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Painting --- anno 1800-1899 --- kunstenaarsverenigingen --- kunstenaarsdorpen --- natuur --- kunstenaarskolonie Barbizon --- kunstenaarskolonie Grez-sur-Loing --- kunstenaarskolonie Pont-Aven --- kunstenaarskolonie Concarneau --- kunstenaarskolonie Abramtsevo --- kunstenaarskolonie Worpswede --- kunstenaarskolonie Nagybánya --- kunstenaarskolonie Newlyn --- kunstenaarskolonie Saint-Ives --- kunstenaarskolonie Provincetown --- 19de eeuw --- Barbizon --- Grez-sur-Loing --- Pont-Aven --- Concarneau --- Abramtsevo --- Worpswede --- Nagybánya --- Newlyn --- Saint-Ives --- Provincetown --- Provincetown-Massachusetts --- kunstenaarsdorpen. --- kunstenaarskolonie Barbizon. --- kunstenaarskolonie Grez-sur-Loing. --- kunstenaarskolonie Pont-Aven. --- kunstenaarskolonie Concarneau. --- kunstenaarskolonie Abramtsevo. --- kunstenaarskolonie Worpswede. --- kunstenaarskolonie Nagybánya. --- kunstenaarskolonie Newlyn. --- kunstenaarskolonie Saint-Ives. --- kunstenaarskolonie Provincetown. --- 19de eeuw. --- Barbizon. --- Grez-sur-Loing. --- Pont-Aven. --- Concarneau. --- Abramtsevo. --- Worpswede. --- Nagybánya. --- Newlyn. --- Saint-Ives. --- Provincetown-Massachusetts.
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This volume of thirteen essays presents rigorous new research by western and Russian scholars on Russian art of the nienteenth and early-twentieth centuries. Over More than three decades after the publication of Elizabeth Valkenier's pioneering monograph, Russian Realist Art, this impressive collection showcases the latest methodology and subjects of inquiry, expanding the parameters of what has become an area of enormous intellectual and popular appeal. Major artists including Ilia Repin, Valentin Serov, and Wassily Kandinsky are considered afresh, as are the Peredvizhnik and Mir iskusstva movements and the Abramtsevo community. The book also breaks new ground to embrace subjects such as Russian graphic satire and children's book illustration, as well as stimulating aspects of patronage and display. Collectively, the essays include a range of approaches, from close textual readings to institutional critique. They also develop major themes inspired by Valkenier's work, among them: the emergence and evolution of cultural institutions, the development of aesthetic discourse and artistic terminology, debates between the Academy of Arts and its challengers, art criticism and the Russian press, and the resonance of various forms of nationalism within the art world. These and other questions engage multiple disciplines—those of art history, Slavic Russian studies, and cultural history, among others—and promise to fuel a vibrant and ascendant field.
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Art --- anno 1800-1899 --- Russian Federation --- Arts, Russian --- Art, Russian --- Decorative arts --- Arts russes --- Art russe --- Arts décoratifs --- Exhibitions --- History --- Expositions --- Histoire --- kunstenaarsverenigingen --- Mir Iskusstva (1898-1904) --- Les Ballets Russes --- Rodin, Auguste --- Bilibine, Ivan I. --- Vroubel, Mikhaïl --- 19de eeuw --- Rusland --- Abramtsevo --- Russian art - 19th century. --- Russia --- Arts décoratifs --- Exhibitions. --- Arts, Russian - 19th century - Exhibitions. --- kunstenaarsverenigingen. --- Mir Iskusstva (1898-1904). --- Les Ballets Russes. --- Rodin, Auguste. --- Vroubel, Mikhaïl. --- 19de eeuw. --- Rusland. --- Abramtsevo.
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