Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Abu Hamdan, Lawrence --- Biscotti, Rossella --- Castro, Libia --- Olafsson, Olafur --- Frei, Luca --- Magid, Jill --- Metahaven --- Paglen, Trevor --- Scalfi, Anna --- Ta, Song --- Staal, Jonas --- Superflex --- Takala, Pilvi

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art --- histories [literary works] --- art [discipline] --- social stratification --- political art --- Rakowitz, Michael --- Breitz, Candice --- Klein, Astrid --- Arcangel, Cory --- Berksoy, Semiha --- Dawood, Shezad --- Himid, Lubaina --- Janssens, Ann Veronica --- Nkanga, Otobong --- Ogboh, Emeka --- Rosenkranz, Pamela --- Sarkissian, Hrair --- Wa Lehulere, Kemang --- Zaatari, Akram --- Abu Hamdan, Lawrence --- Pacheco, Bruno --- Balteo Yazbeck, Alessandro --- Arsanios, Marwa --- Rafman, Jon --- Cheng, Ian --- Phillipson, Heather --- Caland, Huguette --- Kasten, Barbara --- Shemza, Anwar Jalal --- Wasif, Munem --- Douglas, Stan --- Marwan --- Jaar, Alfredo

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Sketchbook, September 1977 is an early journal by Greer Lankton written during her time as an art student at the School of the Art Institute of Chicago. It offers key insights into the artist's mind before her move to New York in 1978, where she would go on to have a prolific career making lifelike dolls, theatrical sets, photographs, drawings, and paintings. Containing drawings, behavioral diagrams, and aspirational, occasionally confessional writing, the journal is a record of imagining the body and mind reconciled through transformation. In these pages, the nineteen-year-old turns an inquisitive, sociological eye toward the emotional landscape and somatic effects of her days recorded here--the time period leading up to her decision to undergo hormone treatment and gender-affirming surgery in 1979. Lankton reflects with raw vulnerability and keen self-awareness on critical questions of self-image, social perception, gender normativity, and human behavior. The book also includes an afterword by Lankton's lifelong friend, Joyce Randall Senechal. Sketchbook, September 1977 is one of the earliest of Greer Lankton's journals, sketchbooks, and daybooks to appear in the artist's archives housed in Department of Film at The Museum of Modern Art. The majority of Lankton's papers and archives are housed at the Mattress Factory, Pittsburgh."

Lankton, Greer, --- Notebooks, sketchbooks, etc. --- Fonds d'archives --- Dessin --- Art, Modern --- Sculpture --- Dolls in art --- Gender identity in art --- Lankton, Greer, - 1958-1996 --- Sia, Tiffany --- Hong Kong (China) --- Social conditions. --- Fluxus (Group of artists) --- Concrete poetry --- Conceptual art --- Hong Kong Protests, Hong Kong, China, 2019 --- -Political activists --- Human rights --- Protest movements --- Police brutality --- Censorship --- Cold War --- Video art --- Experimental films --- Demonstrations in art --- Art conceptuel --- Art conceptuel. --- Conceptual art. --- Conceptual. --- Manœuvre artistique --- Performance art --- Performance art. --- Abu Hamdan, Lawrence, --- Lebanon.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art --- art [discipline] --- technology [general associated concept] --- cities --- political art --- identity --- landscapes [environments] --- Rakowitz, Michael --- Gates, Theaster --- Cao Fei --- Denny, Simon --- Hadjithomas, Joana --- Issa, Iman --- Joreige, Khalil --- Madani, Tala --- Manna, Jumana --- Nkanga, Otobong --- Paglen, Trevor --- Panayiotou, Christodoulos --- Qureshi, Imran --- Richards, James --- Sarkissian, Hrair --- Shah, Tejal --- Steyerl, Hito --- Thomas, Hank Willis --- Trecartin, Ryan --- Villar Rojas, Adrián --- Wa Lehulere, Kemang --- Xu Zhen --- Yiadom-Boakye, Lynette --- Abu Hamdan, Lawrence --- Al Maria, Sophia --- Andrade, de, Jonathas --- Lee Kit --- Henrot, Camille --- Tanaka, Koki --- Magdy, Basim --- Ulman, Amalia --- Guan, Xiao --- Zhou Tao --- Cheng, Ian --- Kambalu, Samson --- Novitskova, Katja --- Satterwhite, Jacolby --- Bridle, James --- Makhacheva, Taus --- Linder, Adam --- Jie, Cui --- Crespo, Andrea --- Bailey, Jeremy --- Dullaart, Constant --- Phillipson, Heather --- Blas, Zach --- Hempton, Celia --- Abbas, Nadim --- Williams, Amanda --- Cahill, Zachary --- Barrada, Yto --- GCC --- Assemble --- DIS --- The Propeller Group

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Video is everywhere. Since its debut as a consumer medium in the 1960s, video has shaped our opinions, our politics and our societies. On our phones and computer screens, walls and streets, it defines new spaces and experiences--spreading memes, lies, fervor, fact and fiction. In other words, video has transformed the world. Featuring works from the collection of the Museum of Modern Art, New York, this illuminating exhibition catalog--MoMA's first major publication on video art in nearly 30 years--explores the ways in which artists have both championed and questioned video's promise, some hoping to create new networks of communication, democratic engagement and public participation, others protesting commercial and state control over information, vision and truth itself. Lavishly illustrated essays by esteemed scholars and artists--including Ina Blom, Aria Dean, David Joselit, Pamela M. Lee, Glenn Ligon and Ravi Sundaram--highlight video's widely varied formats, contexts and global reach. Signals is a manual for understanding the present, an era in which video has pervaded all aspects of life"--

Video art --- Experimental films --- film --- kunst --- videokunst --- 791.45 --- videoinstallaties --- videokunst en openbare ruimte --- Abu Hamdan Lawrence --- Ant Farm --- American Artist --- Béar Liza --- Bender Gretchen --- Birnbaum Dara --- Black Audio Film Collective --- CADA (Colectivo Acciones de Arte) --- Callas Peter --- Delat Chto --- Cokes Tony --- Cort David --- Davidovich Jaime --- Export Valie --- Farocki Harun --- Galindo Regina José --- Galloway Kit --- Geiger Anna Bella --- General Idea --- Gillette Frank --- Graham Dan --- Hatoum Mona --- Hughes Every Ocean --- Idemitsu Mako --- Iveković Sanja --- Jacir Emily --- Jenkins Ulysses --- Kanwar Amar --- Kavelina Dana --- Klier Michael --- Leeson Lynn Hershman --- Leppe Carlos --- Masayesva Jr. Victor --- Minujín Marta --- Motta Carlos --- Mujinga Sandra --- Muntadas --- Nakaya Fujiko --- New Red Order --- Not Channel Zero --- Paik Nam June --- Parente Letícia --- Perry Sondra --- Pindell Howardena --- Raad Walid --- Raindance Corporation --- Riggs Marlon --- Rosler Martha --- Santos Eder --- Scher Julia --- Serra Richard --- Sia Tiffany --- Song Dong --- Stark Frances --- Syms Martine --- Tajiri Rea --- Tas Marcelo --- Tsang Wu --- TVTV --- Vanderbeek Stan --- Videofreex --- Vostell Wolf --- Wong Ming --- Zhen Xu --- Yalter Nil --- Yau Ching --- Žmijewski Artur --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Time-based art --- History --- Museum of Modern Art (New York, N.Y.) --- New York (City). --- New York (N.Y.). --- Nyū Yōku Kindai Bijutsukan --- MOMA --- video [discipline] --- video artists --- experimental films --- multimediakunst