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Continuo --- 78.63 --- 78.21.1 Handel
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Handel, George Frideric --- 78.21.1 Händel --- 78.16 Karlsruhe
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Music --- Musique --- Haendel, Georg Friedrich --- Handel, George Frideric --- Composers --- England --- Biography --- 78.21.1 Händel --- Acqui 2006
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Bach, Johann Sebastian --- Music --- Scarlatti, Domenico --- Handel, George Frideric --- anno 1600-1699 --- Europe --- 78.21.1 Scarlatti --- 78.25 --- 78.21.1 Händel --- 78.21.1 Bach
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Handel, George Frideric, --- Composers --- Biography --- 78.21.1 Händel --- 960 --- levensbeschrijvingen --- biographies et mémoires --- Composers - Biography --- Handel, George Frideric, - 1685-1759 --- Biografieën --- Componisten --- Handel, George Frideric (1685-1759) --- 20e eeuw --- Frankrijk
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This new guide to Handel's most celebrated work traces the course of Messiah from Handel's initial musical response to the libretto, through the oratorio's turbulent first years to its eventual popularity with the Foundling Hospital performances. Different chapters consider the varying reception the work received in Dublin and London, the uneasy relationship between the composer and his librettist Charles Jennens and the many changes Messiah underwent through the varying needs and capacities of Handel's performers. As well as tracing the history of the work's development, the book addresses musical and technical issues such as Messiah's place in the oratorio genre, Handel's treatment of structural design, tonal relationships and English word-setting. An edited libretto elucidates the variants between the text that Handel set and the texts of the early printed word-books. Donald Burrows brings many new insights to this fascinating account of one of the favourite works of the concert hall.
513 --- Muziekanalyse - vormleer --- Handel, George Frideric, --- Handel, George Frideric, 1685-1759. Messiah. --- 78.21.1 Händel --- 526.30 --- Genre- en werkbesprekingen --- Handel, George Friederich --- Muziekanalyses --- Muziekgeschiedenis --- Messiah --- Barok --- Groot-Brittannië --- Handel, George Frideric (1685-1759) --- Oratoria --- 18e eeuw --- Barokmuziek --- Analyses
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Handel, George Frideric, --- Händel, G. F. --- Haendel, Georg Friedrich --- Händel, Georg Frideric --- Haendel, Georges-Frédéric, --- Gendelʹ, Georg Fridrikh, --- Khendel, G. F. --- Khendel, Georg Fridrikh, --- Händel, Georg Friedrich, --- Handel, G. F. --- Haendel, G. F. --- Haendel, Georg Friedrich, --- Gendelʹ, G. F. --- Handel, Geʼorg-Fridrikh, --- Hendelis, G. F., --- Henderu, Georuku Furīdorihhi, --- Haendel, George Frideric, --- Handel, George Frederick, --- Hendel, George Frideric, --- Handel, George Fredrick, --- הנדל, --- Handel, F. G., --- Bibliography. --- 78.21.1 Händel --- 78.08 --- Händel --- Bibliografieën
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Handel, George Frideric, --- Handel, George Frideric --- Haendel, Georges-Frédéric, --- Gendelʹ, Georg Fridrikh, --- Khendel, G. F. --- Khendel, Georg Fridrikh, --- Händel, Georg Friedrich, --- Handel, G. F. --- Haendel, G. F. --- Haendel, Georg Friedrich, --- Gendelʹ, G. F. --- Handel, Geʼorg-Fridrikh, --- Hendelis, G. F., --- Henderu, Georuku Furīdorihhi, --- Haendel, George Frideric, --- Handel, George Frederick, --- Hendel, George Frideric, --- Handel, George Fredrick, --- הנדל, --- Handel, F. G., --- Criticism and interpretation. --- Criticism and interpretation --- Critique et interprétation --- 78.21.1 Handel --- Händel, G. F. --- Haendel, Georg Friedrich --- Händel, Georg Frideric --- Handel, George Frideric, - 1685-1759 - Criticism and interpretation --- Händel --- Handel, George Frideric, - 1685-1759
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