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ISBN: 1846380014 9781846380013 1846380189 9781846380181 Year: 2006 Publisher: London : Afterall Books,
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kunst --- twintigste eeuw --- Frampton Hollis --- fotografie --- film --- experimentele film --- Verenigde Staten --- 791.471 FRAMPTON --- Motion picture producers and directors --- Frampton, Hollis, --- Frampton, Hollis --- Cinematographers --- Photographers --- Artists --- Cameramen, Lighting --- Directors of photography (Cinematographers) --- Lighting cameramen --- Criticism and interpretation. --- Nostalgia (Motion picture)
Book
ISBN: 9780231201575 9780231201568 Year: 2023 Publisher: New York Columbia University Press
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"Within the history of American experimental film there are few figures as central as Hollis Frampton. Yet it is Frampton's navigation of multiple artistic media and discourses outside the hermetic experimental film universe that marks him as still relevant to twenty-first century aesthetic and cultural debates. Throughout his career, Frampton explored related emerging image arts like early xerography, video, and computers. He was a pioneering digital artist who anticipated collaborative DIY open source programming through his Digital Media Lab. In short, Frampton's importance in American experimental film lies partly in the wide network of connections he represents to other arts, histories, and cultural frameworks. At the center of Frampton's work is his unfinished film, Magellan, which represents a key to understanding his legacy for contemporary art and cinema. Michael Zryd argues that, on one level, the Magellan metaphor is Frampton's way of yoking the modernist project of radical investigation of art and medium to the larger historical and epistemological tradition of Enlightenment thought. On another level, as Frampton begins to critique the modernist project-especially its purism, austerity, and hidden histories of power-he opens up the deeper problems of the Enlightenment tradition, especially the political legacy of capitalism and colonialism, as well as the totalizing logics behind it. While focusing on Magellan, Zryd also considers the full scope of Frampton's works and his exploration of how cinema attempts to capture and understand the world"--
Frampton, Hollis, --- Experimental films --- Motion picture producers and directors --- Criticism and interpretation. --- History and criticism. --- kunst --- experimentele film --- filmtheorie --- film --- filmgeschiedenis --- Frampton Hollis --- Verenigde Staten --- twintigste eeuw --- 791.471 FRAMPTON --- filmkritiek --- Criticism and interpretation --- History and criticism
Book
ISBN: 9780262062763 0262062763 0262254913 9780262254915 9781282240711 1282240714 9786612240713 6612240717 Year: 2009 Volume: *1 Publisher: Cambridge Mass. London MIT Press
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Art photographique --- Arts --- Cinema --- Cinematografie --- Cinematography --- Cinéma --- Cinématographie --- Film --- Films --- Fotografie --- Home movies --- Kunsten --- Motion pictures --- Movies --- Moving-pictures --- Photo --- Photographie --- Photography --- Photography--Animated pictures --- Photography--Motion pictures --- Technique photographique --- Frampton, Hollis --- Arts. --- Cinematography. --- Motion pictures. --- Photography. --- 77.01 --- 778.5 --- kunst --- film --- experimentele film --- avant-garde --- Verenigde Staten --- Frampton Hollis --- fotografie --- video --- nieuwe media --- digitale kunst --- filmtheorie --- kunsttheorie --- 791.471 FRAMPTON --- Fotografie--Semiotiek van de fotografie. Theorie --- Filmfotografie. Filmkunst --- 778.5 Filmfotografie. Filmkunst --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Feature films --- Audio-visual materials --- Mass media --- Performing arts --- Chronophotography --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- History and criticism --- Animated pictures --- Arts, Primitive
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