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Piano --- Accompagnement (Musique) --- Clavecin --- Etude et enseignement --- Musical accompaniment --- Early works to 1800 --- Keyboard instrument music --- 18th century --- History and criticism --- 78.21.1 Bach --- 78.43.7 --- Piano - Etude et enseignement - Ouvrages avant 1800 --- Accompagnement (Musique) - Ouvrages avant 1800 --- Clavecin - Etude et enseignement - Ouvrages avant 1800.
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Church music --- Musical accompaniment --- Organ music --- Musique d'église --- Accompagnement (Musique) --- Orgue, Musique d' --- England --- 17th century --- Organ music [Arranged ] --- History and criticism --- 78.90 --- 78.42.8
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Flute --- Flute music --- Musical accompaniment --- Flûte --- Flûte, Musique de --- Accompagnement (Musique) --- Methods --- Early works to 1800 --- Interpretation (Phrasing, dynamics, etc.) --- Méthodes --- Ouvrages avant 1800 --- Interprétation
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It is the aim of this study to give as full an accounting as possible of basse continue performance as it is documented in the numerous seventeenth and eighteenth century treatises produced in France.This comprehensive study basse continue practice supplements an already sizeable body of literature on thorough bass accompaniment, the emphasis of which has clearly been Italian and German theoretical works. The numerous French accompaniment treatises written during the XVIIth and XVIIIth centuries seem to have been, with only a few choice exceptions, unjustifiably dismissed by many modern scholars as little more than harmonic tutors, and the discipline of musicology - particularly as it relates to historical performance practice - has definitely suffered as a result. These works certainly do not deserve such a fate, for they provide not only unique documentation of French harmonic theory as it evolved over the course of more than a century, but a wealth of important information regarding XVIIth and XVIIIth century French performance practice as well. It is the aim of this study to give as full an accounting as possible of basse continue performance as it is documented in the numerous XVIIth and XVIIIth century treatises produced in France, beginning with Nicholas Fleury´s Méthode pour facilement a toucher le théorbe sur la basse-continuë (1660) and continuing through Pierre-Joseph Roussier´s Traité des accords, et de leur succession (1764) and his L´harmonie pratique, ou exemples pour le Traité des accords (1775). The issues dealt with in the treatises are treated systematically, and provide the framework for the entire study.
Basse continue --- Basso continuo --- Thorough bass --- Continuo --- Musical accompaniment --- Music --- Accompagnement (Musique) --- Musique --- Early works to 1800 --- History and criticism. --- Ouvrages avant 1800 --- Histoire et critique --- History and criticism --- France --- 17th century --- 18th century --- 78.52 --- 78.63 --- Continuo - France --- Music - France - 17th century - History and criticism --- Music - France - 18th century - History and criticism --- Barok --- Uitvoeringspraktijk
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This title explores the sonic dimension of film exhibition in Britain, from the emergence of cinema through to the introduction of synchronized sound. Edited by Julie Brown and Annette Davison, the volume includes original scholarship from many highly-regarded experts on British silent film from a range of disciplinary backgrounds, such as film history, theatre studies, economic history, and musicology.
Silent film music --- Silent films --- Film muet, Musique de --- Films muets --- History and criticism --- Musical accompaniment --- Histoire et critique --- Accompagnement (Musique) --- Musique de film muet --- History and criticism. --- Musical accompaniment. --- Moving pictures, Silent --- Silent motion pictures --- Motion pictures --- Film music --- Music for silent films --- Motion picture music --- 78.77.9 --- Musique de film muet. --- Histoire et critique.
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Silent film music --- Silent films --- Film muet, Musique de --- Musical accompaniment --- History and criticism --- Films muets --- Musique --- CDL --- 791.43 --- Moving pictures, Silent --- Silent motion pictures --- Motion pictures --- Film music --- Music for silent films --- Motion picture music --- Musical accompaniment&delete& --- History --- FILMS MUETS --- CINEMA MUET --- MUSIQUE AU CINEMA --- ACCOMPAGNEMENT (MUSIQUE) --- EXPOSITIONS
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Silent films --- Silent film music --- Films muets --- Film muet, Musique de --- Musical accompaniment --- Accompagnement (Musique) --- film --- filmgeschiedenis --- stille film --- muziek --- film en muziek --- opera --- Wagner Richard --- filmmuziek --- films d'art --- Gounod Charles --- Bizet Georges --- twintigste eeuw --- Duitsland --- Italië --- Frankrijk --- verismo --- verisme --- Mascagni Pietro --- Leoncavallo Ruggero --- Puccini Giacomo --- Saint-Saëns Camille --- Becce Giuseppe --- Weiss Josef --- film en opera --- 78 --- 791.43 --- Motion pictures and opera --- Operas --- Opera --- Opera and motion pictures
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