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To celebrate the 270th anniversary of the De Gruyter publishing house, the company is providing permanent open access to 270 selected treasures from the De Gruyter Book Archive. Titles will be made available to anyone, anywhere at any time that might be interested. The DGBA project seeks to digitize the entire backlist of titles published since 1749 to ensure that future generations have digital access to the high-quality primary sources that De Gruyter has published over the centuries.

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To celebrate the 270th anniversary of the De Gruyter publishing house, the company is providing permanent open access to 270 selected treasures from the De Gruyter Book Archive. Titles will be made available to anyone, anywhere at any time that might be interested. The DGBA project seeks to digitize the entire backlist of titles published since 1749 to ensure that future generations have digital access to the high-quality primary sources that De Gruyter has published over the centuries.

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Description This conference is aimed at promoting deeper understanding and relations between Malaysia and Indonesia at an academic, inter-societal and non-state level. It also seeks to encourage cooperation between researchers, academic institutions, civil society organizations and individuals in both countries, stimulating dialogue on the bilateral relations and common interests of both countries, regionally and globally. Aims and Scope HUMANITIES AND THE ARTS Human and Environment, Cultural Identities, Cultural Diversities, Intercultural Relations, Cultural Heritage, Cultural Studies, Research into the Humanities SOCIAL STUDIES AND POLITICS Border and Migration, History, Memory and Politics, Social and Communities Study, Civic and Political Studies, Global Studies, Research into the Social Science RELATED STUDIES Environmental Studies, Human and Technology Education, Media and Technology, Global Economics Instructions for Authors As an author, it is crucial to follow the guidelines and formatting instructions to prepare and submit your paper in order to have it published in proceedings. Before submitting the paper, please use the conference template which can be found in the the website: pahmi13.conference.unand.ac.id/ Each individual is limited to one personal appearance on the programme as a presenting author. This policy precludes acceptance of papers for more than one presentation. In other words, an author can submit and present only one paper. However, a presenter can always be a non-presenting co-author on additional papers. Please read the instructions carefully prior to submitting: Each paper can only be submitted to ONE track. Submitted papers must NOT have been previously published and if under review, must NOT appear in other conferences. To facilitate the blind review process, remove ALL authors identifying information, including acknowledgements from the text, and document/file properties. (Any submissions with author information will be automatically DELETED; author information and acknowledgements are to be included in a SEPARATE document). The entire paper (title page, abstract, main text, figures, tables, references, etc.) must be in ONE document created in PDF format. The maximum length of the paper is 8 pages (including ALL tables, appendices and references). The paper format should follow the European Management Review Style Guide. Number all of the pages of the paper. Guidelines for Reviewers Reviewing a manuscript written by a fellow scientist is a privilege. However, it is a time-consuming responsibility. Hence, the board, authors, and audiences appreciate your willingness to accept this responsibility and your dedication. PAHMI adheres to a double-blind peer-review process that is rapid and fair, and also ensures a high quality of articles published. In so doing, we need reviewers who can provide insightful and helpful comments on submitted manuscripts with a turn around time of about 4 weeks. Maintaining PAHMI as a scientific meeting of high quality depends on reviewers with a high level of expertise and an ability to be objective, fair, and insightful in their evaluation of manuscripts. Please consider the following for reviewing the manuscript: Reviewing manuscript critically, but constructively and preparing detailed comments about the manuscript to help authors improve their work Reviewing multiple versions of a manuscript as necessary Providing all required information within established deadlines Making recommendations to the editor regarding the suitability of the manuscript for publication in the journal Declaring to the editor any potential conflicts of interest with respect to the authors or the content of a manuscript they are asked to review Reporting possible research misconducts Suggesting alternative reviewers in case they cannot review the manuscript for any reasons Treating the manuscript as a confidential document Not making any use of the work described in the manuscript Not communicating directly with authors, if somehow they identify the authors Not identifying themselves to authors Not passing on the assigned manuscript to another reviewer Ensuring that the manuscript is of high quality and original work Informing the editor if he/she finds the assigned manuscript is under consideration in any other publication to his/her knowledge Writing review report in English only Authoring a commentary for publication related to the reviewed manuscript. Description PAHMI is organized annually which initiated by the Faculty of Arts and Social Sciences, University of Malaya with the cooperation of its partner universities in Indonesia to bring together academicians, research students and non-governmental activists from both countries to discuss key issues related to Malaysia and Indonesia. Together with UM, original member universities of PAHMI are UI, UGM, UNAND, UNPAD, UNUD, and UNHAS. Now, participating universities have expanded to include UNAIR, UNILAK, UNY and many more. The current conference is hosted by Faculty of Humanities, Andalas University with the support of all PAHMI member universities.　 ABSTRACTING & INDEXING International Conference on Malaysia - Indonesia Relations (PAHMI) 13 is covered by the following services: CNKI Scholar (China National Knowledge Infrastructure) Directory of Open Access Books (DOAB) EBSCO Discovery Service Google Scholar Naviga (Softweco) Primo Central (ExLibris) Summon (Serials Solutions/ProQuest) TDOne (TDNet) WorldCat (OCLC)

