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"This research project investigates the concepts of absence across the disciplines of visual art, theatre, and performance. Absence in the centre of an ideology frees the reader from the dominant meaning. The book encourages active engagement with theatre theory and performances. Reconsideration of theories and experiences changes the way we engage with performances, as well as social relations and traditions outside of theatre. Sylwia Dobkowska examines and theorises absence and presence through theatre, performance, and visual arts practices. This book will be of great interest to students and scholars of theatre, visual art and philosophy"--
Absence in the performing arts. --- Absence in art. --- Presence (Philosophy).
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"This research project investigates the concepts of absence across the disciplines of visual art, theatre, and performance. Absence in the centre of an ideology frees the reader from the dominant meaning. The book encourages active engagement with theatre theory and performances. Reconsideration of theories and experiences changes the way we engage with performances, as well as social relations and traditions outside of theatre. Sylwia Dobkowska examines and theorises absence and presence through theatre, performance, and visual arts practices. This book will be of great interest to students and scholars of theatre, visual art and philosophy"--
Absence in the performing arts --- Absence in art --- Presence (Philosophy) --- Absence in the performing arts. --- Absence in art. --- Presence (Philosophy). --- Absence dans l'art. --- Présence (Philosophie). --- presence.
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Des dispositifs de communication assurent aujourd'hui une forme démultipliée de visibilité. Nous pouvons volontairement y projeter une image valorisante de nous-mêmes, mais aussi nous trouver contraints à la présence, dépossédés de nos données, surveillés à distance. Ce processus technologique accompagne le déploiement de ce qu'il est convenu d'appeler l'individualisme contemporain, en même temps que sa dynamique est celle de la globalisation des échanges, avec ce qu'elle implique de contrôle. Sans doute est-ce la raison pour laquelle on a vu dans le champ social surgir une tentation, un désir paradoxal : celui de se retirer, de s'effacer, voire de disparaître. Les arts et la littérature en témoignent au premier chef, car c'est là que s'exposent nos hantises et nos aspirations. Cet ouvrage a pour ambition d'aborder un ensemble significatif de formes esthétiques actualisant ce processus de retrait, d'effacement ou de disparition, ou le donnant à voir, par la fiction notamment. Les modalités comme les finalités en sont diverses, mais on peut dans tous les cas en mesurer la force de fascination, ainsi que la puissance critique.
Esthétique. --- Absence et présence --- Anonymat --- Dans l'art --- Dans la littérature --- Dans l'art. --- Presence (Philosophy) --- Absence in literature --- Absence in art. --- In art. --- In literature.
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Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures.Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death.Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.
Nothing (Philosophy) in art --- Emptiness (Philosophy) in art --- Absence in art --- Manuscripts, Medieval --- Illumination of books and manuscripts, Medieval --- 091.31 --- 091.14.001 --- 091.14.001 Codices--Structuur --- Codices--Structuur --- 091.31 Verluchte handschriften --- Verluchte handschriften --- Painting, Medieval --- Medieval manuscripts --- Manuscripts --- Aesthetics --- Manuscripts. Epigraphy. Paleography --- anno 500-1499 --- Nothing (Philosophy) in art. --- Emptiness (Philosophy) in art. --- Absence in art. --- Manuscripts, Medieval. --- Illumination of books and manuscripts, Medieval.
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