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Motion pictures --- Painting and motion pictures --- Cinéma --- Peinture et cinéma --- Semiotics --- Sémiotique --- film --- schilderkunst --- schilderkunst en film --- film en schilderkunst --- Benjamin Walter --- Nilsen Vladimir --- Eisenstein Sergei --- expressionisme --- Berkeley Busby --- Hernandez Teo --- 791.41 --- Cinéma --- Peinture et cinéma --- Sémiotique --- Aesthetics --- Motion pictures and painting --- 791.43.049 --- Filmkunst ; verschillende onderwerpen --- Film en kunst ; film en schilderkunst
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Sound motion pictures. --- Motion pictures --- Films sonores --- Cinéma --- Sound effects. --- Aesthetics. --- Son --- Esthétique --- Cinéma --- Esthétique --- Sound motion pictures --- film --- filmtechniek --- filmgeschiedenis --- geluid --- filmmuziek --- 791.41 --- Aesthetics --- Sound effects (Motion pictures) --- Moving-pictures, Talking --- Talkies --- Talking motion pictures --- Sound effects --- 791.43.049 --- 791.43.01 --- Geluidsfilm --- Film ; geluidseffecten --- Film ; audiovisuele processen --- Filmkunst ; verschillende onderwerpen --- Filmkunst ; theorie, filosofie, esthetica
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Michel Chion's landmark Audio-Vision has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. Chion argues that sound film qualitatively produces a new form of perception. Sound in audiovisual media does not merely complement images. Instead, the two channels together engage audio-vision, a special mode of perception that transforms both seeing and hearing. We don't see images and hear sounds separately-we audio-view a trans-sensory whole.In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the contemporary media environment. He takes into account the evolving role of audio-vision in different theatrical environments, considering its significance for music videos, video art, commercial television, and the internet, as well as conventional cinema. Chion explores how multitrack digital sound enables astonishing detail, extending the space of the action and changing practices of scene construction. He demonstrates that speech is central to film and television and shows why "e;audio-logo-visual"e; is a more accurate term than "e;audiovisual."e; Audio-Vision shows us that sound is driving the creation of a sensory cinema.This edition includes a glossary of terms, a chronology of several hundred significant films, and the original foreword by sound designer, editor, and Oscar honoree Walter Murch.
Sound motion pictures. --- Motion pictures --- Aesthetics --- Sound effects (Motion pictures) --- Moving-pictures, Talking --- Talkies --- Talking motion pictures --- Sound effects. --- Aesthetics. --- EDUCATION --- ART --- Higher. --- Film & Video. --- Sound motion pictures --- 791.43.049 --- Film ; theorie ; geluid ; klank --- Film ; geluidseffecten --- Sound effects --- Filmkunst ; verschillende onderwerpen
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Film --- Hitchcock, Alfred --- Architecture --- Architecture in motion pictures. --- 72 --- 791.43 --- 72.01 --- 791.4 --- 791.43.049 --- 791.43.07 --- Architectuur en film --- Scenografie --- 791.471 HITCHCOCK --- Hitchcock Alfred --- film en architectuur --- film --- scenografie --- 798.79 --- architectuur --- Architectuur. Bouwkunst --- Filmkunst. Films. Cinema --- Architectuur --- Architectuur (theorie) --- Architectuurkritiek --- Filmkunst ; verschillende onderwerpen --- Filmregisseurs, acteurs, filmografen --- film, overige onderwerpen --- CDL --- 791.43 Filmkunst. Films. Cinema --- 72 Architectuur. Bouwkunst --- 72 Architecture --- Architecture in motion pictures --- Motion pictures --- Hitchcock, Alfred, --- Hitchcock, Alfred Joseph, --- Hsi-chʻü-kʻao-kʻo, --- Chitskok, Alphrent, --- היצ'קוק, אלפרד, --- Hīchakāk, Al-Frad , --- هيچکاک، الفرد، --- Criticism and interpretation. --- Exhibitions. --- film sets --- Hitchcok, Alfred
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Exhibitions --- kunst --- eenentwintigste eeuw --- Zuid-Afrika --- België --- Morris Wendy --- tekenkunst --- animatie --- tekenfilm --- kunst en politiek --- literatuur --- wereldoorlogen --- Wereldoorlog I --- kunst en literatuur --- 791.46 --- 7.071 MORRIS --- 741.07 --- 791.43.049 --- Tekenkunst ; 21ste eeuw ; Wendy Morris --- Kunst en politiek ; kunst en oorlog ; Wereldoorlog I --- Morris, Wendy °1960 (°Namibië) --- Kunst ; van vrouwen --- Kolonisatie --- Afrika ; westerse houding --- Animatiefilm --- Tentoonstellingscatalogi ; Oostende ; Mu.ZEE --- Tekenkunst ; tekenkunstenaars A - Z --- Filmkunst ; verschillende onderwerpen --- Drawing --- drawing [image-making] --- colonization --- video art --- shipwrecks --- kolonialisme --- Eerste Wereldoorlog --- Morris, Wendy --- South Africa --- #breakthecanon
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This book argues that certain films have more to offer by way of conceptualising education than textual scholarship. Drawing on the work of the later Wittgenstein, it suggests that a shift in our philosophical focus from knowing to seeing can allow for ordinary educational phenomena (teachers, schools, children) to be appreciated anew. The book argues that cinema is the medium best placed to draw attention to this revaluation of the everyday, and particular films are presented as offering unique insights into the aesthetic nature of education as a concept. The book will be of primary interest to educators and educationalists alike, but its interdisciplinary nature should also appeal to those in the fields of film study, philosophy, and aesthetics.
Mass media and education. --- Education and mass media --- Education --- Education in motion pictures --- Mass media and education --- 37.01 --- 7.01 --- 791.43.049 --- Wittgenstein, Ludwig °1889-1951 (°Wenen, Oostenrijk) --- Cavell, Stanley --- Descartes, René --- The Apple --- At five in the Afternoon --- Au revoir les enfants --- Blackboards --- Captain Fantastic --- Cogito --- Dr No --- Cartesius --- Germany Year Zero --- Harry Potter and the Philosopher's Stone --- Makhmalbaf, Samira --- Kiarostami, Abbas --- Malle, Louis --- The Mirror --- Mr Deeds goes to Town --- Panahi, Jafar --- Mulvey, Laura --- Rancière, Jacques --- Vigo, Jean --- Motion pictures --- Onderwijs ; theoretische beschouwingen --- Kunst ; theorie, filosofie, esthetica --- Filmkunst ; verschillende onderwerpen --- Learning. --- Instruction. --- Art education. --- Communication. --- Learning & Instruction. --- Creativity and Arts Education. --- Media and Communication. --- Film and TV Production. --- Production and direction. --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Communication, Primitive --- Mass communication --- Sociology --- Art --- Art education --- Education, Art --- Art schools --- Learning process --- Comprehension --- Production and direction --- Direction --- Analysis, interpretation, appreciation
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