- English --- Music, Dance, Drama & Film --- Languages & Literatures --- Mnouchkine, Ariane, -- 1939-. --- Mnouchkine, Ariane, -- 1939- -- Criticism and interpretation. --- Brook, Peter --- Mnouchkine, Ariane --- France --- History --- 20th century --- Theater - France - 20th century --- Storytelling - Drama --- Mnouchkine, Ariane, - 1939- - Atrides --- Brook, Peter, - 1925- - Mahabhrata --- Mnouchkine, Ariane, - 1939- - Criticism and interpretation --- Brook, Peter, - 1925- - Criticism and interpretation --- Mnouchkine, Ariane, - 1939 --- -Brook, Peter, - 1925 --- -Theater --- -Brook, Peter
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‘The focus on theatre in many variant forms and contexts in Contemporary Approaches to Adaptation is both fresh and energising. The astutely organised material gives us insight into the creative and collaborative process and serves as critical provocation. In the process of this volume we see adaptation at the heart of the devising, rehearsal and performance contexts and we engage with an impressively wide-ranging, and indeed global, group of theatre directors, companies and audiences in the process. Exploratory and experimental but always political and ethical in its stance on adaptation as a collective labour, this volume provides new frameworks for debate and practice in adaptation studies.’ – Julie Sanders, Pro-Vice-Chancellor, Newcastle University, UK ‘Kara Reilly's carefully crafted and thought-provoking book is a welcome addition to the debate on stage adaptations. The volume captures a wide variety of theatrical and scholarly approaches and is set to become a must-read in the field.’ - Margherita Laera, Lecturer in Drama and Theatre, University of Kent, UK This book examines contemporary approaches to adaptation in theatre through seventeen international case studies. It explores company and directorial approaches to adaptation through analysis of the work of Kneehigh, Mabou Mines, Robert Le Page and Katie Mitchell. It then moves on to look at the transformation of the novel onto the stage in the work of Mitchell, and in The Red Badge of Courage, The Kite Runner, Anne Frank, and Fanny Hill. Next, it examines contemporary radical adaptations of Trojan Women and The Iliad. Finally, it looks at five different approaches to postmodern metatheatrical adaptation in early modern texts of Hamlet, The Changeling, and Faustus, as well as the work of the Neo-Futurists, and the mash-up Medea/Macbeth/Cinderella. Overall, this comprehensive study offers insights into key productions, ideas about approaches to adaptation, and current debates on fidelity, postmodernism and remediation.
Stage adaptations --- Theater --- Case studies. --- Production and direction --- Adaptations théâtrales --- Théâtre --- Etudes de cas --- Production et direction --- Literature --- Drama --- Adaptations --- History and criticism. --- Production and direction. --- Directing (Theater) --- Play direction (Theater) --- Play production (Theater) --- Adaptations, Stage --- Authors and theater --- Drama, Modern --- Plays --- Stage --- Dialogue --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Direction --- Technique --- Philosophy --- Dramas --- Dramatic works --- Playscripts --- Etudes de cas. --- Theater. --- Theatre and Performance Studies. --- Dramatics --- Histrionics --- Professional theater --- Theatre --- Performing arts --- Acting --- Actors --- Adaptations théâtrales --- Théâtre
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