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#KVHA:Documentaires --- #KVHA:Scenarioschrijven --- 798.63 --- documentaires --- film --- scenario --- scenarioschrijven --- film, scenario --- Filmscenario's --- Filmscenario's.
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Aristoteles (384-322 v.Chr.) kwam in 367 naar Athene om aan de Academie van Plato te studeren. Na Plato's dood trok hij weg en verbleef hij onder meer in Macedonië, als opvoeder van niemand minder dan Alexander de Grote. In 335 keerde hij naar Athene terug en stichtte daar zijn eigen school, het Lyceum. Van zijn vele werken is maar een gedeelte bewaard, en dat is nog altijd een omvangrijk oeuvre. Wat nog bewaard is, was oorspronkelijk niet voor publicatie bedoeld, maar werd gebruikt bij het onderwijs op Aristoteles' school. De Poëtica is ook zo'n 'collegedictaat', met nauwelijks stilistische verfraaiing. Aristoteles behandelt er het ontstaan en de functie van de dichtkunst in. Hij gaat uit van de fundamentele theorie van poëzie als mimesis, 'uitbeelding', waarbij hij zich vooral concentreert op de tragedie en het epos. Bekend geworden zijn onder andere de eisen van eenheid en samenhang, de verschillende fasen en middelen in de plot, het begrip katharsis ('reiniging' van de toeschouwers als functie van de tragedie), soorten dichterlijke woorden en manieren om kritiek op poëtische woordkeus te weerleggen. De Poëtica van Aristoteles is van zeer groot literair-historisch belang. De invloed van het werk in later tijden is enorm geweest, en niet alleen voor de classicistische tragedie.
film --- filmtheorie --- scenario --- narratologie --- poezie --- 1 --- Classical Greek literature --- 798.63 --- scenarioschrijven --- poëzie --- 153.3 --- filosofie --- film, scenario --- geschiedenis der wijsbegeerte, klassieke oudheid, werken van wijsgeren
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Drama --- 791.44 --- Gilbert Miller (introduction) --- dramaturgie --- film --- literatuur --- scenario's --- theater --- 798.63 --- preproductie --- scenario --- scenarioschrijven --- verteltechnieken --- film, scenario --- 765.40 --- Creatie en productie - Schrijven --- 764.20 --- Theorie van het theater en de film - Creatie - Schrijven
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2907-00-1
scenario's --- televisiescripts --- schrijfvaardigheid --- Film --- Audiovisual methods --- creatief schrijven --- film --- scenario --- narratologie --- 791.44 --- 798.63 --- scenarioschrijven --- film, scenario --- script --- storytelling --- verhaalstructuren --- literatuur --- Filmscenario's --- Schrijvers --- 765.40 --- Creatie en productie - Schrijven --- Film (cinematografie) --- Scenario ((film)) --- Schrijver --- Scenario (film) --- 764.20 --- Theorie van het theater en de film - Creatie - Schrijven
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798.63 --- film --- preproductie --- scenario --- scenarioschrijven --- film, scenario --- Motion picture authorship --- Television authorship --- Television programs --- Television scripts --- Television writing --- Film authorship --- Film-making (Motion pictures) --- Film scriptwriting --- Filmmaking (Motion pictures) --- Motion picture plays --- Motion picture scriptwriting --- Motion picture writing --- Motion pictures --- Movie-making --- Moviemaking --- Moving-picture authorship --- Screen writing --- Screenplay writing --- Screenwriting --- Scriptwriting, Film --- Scriptwriting, Motion picture --- Authorship --- Play-writing --- Screenwriters
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#SBIB:012.GIFT --- #SBIB:309H1327 --- Films met een amusementsfunctie en/of esthetische functie: script --- Screenplay by Stephen Gaghan; introduction by Steven Soderbergh and Stephen Gaghan --- Soderbergh Steven --- scenario's --- film --- 791.44 --- 798.63 --- filmscenario --- scenario --- scenarioschrijven --- Scenarioschrijvers --- scenaristen --- cinema --- Soderbergh, Steven --- Traffic --- film, scenario --- American literature
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Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Writers, producers, development executives and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience. In Story, McKee expands on the concepts he teaches in his seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. No one better understands how all the elements of a screenplay fit together, and no one is better qualified to explain the "magic" of story construction and the relationship between structure and character than Robert McKee.
film --- McKee Robert --- scenario's --- scripts --- narratologie --- 791.44 --- 798.63 --- scenarioschrijven --- film, scenario --- scenario --- 82:791.43 --- 82:791.43 Literatuur en film --- Literatuur en film --- Motion picture authorship. --- Cinéma --- Art d'écrire --- 765.40 --- Creatie en productie - Schrijven --- 764.20 --- Theorie van het theater en de film - Creatie - Schrijven --- Mass communications --- Literature
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"John Truby is one of the most respected and sought-after story consultants in the film industry, and his students have gone on to pen some of Hollywood's most successful films, including Sleepless in Seattle, Scream, and Shrek. The Anatomy of Story is his long-awaited first book, and in it he shares all his secrets for writing a compelling script. Based on the lessons in his class, Great Screenwriting, The Anatomy of Story draws on a broad range of concepts and archetypes from philosophy and mythology, offering techniques and anecdotes alongside Truby's own unique approach to building an effective, multifaceted narrative." "Truby's method of constructing a story is at once perceptive and practical, focusing on the hero's moral and emotional growth. Writers will dig deep within and explore their own values and worldview in order to create an effective story. They will come away with a precise set of tools to employ - specific techniques to make the audience care about their characters. They will learn how to make their characters grow in meaningful ways, how to construct surprising plots that are unique to their particular concepts, and how to express a moral vision that can move an audience." "The foundations of story that Truby lays out are so fundamental that they are applicable - and essential - to all writers, from novelists and short story writers to journalists, memoirists, and writers of narrative nonfiction."--Jacket.
Storytelling. --- film --- narratologie --- literatuur --- 791.44 --- scenario's --- Story-telling --- Telling of stories --- screenplays --- verhaalaspecten --- Storytelling --- Oral interpretation --- Children's stories --- Folklore --- Oral interpretation of fiction --- Performance --- Film --- creatief schrijven --- 798.63 --- scenario --- scenarioschrijven --- script --- storytelling --- film, scenario --- 765.40 --- Creatie en productie - Schrijven --- 764.20 --- Theorie van het theater en de film - Creatie - Schrijven --- writing [processes]
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Motion picture authorship. --- Motion picture authorship --- 798.63 --- film --- preproductie --- scenario --- scenarioschrijven --- verteltechnieken --- 791.44 --- narratologie --- scenario's --- Film authorship --- Film-making (Motion pictures) --- Film scriptwriting --- Filmmaking (Motion pictures) --- Motion picture plays --- Motion picture scriptwriting --- Motion picture writing --- Motion pictures --- Movie-making --- Moviemaking --- Moving-picture authorship --- Screen writing --- Screenplay writing --- Screenwriting --- Scriptwriting, Film --- Scriptwriting, Motion picture --- Authorship --- Screenwriters --- film, scenario --- Play-writing
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Film adaptations --- Motion pictures and literature. --- History and criticism. --- Motion pictures and literature --- 798.63 --- adaptatie (adaptation) --- filmadaptations --- literatuur --- scenarioschrijven --- 82:791.43 --- Literature and motion pictures --- Moving-pictures and literature --- Literature --- 82:791.43 Literatuur en film --- Literatuur en film --- History and criticism --- film, scenario
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