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Drama --- Absurd theater --- Logic in literature --- Logica in literature --- Logique dans la littérature --- Theater of the absurd --- Théâtre de l'absurde --- 792.036 --- European drama --- -Logic in literature --- Absurd, Theater of the --- Absurdist theater --- Absurd (Philosophy) in literature --- Drama, Modern --- European literature --- Modern theater --- History and criticism --- 792.036 Modern theater --- 20th century

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w 01-58

French drama --- Theater of the absurd. --- French drama. --- History and criticism --- 1900-1999. --- Didactics of French --- Drama --- Theater of the absurd --- Frans --- teksten --- #BSCH: vak: Frans --- Absurd, Theater of the --- Absurdist theater --- Absurd (Philosophy) in literature --- Schoolbooks - Didactic material

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Nihilism in literature --- Theater of the absurd --- Absurd, Theater of the --- Absurdist theater --- Absurd (Philosophy) in literature --- Drama --- History and criticism --- Jarry, Alfred --- -Criticism and interpretation --- Thematology --- French literature --- Jarry, Alfred, --- Criticism and interpretation. --- Nihilism in literature. --- Nihilisme (Politique). --- Theater of the absurd. --- Critique et interprétation.

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Publikace se zaměřuje na absurdno a jeho scénický potenciál v divadle francouzského dada a začínajícího surrealismu. Korpus tvoří tři texty, jež dosud nebyly předmětem odpovídajícího výzkumu: dva z nich nebyly z hlediska scéničnosti hodnoceny (T. Tzara: První nebeské dobrodružství pana Antipyrina, R. Vitrac: Tajemství lásky), třetí téměř zcela unikl pozornosti (A. Breton – P. Soupault: Račte). Autorka na absurdno nahlíží jako na estetickou kategorii aplikovatelnou na divadelní analýzu jako takovou – na rozdíl od populární koncepce tzv. „absurdního dramatu“ britského kritika M. Esslina (definované s ohledem na avantgardu 50. let 20. století), jež je často kritizována pro nepřesnost, ale nebyla dosud podrobena žádné důsledné analýze. Závěr je mimo jiné věnován zhodnocení Esslinova pojetí absurdna v divadle.

French drama --- Theater of the absurd --- Dadaism --- Surrealism (Literature) --- Théâtre français --- Théâtre de l'absurde --- Dadaïsme --- Surréalisme (Littérature) --- History and criticism --- Histoire et critique --- Dadaism in literature --- Theater of the absurd. --- Absurd, Theater of the --- Absurdist theater --- Absurd (Philosophy) in literature --- Drama --- Surrealism in literature --- Literature --- 1900-1999 --- French drama - 20th century - History and criticism

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"En 1946, Quoat-Quoat d'Audiberti a quelques représentations devant des publics clairsemés. Quatre ans plus tard, La Cantatrice chauve subit le même sort. Mais en 1953, la critique plébiscite En attendant Godot et le public la suit. L'on parle désormais d'un Nouveau Théâtre. Une vingtaine d'auteurs sont réunis sous ce pavillon. Au-delà des oeuvres singulières, c'est de toute une aventure créatrice qu'est dressé ici un bilan."--Page 4 of cover.

French drama --- Nonsense literature, French --- Theater --- Theater of the absurd --- History and criticism --- History --- Absurd, Theater of the --- Absurdist theater --- Absurd (Philosophy) in literature --- Drama --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- French literature --- French drama - 20th century - History and criticism --- French drama - 21st century - History and criticism --- Nonsense literature, French - History and criticism --- Theater - France - History - 20th century --- Theater - France - History - 21st century --- Theater of the absurd - History