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Bibliotheek François Vercammen

Communists --- Letters --- Communistes --- Lettres (Genre littéraire) --- Marx, Karl, --- Correspondence --- -820-6 MARX, ELEANOR --- 820-6 MARX, JENNY --- 820-6 MARX, LAURA --- Communism --- Lettres (Genre littéraire) --- 820-6 MARX, ELEANOR --- Communists - Correspondence

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Intimacy (Psychology) in literature --- Intimiteit (Psychologie) in de literatuur --- Intimité (Psychologie) dans la littérature --- 820-6 --- Engelse literatuur: brief --- 820-6 Engelse literatuur: brief --- Authors, English --- Conversation in literature --- Conversation --- English letters --- English prose literature --- Friendship --- Letter writing --- Correspondence --- English letter writing --- Letter writing, English --- Writing of letters --- Authorship --- Letters --- Affection --- Friendliness --- Conduct of life --- Interpersonal relations --- Love --- Talking --- Colloquial language --- Etiquette --- Oral communication --- English authors --- Correspondence&delete& --- History and criticism --- History --- Psychological aspects --- 18th century --- Authors [English ] --- Great Britain

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Written as a collection of letters in which very different accounts of the action are unsupervised by sustained authorial comment, Richardson's novel Clarissa offers an extreme example of the capacity of narrative to give the reader final responsibility for resolving or construing meaning. It is paradoxical then that its author was a writer committed to avowedly didactic goals. Tom Keymer counters the tendency of recent critics to suggest that Clarissa's textual indeterminacy defeats these goals by arguing that Richardson pursues subtler and more generous means of educating his readers by making them 'if not Authors, Carvers' of the text. Discussing Richardson's use of the epistolary form throughout his career, Keymer goes on to focus in detail on the three instalments in which Clarissa was first published, drawing on the documented responses of its first readers to illuminate his technique as a writer and set the novel in its contemporary ethical, political and ideological context.

820 "17" RICHARDSON, SAMUEL --- 820-6 --- 82:396 --- 82.085.43 --- 028 --- Authors and readers --- -Reader-response criticism --- Books and reading --- -Epistolary fiction, English --- -Women and literature --- -Literature --- Appraisal of books --- Books --- Choice of books --- Evaluation of literature --- Literature --- Reading, Choice of --- Reading and books --- Reading habits --- Reading public --- Reading --- Reading interests --- Reading promotion --- Reader-oriented criticism --- Reception aesthetics --- Criticism --- Readers and authors --- Authorship --- 028 Lezen. Lectuur --- Lezen. Lectuur --- 82.085.43 Literaire receptie --- Literaire receptie --- 82:396 Literatuur en feminisme --- Literatuur en feminisme --- 820-6 Engelse literatuur: brief --- Engelse literatuur: brief --- English epistolary fiction --- English fiction --- 820 "17" RICHARDSON, SAMUEL Engelse literatuur--18e eeuw. Periode 1700-1799--RICHARDSON, SAMUEL --- Engelse literatuur--18e eeuw. Periode 1700-1799--RICHARDSON, SAMUEL --- History --- -History --- -History and criticism --- -Appraisal --- Evaluation --- Richardson, Samuel --- Richardson, S. --- -Reader-oriented criticism --- -English fiction --- -English epistolary fiction --- Arts and Humanities --- Women and literature --- Epistolary fiction, English --- Rape victims in literature. --- Reader-response criticism. --- History and criticism. --- Richardson, Samuel, --- Rape victims in literature --- Reader-response criticism --- History and criticism --- Appraisal --- -Richardson, Samuel