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"Pablo Picasso (1881-1973) was one of the greatest artists of the 20th century. This important new monograph, released to coincide with the fiftieth anniversary of the artist's death, presents Picasso's unparalleled achievements in all media: painting, sculpture, drawing and prints. Art historian and curator Pepe Karmel offers fresh analysis of this great master for a 21st-century audience, considering Picasso's work through the lens of art rather than biography. He demonstrates how Picasso's style, evolving over the course of seven decades, introduced visual languages and narratives that transformed modern art. Arranged chronologically by themes and movements, Looking at Picasso is profusely illustrated with renowned paintings, such as the provocative Les Demoiselles d'Avignon and his monumental Guernica, protesting the horror of war; these are accompanied by numerous lesser-known works, including Picasso's daring sculptures and his animated reinterpretation of Velazquez's 17th-century masterpiece Las Meninas. Numerous exhibitions planned for 2023 will bring Picasso to the forefront. This engaging book will appeal to museum-goers curious to learn more about Picasso's career and anyone interested in modern art"--

Artists --- Artists --- Artistes --- Artistes --- ART / Individual Artists / Monographs --- ART015030 --- ART / European --- Picasso, Pablo, --- Picasso, Pablo, --- Criticism and interpretation.

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"Over the course of his life, Van Gogh lived in thirty-seven different homes. In 1888 the artist moved into the only place he considered his own: his beloved "Yellow House" in Arles, France. His second-floor bedroom became a sanctuary, and it inspired him to record it in paint. Van Gogh so prized The Bedroom, which he deemed one of his best canvases, that he created two similar but distinct versions of it almost a year later, after being forced to leave his Yellow House following a nervous breakdown. In this reunion at the Art Institute of Chicago, the public has the extraordinary opportunity to see these three paintings hanging together as they did in Van Gogh's asylum studio. Presented only in Chicago, Van Gogh's Bedrooms is a momentous occasion that, along with this accompanying catalogue, sheds new light on these iconic compositions and the circumstances of their making. The exhibition is groundbreaking also because it is the first to consider the theme of home in the artist's work"...

ART / Individual Artists / Monographs / bisacsh --- ART / History / Modern (late 19th Century to 1945) / bisacsh --- ART / Collections, Catalogs, Exhibitions / General / bisacsh --- Home in art --- ART / Individual Artists / Monographs --- ART / History / Modern (late 19th Century to 1945) --- ART / Collections, Catalogs, Exhibitions / General --- Malerei --- Schlafzimmer --- Van Gogh, Vincent --- Malerei. --- Schlafzimmer. --- Gogh, Vincent van,

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This book is the first biography of Nikolay Punin (1888-1953). One of the most prominent art-critics of the avant-garde, in 1919 Punin was the Commissar of the Hermitage and Russian Museums, he was lecturing at the Academy of Arts and at the State University in Petrograd (and subsequently Leningrad). He was the right hand of Lunacharsky and the head of the Petrograd branch of the Visual Arts Department of Narkompross. From 1913 till 1938, Punin worked at the Russian Museum and organized several major exhibitions of Russian art. Yet his name is not widely known in the West, primarily because his file languished in the KGB archives since he died in 1953, partly because his grave in the Gulag where he died is marked only by a number, and partly because his own reputation became submerged under that of his lover, poet and writer Anna Akhmatova. Through the life and inheritance of Nikolay Punin, this book will examine the very phenomenon of the Russian avant-garde and its fate after the October Revolution, as well as the artistic trends and cultural policies which dominated Soviet art in the 1930-1950s. For an interview with the author on The Voice of Russia (July 19th, 2012): click here .

Art critics --- Art, Russian --- Avant-garde (Aesthetics) --- ART / Individual Artists / Artists' Books. --- ART / Individual Artists / Essays. --- ART / Individual Artists / Monographs. --- Aesthetics --- Modernism (Art) --- Russian art --- Krug khudozhnikov (Group of artists) --- NOMA (Group of artists) --- Trinadt︠s︡atʹ (Group of artists) --- Critics --- History. --- Punin, N. N. --- Пунин, Н. Н. --- Пунин, Николай Николаевич --- Punin, Nikolaĭ Nikolaevich --- Пунин, Николай --- Punin, Nikolaĭ --- Punin, N. --- Punin, Nikolay

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Innovantes et provocantes, les sculptures, peintures et installations emblématiques de Judy Chicago ont permis de rapprocher le féminisme de l'art au cours des années 1960, 70 et au-delà. En utilisant des images inspirées du corps féminin et des références à des personnages féminins historiques, Chicago a forgé un nouveau langage visuel axé sur les femmes qui continue d'influencer l'esthétique de l'art féministe aujourd'hui. Ce livre retrace la carrière de Chicago depuis son apparition sur la scène artistique de Los Angeles dans les années 1960 jusqu'à son travail abouti dans les années 1990. Présentant des illustrations de six œuvres distinctes, ce livre comprend le chef-d'œuvre de Chicago, le dîner, ainsi que d'autres œuvres moins connues. Avec des essais informatifs qui situent l'œuvre de Chicago dans le contexte de l'art contemporain californien du sud et de l'érudition qui reflète le travail actuel de Chicago, ce livre complet offre un regard à couper le souffle sur l'une des figures par excellence de l'art féministe américain. (d'après l'éditeur). Groundbreaking and provocative, Judy Chicago’s iconic sculptures, paintings, and installations helped bridge the gap between feminism and art during the 1960s, 70s, and beyond. Using imagery inspired by the female body and references to historical female figures, Chicago forged a new, women-focused visual language that continues to influence the aesthetics of feminist art today. This book traces Chicago’s career from her emergence on the Los Angeles art scene in the 1960s through her mature work in the 1990s. Featuring illustrations of six distinct bodies of works, this book includes Chicago’s masterpiece The Dinner Party as well as other lesser-known works. With informative essays that situate Chicago’s oeuvre in the context of contemporary Southern Californian art and scholarship that reflects Chicago’s current work, this comprehensive book provides a breathtaking look at one of the quintessential figures of American feminist art.

Art --- sculpture [visual works] --- installations [visual works] --- embroidering --- spray painting --- art [fine art] --- drawing [image-making] --- painting [image-making] --- feminism --- births --- performance art --- gender issues --- fireworks [explosive equipment] --- genitals [animal components] --- Chicago, Judy --- Feminism in art --- ART / Individual Artists / Monographs. --- ART / History / Contemporary (1945-) --- Feminism in art. --- Exhibitions. --- Chicago, Judy, --- Feminism in art - Exhibitions. --- Chicago, Judy, - 1939- - Exhibitions. --- Chicago, Judy, - 1939 --- -Feminism in art - Exhibitions. --- -Art --- art [discipline] --- -Chicago, Judy, - 1939 --- -Chicago, Judy --- -Chicago, Judy, - 1939-