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Beim Atmen - im Prozess von ständigem Austausch und Grenzüberschreitung zwischen Organismus und Umwelt - wird Luft als «immaterielles» Material aktiv. Der Band versammelt erstmals Studien zum Atem aus Perspektive der Künste, Geisteswissenschaften sowie experimentellen wissenschaftlichen und gestalterischen Praktiken. Mit Fokus auf die Zeit von 1900 bis heute umfasst die Publikation bewusst eine Epoche, in welcher Luft ein prekäres Medium ist: Ob im Kontext von Klimawandel und globaler Pandemie, Raumfahrttechnologien oder im Giftgaskrieg - Luft ist von Menschen miterzeugt und manipuliert. In diesem Spektrum zeigt sich der Atem selbst als schwer zu fassende, aber wesentliche Substanz, die Verbindungen zwischen Physischem, Symbolischem, Technologischem und Sozialem sichtbar macht During breathing - in the process of constant exchange and crossing of boundaries between the organism and its environment - air as an «immaterial» material becomes active. For the first time, this anthology brings together studies on breath from the perspective of the arts and humanities, as well as experimental scientific and design practices. Focusing on the period from 1900 to the present day, the publication covers an era during which air has become a precarious medium: whether in the context of climate change or global pandemic, space technology or gas warfare, air is now co-created and manipulated by humans. Against this backdrop, breath appears as an elusive yet vital substance that reveals the interconnections between the physical, symbolic, technological and social realms.

ART / General. --- Art, Culture, History, Philosophy, Architecture.

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Technical censorship of pictures is omnipresent and invisible at the same time. Content moderation on social media and automatic deletions by algorithms have given rise to a new union of human and non-human protagonists. While traditional institutions of censorship regulated the impact of dangerous pictures based on legal and religious norms, automated mechanisms controlled by international corporations do so today. In the public sphere of technical pictorial worlds, upload filters, content moderation, or deepfakes have replaced markers of the visibility of deletion such as censor bars or pixilation. In this experimental phase of the modern digital age, what pictures circulate in the flow of data is once again being negotiated anew in technical, social, legal, and picture-theory terms. Technische Bildzensur ist omnipräsent und gleichzeitig unsichtbar. Content Moderation in sozialen Medien und automatische Löschungen durch Algorithmen schaffen einen neuartigen Zusammenschluss menschlicher und nicht-menschlicher Akteure, die bildethische und juridische Verschiebungen im Feld der Sichtbarkeit anstoßen. Hatten tradierte Institutionen der Zensur durch gesetzliche und religiöse Normen den Wirkungskreis gefährlicher Bilder reguliert, sind es heute automatisierte, von internationalen Konzernen kontrollierte Mechanismen, die sozio-technische Skripte der Bildlöschung steuern. In der Öffentlichkeit technischer Bildwelten werden Sichtbarkeitsmarker der Löschung – wie Zensurbalken oder Verpixelung – von Upload-Filtern, Content Moderatoren oder Deepfakes abgelöst. In dieser Experimentalphase der Digitalmoderne wird in technischer, sozialer, juridischer und bildtheoretischer Hinsicht noch einmal neu verhandelt, welche Bilder im Datenstrom zirkulieren, aus dem Blickfeld verschwinden oder nie ins Licht der Öffentlichkeit gelangen.

ART / General. --- Picture censorship. --- content moderation. --- digital images.