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The Offenses Against the Person Act of 1828 opened magistrates' courts to abused working-class wives. Newspapers in turn reported on these proceedings, and in this way the Victorian scrutiny of domestic conduct began. But how did popular fiction treat "private" family violence? Bleak Houses: Marital Violence in Victorian Fiction traces novelists' engagement with the wife-assault debates in the public press between 1828 and the turn of the century. Lisa Surridge examines the early works of Charles Dickens and reads Dombey and Son and Anne Brontë's The Tenant of Wildfell Hall in the context of
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English drama --- Sex crimes in literature. --- Rape in literature. --- Abused women in literature. --- Violence in literature. --- Rape victims in literature. --- Violence in the theater. --- Theater and society --- History and criticism. --- History
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Fiction --- Thematology --- English literature --- Psychological study of literature --- Abused women in literature. --- American prose literature --- Depression, Mental, in literature. --- English fiction --- Love in literature. --- Man-woman relationships in literature. --- Melancholy in literature. --- Psychoanalysis and literature. --- Violence in literature. --- Women and literature --- Women in literature. --- Psychoanalyse --- Women authors --- History and criticism. --- cultuur en religie --- cultuur en religie.
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"How does physical, emotional, and sexual abuse shape women's perceptions of their bodies and identities? How are women's psyches affected by the sexual, racial, and cultural denigration that occurs when women's bodies are represented as defective, spoiled, damaged, or dirtied? Embodied Shame skillfully explores these questions in the context of recent writings by North American women, contributing to work in shame theory and to feminist analyses of the intersections of theories of the body, affect, emotions, narrative, and trauma. By examining popular contemporary fictional - and nonfictional - texts, including Alice Munro's Lives of Girls and Women, Dorothy Allison's Bastard Out of Carolina, Toni Morrison's The Bluest Eye, Edwidge Danticat's Breath, Eyes, Memory, and Lucy Grealy's Autobiography of a Face, J. Brooks Bouson illuminates how deeply entrenched bodily shame continues to operate in contemporary culture, even as we celebrate the supposed freeing of the female body from the social and cultural constraints that have long bound it."--BOOK JACKET.
American literature --- Canadian literature --- English literature --- Women in literature. --- Shame in literature. --- Abused women in literature. --- Psychic trauma in literature. --- Body image in literature. --- Self-perception in literature. --- Body image in women. --- Self-perception in women. --- Women --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Agrarians (Group of writers) --- Women authors --- History and criticism. --- Psychology --- Abused women in literature --- Body image in literature --- Body image in women --- Psychic trauma in literature --- Self-perception in literature --- Self-perception in women --- Shame in literature --- Women in literature --- 820 "19" --- 82.04 --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Canadian literature (English) --- 820 "19" Engelse literatuur--20e eeuw. Periode 1900-1999 --- Engelse literatuur--20e eeuw. Periode 1900-1999 --- 82.04 Literaire thema's --- Literaire thema's --- Women authors&delete& --- History and criticism
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"Examining some of the most iconic texts in English theatre history, including Titus Andronicus, The Duchess of Malfi and The Changeling, this book reveals the pernicious erasure of rape and violence against women in the early modern era, and the politics and ethics of rehearsing these negotiations on the twentieth- and twenty-first century stages"--Provided by publisher.
English drama --- Sex crimes in literature. --- Rape in literature. --- Abused women in literature. --- Violence in literature. --- Rape victims in literature. --- Violence in the theater. --- Theater and society --- Théâtre anglais --- Crimes sexuels --- Viol --- Femmes victimes de violence --- Violence --- Victimes de viol --- Théâtre --- History and criticism. --- History --- 17e siècle --- Dans la littérature --- Au théâtre --- Aspect social --- Histoire et critique --- Angleterre (GB) --- Théâtre anglais --- Théâtre --- 17e siècle --- Dans la littérature --- Au théâtre
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In an exploration of how contemporary fiction narratives represent trauma—that response to events so overwhelmingly intense that normal responses become impaired—Laurie Vickroy engages a wealth of the twentieth century’s most striking literature. Toni Morrison’s Beloved and Jazz, Marguerite Duras’s The Lover, Dorothy Allison’s Bastard out of Carolina, Jamaica Kincaid’s The Autobiography of My Mother, and Larry Heinemann’s Paco’s Story, among others, are the source of Vickroy’s study investigating the complex relationship between sociocultural influences and intimate personal relations portrayed in trauma fiction and how those portrayals direct this difficult material to readers.Vickroy’s study is unique in its use of trauma, postcolonial, and object relations theories to illuminate the cultural aspects of traumatic experience that shape relationships, identity formation, and the possibilities for symbolization. Vickroy argues that contemporary trauma narratives are indeed personalized responses to this century’s emerging awareness of the catastrophic effects on the individual psyche of wars, poverty, colonization, and domestic abuse. She examines these texts as postcolonial attempts to rearticulate the lives and voices of marginalized people, to reject Western conceptions of the autonomous subject, and to recognize the complex negotiations of multicultural social relations.Trauma is a compelling and evocative topic in the contemporary world and as reflected in its literature. In unraveling trauma’s effects, the texts studied in Trauma and Survival in Contemporary Fiction reveal the intricacies of power and the relationship between society’s demands and the individual’s psychological well-being.
Sociology of literature --- American literature --- Thematology --- Psychological study of literature --- anno 1900-1999 --- American fiction --- Women and literature --- Psychological fiction --- African American women in literature --- West Indian Americans in literature --- Psychic trauma in literature --- Abused women in literature --- Women authors --- History and criticism --- History --- Duras, Marguerite --- Knowledge --- Psychology --- Morrison, Toni --- Allison, Dorothy --- Kincaid, Jamaica --- Heinemann, Larry --- 82:396 --- 82.04 --- Literatuur en feminisme --- Literaire thema's --- Abused women in literature. --- African American women in literature. --- Psychic trauma in literature. --- West Indian Americans in literature. --- History and criticism. --- Psychology. --- Morrison, Toni. --- 82.04 Literaire thema's --- 82:396 Literatuur en feminisme --- Duras, Marguerite. --- Afro-American women in literature --- Literature --- Women authors&delete& --- Dwirasŭ, Marŭgŭrittŭ --- Twirasŭ, Marŭgŭrittŭ --- Tu-la-ssu, Ma-ko-li-tʻe --- Dulasi, Magolite --- Tu, La-ssu --- Du, Lasi --- Di︠u︡ras, Marherit --- Дюрас, Маргерит --- דיראס, מרגריט --- Dûras, Margrît --- Doras, Margerête --- Doras, Margrête --- Donnadieu, Marguerite, --- Allison, Dorothy, --- Heinemann, Larry. --- デュラス, マルグリット --- デュラス, M. --- American fiction - Women authors - History and criticism --- Women and literature - West Indies - History - 20th century --- Women and literature - United States - History - 20th century --- Psychological fiction - History and criticism --- Duras, Marguerite - Knowledge - Psychology
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